| 301. | Persian carpets, a peacock, and a cucumber, understanding Crivelli's Annunciation | 6:31 | |
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| 302. | Making an icon: JFK and the power of media | 6:30 | |
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| 303. | Van der Weyden, Crucifixion, with the Virgin and Saint John | 6:30 | |
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| 304. | Mantegna, Camera degli Sposi | 6:30 | |
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| 305. | Hans Holbein the Younger, The Ambassadors (updated!) | 6:29 | |
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| 306. | Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series | 6:29 | |
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| 307. | The Sun Stone (The Calendar Stone) | 6:29 | |
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| 308. | Lysippos, Farnese Hercules | 6:28 | |
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| 309. | Wilton Diptych | 6:28 | |
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| 310. | Resisting slavery with poetry and clay, a doubled-handled jug by David Drake | 6:28 | |
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| 311. | Dali, The Persistence of Memory | 6:28 | | The Persistence
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| 312. | Medicine Woman | 6:28 | |
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| 313. | Charles Barry and A.W.N. Pugin, Palace of Westminster (Houses of Parliament) | 6:28 | |
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| 314. | Seneca Village: African Americans in early New York | 6:27 | |
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| 315. | Seeking an authentic American art, Walter Ufer's Hunger | 6:27 | |
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| 316. | Two sides of Lakota life on a beaded suitcase | 6:27 | |
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| 317. | Rome's layered history: the Castel Sant'Angelo | 6:27 | |
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| 318. | The conservator's eye: Taddeo Gaddi, Saint Julian | 6:27 | |
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| 319. | Monument Avenue and the Lost Cause | 6:26 | |
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| 320. | Cézanne, Bathers | 6:26 | |
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| 321. | Seurat, Bathers at Asnières | 6:26 | |
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| 322. | a renaissance gem, The Pazzi Chapel | 6:25 | |
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| 323. | Grant Wood, George Washington and an enduring American myth | 6:25 | |
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| 324. | David, Oath of the Horatii | 6:24 | |
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| 325. | Courbet, Burial at Ornans | 6:24 | |
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| 326. | The power of portraits: Francisca Ramírez de Laredo and Antonio de Ulloa | 6:23 | |
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| 327. | Giotto, Arena (Scrovegni) Chapel (part 4) | 6:23 | |
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| 328. | Augustus of Primaporta, power and propaganda | 6:23 | |
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| 329. | Kurt Schwitters, Merzbild 32A, The Cherry Picture, 1921 | 6:23 | |
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| 330. | Jacques-Louis David, The Death of Marat | 6:23 | |
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| 331. | John Quincy Adams Ward, The Freedman | 6:23 | |
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| 332. | Photographing the Battle of Gettysburg, O'Sullivan's Harvest of Death | 6:22 | |
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| 333. | An artifact of racism: a Connecticut Klan robe | 6:22 | |
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| 334. | Monet, Water Lilies | 6:22 | |
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| 335. | Emeralds and gold to crown the Queen of Heaven | 6:22 | |
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| 336. | Premonition or memory? George Grosz's Remembering | 6:21 | |
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| 337. | Red so rare it was lost to time, a ritual Ming dish | 6:21 | |
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| 338. | Icon of the Triumph of Orthodoxy | 6:21 | |
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| 339. | Homage to JFK: Rauschenberg's Retroactive I | 6:21 | |
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| 340. | Ethiopian Gospel Book—Getty Conversations | 6:21 | |
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| 341. | Mesa Verde and the preservation of Ancestral Puebloan heritage | 6:20 | |
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| 342. | Wood, American Gothic | 6:20 | |
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| 343. | Must art be beautiful? Picasso's The Old Guitarist | 6:20 | |
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| 344. | Leaving home, Ford Madox Brown's The Last of England | 6:20 | |
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| 345. | Speaking to both the past and present: Clarissa Rizal's Resilience Robe | 6:20 | |
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| 346. | An unflinching memorial to civil rights martyrs, Thorton Dial's Blood and Meat | 6:18 | |
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| 347. | Ilana Savdie, Drawings | 6:18 | |
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| 348. | Santa Maria Antiqua Sarcophagus | 6:18 | |
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| 349. | Codex Amiatinus, the oldest complete Latin Bible | 6:18 | |
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| 350. | The Renaissance Synagogues of Venice | 6:17 | |
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| 351. | Francis Guy, Winter Scene in Brooklyn | 6:16 | |
