| 301. | Caryatid and column from the Erechtheion | 552 | |
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| 302. | Turner, Slave Ship | 549 | |
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| 303. | Victory Stele of Naram-Sin | 548 | |
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| 304. | Red so rare it was lost to time, a ritual Ming dish | 547 | |
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| 305. | The Seated Scribe | 546 | |
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| 306. | Monet, Water Lilies | 546 | |
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| 307. | Jizō Bosatsu — a connection to the divine | 545 | |
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| 308. | Sacred geometry in a Renaissance ceiling from Spain | 543 | |
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| 309. | How to recognize Renoir: The Swing | 539 | |
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| 310. | A new world after the Russian Revolution: Malevich, Suprematist Composition: White on White | 536 | |
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| 311. | Charles Willson Peale, Yarrow Mamout | 535 | |
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| 312. | Feathered headdress | 533 | |
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| 313. | Olmec mask (Olmec-style mask) | 532 | |
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| 314. | The Roman Forum, part II | 531 | |
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| 315. | Laurentian Library | 530 | |
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| 316. | Paradise in miniature, The Court of Kayumars | 529 | |
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| 317. | Dürer, Self-portrait (1500) | 525 | |
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| 318. | Boucher, Madame de Pompadour | 522 | |
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| 319. | What is genre painting? | 522 | |
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| 320. | Charles Barry and A.W.N. Pugin, Palace of Westminster (Houses of Parliament) | 520 | |
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| 321. | Bronzino and the Mannerist Portrait | 519 | |
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| 322. | Capital of a column from the audience hall of the palace of Darius I, Susa | 517 | |
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| 323. | Ilkhanid Mihrab | 516 | |
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| 324. | Santa Maria Antiqua | 515 | |
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| 325. | Thomas Cole, The Oxbow | 515 | |
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| 326. | Beauty is not the point: Donatello's Mary Magdalene | 514 | |
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| 327. | Statue of a Victorious Youth: Getty Conversations | 513 | |
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| 328. | When there is no archaeological record: Portrait Bust of a Flavian Woman (Fonseca bust), part 2 of 2 | 512 | Vlog |
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| 329. | Damnatio Memoriae in ancient Rome | 511 | |
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| 330. | An introduction to Medieval scripts | 506 | |
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| 331. | Leonardo and the Last Supper (renewed!) | 506 | |
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| 332. | It's not only about the American Revolution, Leutze's Washington Crossing the Delaware | 504 | |
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| 333. | Bronze Casting | 504 | |
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| 334. | Morisot, The Cradle | 502 | |
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| 335. | Mummy of Herakleides: Getty Conversations | 500 | |
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| 336. | Gender and power, the Moche tomb of Señora de Cao | 499 | |
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| 337. | Quiet violence, Artemisia Gentileschi's Judith | 499 | |
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| 338. | Capitoline Brutus | 498 | |
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| 339. | Titian, Venus of Urbino | 498 | |
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| 340. | Mosaics and power in Sant’Apollinare Nuovo | 496 | |
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| 341. | The Roman Forum, part III | 495 | |
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| 342. | Zaha Hadid, MAXXI National Museum of XXI Century Arts, Rome | 493 | |
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| 343. | Verrocchio's David: more real, less ideal | 493 | |
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| 344. | A shimmering Icon in Venice | 487 | |
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| 345. | Mies van der Rohe, Seagram Building | 484 | |
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| 346. | A brutal history told for a modern city, Diego Rivera's Sugar Cane | 483 | |
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| 347. | Paying tribute, Masaccio at the Brancacci Chapel (The Tribute Money and The Expulsion) | 483 | |
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| 348. | Looting, collecting, and exhibiting: the Bubon bronzes | 483 | |
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| 349. | Portraits of the Four Tetrarchs | 481 | |
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| 350. | Duchamp, Fountain | 480 | |
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| 351. | Brunelleschi, Santo Spirito | 478 | |
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| 352. | Kandinsky, Improvisation 28 (second version), 1912 | 476 | |
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| 353. | Cassatt, In the Loge | 474 | Vlog |
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| 354. | Frank Lloyd Wright, Solomon R. Guggenheim Museum | 474 | |
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| 355. | Fragonard, The Meeting | 473 | |
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| 356. | Behind the icon, Dorothea Lange's Migrant Mother | 473 | |
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| 357. | Deësis mosaic, Hagia Sophia, Istanbul | 472 | |
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| 358. | A very expensive atlas | 472 | |
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| 359. | Pablo Picasso, Gertrude Stein | 471 | |
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| 360. | Vessel with a mythological scene (Maya) | 471 | Vlog |
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| 361. | The Competition Panels and the Florentine Renaissance | 470 | |
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| 362. | Courbet, A Burial at Ornans, 1849-50 | 469 | |
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| 363. | An introduction to New Spain | 468 | |
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| 364. | Inventing the image of Saint Francis | 467 | |
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| 365. | Pair of Earflares, Winged Messengers (Moche Culture, Peru) | 465 | |
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| 366. | Monet, Rouen Cathedral Series | 465 | |
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| 367. | Friedrich, Monk by the Sea | 464 | |
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| 368. | Before the Civil War, the Mexican-American War as prelude | 463 | |
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| 369. | Paolo Veronese. Feast in the House of Levi | 463 | |
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| 370. | Tlatilco figurines | 463 | |
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| 371. | How to recognize the Buddha | 463 | |
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| 372. | Rubens, The Presentation of the Portrait of Marie de' Medici | 462 | |
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| 373. | Michelle Browder, Mothers of Gynecology | 461 | Vlog |
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| 374. | African Burial Ground, New York City | 459 | |
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| 375. | A moment in time that's lasted 2000 years— the Spinario (boy pulling a thorn from his foot) | 458 | |
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| 376. | Thomas Cole: America's first environmentalist artist | 458 | |
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| 377. | Giacometti, Walking Man II | 456 | |
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| 378. | Monet's Wheatstacks (Snow Effect, Morning) | 456 | |
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| 379. | The Hay Wain, Constable and the English countryside | 455 | |
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| 380. | Friedrich, Abbey among Oak Trees | 455 | |
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| 381. | Bruegel, the Dutch Proverbs | 455 | |
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| 382. | Unfinished business—Michelangelo and the Pope | 455 | |
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| 383. | What is atmospheric perspective? | 447 | |
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| 384. | Donatello, Equestrian Monument of Gattamelata | 447 | |
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| 385. | Clonmacnoise, a medieval monastery | 447 | |
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| 386. | Degas, The Dance Class | 447 | |
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| 387. | Millais, Mariana | 445 | |
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| 388. | Caravaggio, Crucifixion of Saint Peter | 442 | |
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| 389. | Harp Player, Early Cycladic period | 440 | |
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| 390. | Giotto, Arena Chapel, part 1 (of 4) | 440 | |
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| 391. | Newgrange, a prehistoric tomb in Ireland | 440 | |
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| 392. | How to recognize a bodhisattva | 436 | |
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| 393. | New York Kouros | 436 | |
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| 394. | Magritte, The Treachery of Images (Ceci n’est pas une pipe) | 436 | |
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| 395. | Aztec warriors and gods in the House of the Eagles | 435 | |
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| 396. | Dreaming big, Thomas Cole paints 4,500 years of architectural history in The Architect's Dream | 433 | |
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| 397. | Queen or goddess? | 432 | |
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| 398. | Giotto, Arena (Scrovegni) Chapel (part 4) | 432 | |
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| 399. | Jade Cong | 430 | |
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| 400. | Bodhisattva | 430 | |
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