National Revolutionary Art. National Revolutionary Army (NRA). Pure Art Realism In Sculptures.
6Art which does not require professional art guides or interpreters. Wine without the wine tasters (and drunken sloppily from the mug or bottle), and the people’s art for the popular masses, is the only aesthetic of art which we prefer. Art which does not require too much erudite introspection nor deep thought: art that is real and objective.
We are against the concept of etiquette schools which have now flourished: we do not believe schools for the elite are of a revolutionary nature and revolutionary spirit. Wine is the drink of the masses from the legionnaire, to the princes, down to the wildest saloons since Roman times.
We stand against converting a revolutionary people into the class and rank of Titanic.
We won’t show art that depicts fashion and clothing, art of jade stones, art of poetry, art of fine paintings, and only the art of war. We don’t film no jade cabbages or jade pork.
Art should also depict nuclear engineers struggling in arduous labor to bring about nuclear fusion energy, with art depicting real life fourth generation reactors and electric turbines providing energy to the grid emphasizing the heroic nature of labor.
Sculptures of all varieties should be awe inspiring, towering over, and monumental.
If the masses walk into an art museum and see art that is not readily comprehensible, then it is undemocratic and unpopular. If they gaze upon a mural depicting soldiers leading a charge, that is very democratic.
A rare montage of indigenous cannons, import cannons, and modern firearms side by side including captured AFVs and enemy aircraft captured during the course of war. From our own private archives and not released or licensed to the public. Art that takes minutes or hours to comprehend in contrast to art that is comprehensible in a democratic manner.
The classical art of jade, of fine art, of fine things, and poetry: we don’t even bother to photograph as part of our anti-bourgeois and anti-intellectual political stance, and where we advocate for art that exclusively depicts the military and soldiers performing tasks such as shouldering a rifle, affixing their bayonets, and or armored units rolling down some wide country.
As one encounters works of art, the first thing is to interpret the political nature of the art (and all matters of aesthetics second), with the new political consciousness represented by expressions of realist art depicting soldiers in action. Realism in contrast to romanticism and idealism, and erudite abstraction. Street art, popular art, in contrast to the abstract museum art.
As wine is the historic drink of the masses, from the soldiers barracks to the urban streets, people’s art is art for the masses, and not the preserve of museums.
On the origin and the impacts of the firearm, cannon, gunpowder weapons from ancient China across dynasties into the near East, Europe, and across the world.