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| 352. | John Singleton Copley, Watson and the Shark | 6:16 | |
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| 353. | Renoir, Luncheon of the Boating Party | 6:16 | |
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| 354. | Teotihuacan’s pyramids and sacred landscape | 6:16 | |
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| 355. | Keeping your loved ones close: a Kota reliquary figure | 6:15 | |
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| 356. | Pacher, St. Wolfgang Altarpiece | 6:15 | |
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| 357. | Manet, Le Déjeuner sur l'herbe | 6:14 | |
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| 358. | A Unicorn in Canada? Looking critically at the Codex Canadensis | 6:14 | |
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| 359. | Hiram S. Powers, The Greek Slave, 1866 | 6:14 | |
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| 360. | Hock E Aye VI Edgar Heap of Birds, Native Hosts | 6:14 | |
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| 361. | Luxury and legacy: The child Mary Spinning in colonial Peru | 6:14 | |
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| 362. | The Fifth Dalai Lama Ngawang Lobzang Gyatso | 6:14 | |
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| 363. | Imperial War Museum North | 6:13 | |
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| 364. | Envisioning Manifest Destiny during the Civil War | 6:13 | |
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| 365. | Clonmacnoise, a medieval monastery | 6:12 | |
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| 366. | Benny Andrews, Flag Day | 6:12 | |
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| 367. | It's complicated: a painting of the Virgin of Guidance | 6:12 | |
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| 368. | Feininger, Cathedral for the Bauhaus | 6:11 | |
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| 369. | The problem of labor, Ford Madox Brown's Work | 6:11 | |
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| 370. | Berlinghieri, St. Francis altarpiece | 6:11 | |
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| 371. | Michelle Browder, Mothers of Gynecology | 6:11 | Vlog |
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| 372. | Paolo Veronese. Feast in the House of Levi | 6:10 | |
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| 373. | Martyr or murderer? Hovenden's The Last Moments of John Brown | 6:10 | |
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| 374. | Collecting near and far, Rembrandt's Abraham Francen | 6:10 | |
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| 375. | Gentile da Fabriano, Adoration of the Magi | 6:10 | |
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| 376. | Navigation Chart, Marshall Islands | 6:09 | |
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| 377. | At the edge of the world, Skellig Michael | 6:09 | |
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| 378. | The Statue of Liberty, constructing the light of democracy | 6:09 | |
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| 379. | Memory, landscape, and loss | 6:08 | |
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| 380. | A Renaissance St. James as pilgrim | 6:08 | |
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| 381. | Breaking the frame, Rhod Rothfuss, Yellow Quadrangle | 6:08 | |
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| 382. | Pentecost and Mission to the Apostles Tympanum, Vézelay | 6:08 | |
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| 383. | Saint Patrick's Bell and Shrine | 6:08 | |
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| 384. | Portraits of the Four Tetrarchs | 6:08 | |
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| 385. | Converting native people: San Agustín de Acolman | 6:08 | |
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| 386. | Custer's Last Stand — from the Lakota perspective | 6:07 | |
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| 387. | “The god of wood," Juan Martínez Montañés and a Baroque sculpture at The Met | 6:07 | Let's Play |
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| 388. | Alexander, the Mongols, and the great epic of Iran | 6:07 | |
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| 389. | Inspiring prayer, Fra Angelico's Annunciation | 6:07 | |
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| 390. | Kehinde Wiley, Rumors of War | 6:07 | |
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| 391. | Breuer, The Whitney Museum of American Art (now The Met Breuer) | 6:07 | |
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| 392. | Reimagining the past, Wang Shimin's landscape paintings | 6:06 | |
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| 393. | Celebrating Victory, Ethiopia and the Battle of Adwa | 6:05 | |
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| 394. | Crowned Nun Portrait of Sor María de Guadalupe | 6:05 | |
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| 395. | Attic Red-Figure: Niobid Painter, "Niobid Krater" | 6:05 | |
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| 396. | Jasper Johns, Flag | 6:05 | |
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| 397. | Divine elegance, Simone Martini's The Annunciation | 6:04 | |
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| 398. | When the department store was new: Elizabeth Sparhawk-Jones, The Shoe Shop, c. 1911 | 6:04 | |
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| 399. | Mondrian, Composition No. II, with Red and Blue | 6:03 | |
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| 400. | Lost History: the terracotta sculpture of Djenné Djenno | 6:03 | Let's Play |
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