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Dynasty! (1979)

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龍紋是北宋汝官窯瓷器之皇室工藝典型紋飾
The dragon pattern is a typical pattern of royal craftsmanship in Ru Imperial kiln porcelain in the Northern Song Dynasty

北宋汝官窯瓷器之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns of Ru Imperial Kiln Porcelain in Northern Song Dynasty

https://youtu.be/iEWn7QyMU5g

https://m.facebook.com/groups/fine.art.to.sell/permalink/3176513662671015/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3176862555969459/

台北故宮博物院藏北宋玉雕龍紋盤及玉冊玉匱龍紋嵌片上之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns on the Northern Song Dynasty Jade Carved "Dragon Pattern Plate" and "Jade Plaque composing a jade case with Dragon Pattern Inlays", in the National Palace Museum, Taipei, Taiwan, Republic of China.

就每個瓷盤上的龍紋而言，與台北故宮博物院所藏下列 “1. 宋、遼玉龍紋盤 (907 - 1279年)” 及 “2. 北宋真宗祥符元年 (1008年) 禪地玉冊玉匱嵌片” 上的龍紋相比，每樣兩個成對之兩者皆近似，故推斷有此龍紋瓷盤應屬北宋汝官窯的作品。

As far as the dragon pattern on each porcelain plate is concerned, they are similar to the following "1. the dragon pattern on the Jade plate with dragon pattern Song to Liao dynasty (907 - 1279)", and "2. the dragon pattern on the Jade plaque composing a jade case, made in the first year (1008) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty", both above are in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China. In comparison, both of each pair are similar, so it is inferred that these dragon-patterned porcelain plates should be the works of Ru Imperial kiln in the Northern Song Dynasty.

1. 台北故宮博物院藏宋、遼玉龍紋盤 (907 - 1279 年)

https://digitalarchive.npm.gov.tw/Antique/Content?uid=85&Dept=U

Jade plate with dragon pattern, Song to Liao dynasty (907 - 1279), in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China.

2. 北宋真宗祥符元年 (1008年) 禪地玉冊玉匱嵌片

https://digitalarchive.npm.gov.tw/Antique/Content?uid=47382&Dept=U

Jade plaque composing a jade case, made in the first year (1008) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty.

https://youtu.be/paHb0432HEo

https://m.facebook.com/groups/fine.art.to.sell/permalink/3175817326073982/

北宋晚期 青釉印花盤龍紋瓷盒1989年清涼寺汝官窯遺址I區出土

A celadon-glazed printed porcelain box with dragon pattern, late Northern Song Dynasty, unearthed in Area I of Ru Imperial Kiln Site of Qingliang Temple in 1989

https://kkne.ws/6q1MnE

北宋汝窯天青釉刻劃印花五爪龍吐珠十二梅花紋折沿盤

https://youtu.be/TBkKaYU02Oc

https://youtu.be/wa1nYyX0Aes

https://youtu.be/WA0xEV5m3kA

https://m.facebook.com/groups/fine.art.to.sell/permalink/3167798143542567/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3178634982458883/

圓盤直徑：17.9 ～ 18.0 cm 厘米
圈足直徑：9.1 ～ 9.2 cm 厘米

本瓷盤為滿釉支燒，五支釘痕，香灰胎，天青釉，冰裂紋片，潤之如玉，在器物底部可見細如芝麻狀的支釘痕五個，痕跡很淺，大小如芝麻。

瓷盤龍紋上有數處「黑點之古瓷瑕疵」，龍紋線條「皆是手工製作、亦顯左右不對稱」，十二梅花紋「大小、間隙、寬度、深度皆不相同，明顯是由手工刻劃形成」，底部圈足兩側壁緣有「瑪瑙入釉及聚釉痕跡」，折沿口緣內側邊線上有一個明顯之「棕眼之古瓷瑕疵」，滿釉有古代柴燒氣泡及冰裂開片紋，底部圈足略為外撇。

另外，器底於光線下呈現略為凹凸不平，是由於泥坯中間的部位水份未乾，成型泥胎在掙脫粘連的泥范（模）時，由北宋窯工左右輕微轉動脫模操作所形成。現代仿製品完全無法製作器底略為凹凸不平現象。

https://youtu.be/ozqfM4R88JE

Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Five-clawed Dragon Spit Bead and Twelve Plum Patterns Folding Edge Plate

https://youtu.be/TBkKaYU02Oc

https://youtu.be/wa1nYyX0Aes

https://youtu.be/WA0xEV5m3kA

https://m.facebook.com/groups/fine.art.to.sell/permalink/3167798143542567/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3178634982458883/

Plate diameter: 17.9 - 18.0 cm
Ring foot diameter: 9.1 - 9.2 cm

This porcelain plate was full-glazed and burned with supporting-nails, five supporting-nail marks, incense-ash-like-earth-yellow-greyish porcelain body, sky-green glaze, broken-ice-cracking-like cracking-patterns, jade-like smoothness, and five sesame-like supporting-nail marks can be seen on the bottom of the utensil, the marks are very shallow, their sizes are such as sesames.

The dragon pattern on the porcelain plate has several "black spots of ancient porcelain flaws", the dragon pattern lines "are all handmade and also show asymmetry between the left and right", and the twelve plum patterns "are different in size, gap, width, and depth, which were obviously formed by hand-carving", there are "marks of agate mixed in the glaze and polyglaze" on both side walls of the bottom ring foot, and an obvious "brown-eye-small-hole" which is an ancient porcelain flaw, on the inner edge line of the folding mouth edge. It was fully glazed with ancient wood-fired air bubbles and broken-ice-cracking-like cracking-patterns. The bottom ring foot is slightly slanted outward.

In addition, the bottom of the utensil is slightly uneven under the light. Because when the water in the middle of the porcelain mud body was not dry yet and meanwhile the molded mud body was slightly turned left and right to be broken away from the sticking mud mold. So long as the porcelain kiln workers in the Northern Song Dynasty took the above procedure, then the uneven bottom would have been formed. Modern imitations are completely unable to produce slightly uneven bottoms.

https://youtu.be/ozqfM4R88JE

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