| 401. | Inspiring prayer, Fra Angelico's Annunciation | 430 | |
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| 402. | What does the music of heaven sound like?— St Cecilia in New Spain | 428 | |
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| 403. | Paul Gauguin, Self-Portrait with Portrait of Émile Bernard (Les misérables) | 427 | |
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| 404. | Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimis | 427 | |
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| 405. | The cost of war: Delacroix, Greece on the Ruins of Missolonghi | 424 | |
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| 406. | The Good Shepherd in Early Christianity — Hermes recast | 421 | |
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| 407. | The angry ducks of a Ming prince | 419 | |
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| 408. | Eleusis Amphora | 417 | |
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| 409. | Attic Red-Figure: Niobid Painter, "Niobid Krater" | 415 | |
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| 410. | The Mesoamerican Ballgame and a Classic Veracruz yoke | 415 | |
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| 411. | Picasso, Still Life with Chair Caning | 415 | |
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| 412. | Caravaggio, Narcissus at the Source | 414 | |
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| 413. | Palmyra: the modern destruction of an ancient city | 414 | |
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| 414. | A failed experiment: Medici porcelain | 412 | |
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| 415. | Looking past symbolism: meaning and Dutch still life | 408 | |
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| 416. | Anavysos Kouros | 408 | |
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| 417. | How to Recognize the Four Evangelists | 407 | |
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| 418. | Voyage to the moai of Rapa Nui (Easter Island) | 406 | |
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| 419. | Hiding the divine in a medieval Madonna | 405 | |
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| 420. | Michelangelo, The Slaves | 403 | |
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| 421. | Turning oil paint into gold: Petrus Christus, A Goldsmith in his Shop | 403 | |
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| 422. | Parmigianino, Madonna of the Long Neck | 402 | |
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| 423. | David, The Intervention of the Sabine Women | 399 | |
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| 424. | Willem Kalf, Still Life with a Silver Ewer | 398 | |
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| 425. | Sinan, Rüstem Pasha Mosque | 398 | |
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| 426. | Martyr or murderer? Hovenden's The Last Moments of John Brown | 397 | |
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| 427. | Gentile da Fabriano, Adoration of the Magi | 395 | |
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| 428. | Couple (Dogon peoples) | 395 | |
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| 429. | Teotihuacan’s pyramids and sacred landscape | 392 | |
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| 430. | Donatello, Saint Mark | 390 | |
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| 431. | Giotto, The Last Judgment, Arena Chapel, part 4 (of 4) | 390 | |
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| 432. | Mesa Verde and the preservation of Ancestral Puebloan heritage | 389 | |
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| 433. | Michelangelo's Early Work | 389 | |
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| 434. | Ludovisi Battle Sarcophagus | 388 | |
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| 435. | Tlaloc vessel | 388 | |
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| 436. | How to recognize Monet: The Basin at Argenteuil | 388 | |
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| 437. | Between Amsterdam and Asia, a Dutch East India Company ship | 387 | |
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| 438. | Toward the high Renaissance: Verrocchio and Leonardo | 387 | |
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| 439. | Delacroix, The Death of Sardanapalus | 385 | |
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| 440. | Pushing the limits, The Monadnock Building | 384 | |
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| 441. | The "Palace" and Grave Circle A, Mycenae, c. 1600-1100 B.C.E. | 384 | |
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| 442. | Please watch the updated video, link below, Il Gesù, | 383 | |
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| 443. | Empire: Painted Garden, Villa of Livia | 383 | |
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| 444. | Haniwa warrior in keiko armor | 382 | |
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| 445. | Mantegna, Camera degli Sposi | 381 | |
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| 446. | Andrea Mantegna, Lamentation over the Dead Christ, c. 1483 | 380 | |
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| 447. | Eye to eye, looking at a Renaissance Jesus | 380 | |
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| 448. | Portrait Bust of a Flavian Woman (Fonseca Bust), part 1 of 2 | 379 | |
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| 449. | The Fur Tea Cup, Oppenheim's Object | 379 | |
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| 450. | Hector Guimard, Entrance Gate to Paris Subway (Métropolitain) Station, Paris, France | 378 | |
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| 451. | The first modern photograph? Alfred Stieglitz, The Steerage | 377 | |
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| 452. | Judith Leyster, Self-Portrait | 377 | |
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| 453. | Adoration of the Magi | 374 | |
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| 454. | Ceramics from early Japan, the Jōmon | 374 | |
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| 455. | Mantegna, Dead Christ | 374 | |
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| 456. | Nightingales and nightmares, Max Ernst and Dada | 372 | |
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| 457. | Spirit path to the tomb of the first Ming Emperor | 372 | |
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| 458. | Hannah Höch, Cut with the Kitchen Knife, 1919-20 | 372 | |
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| 459. | The painting that inspired a National Park | 370 | |
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| 460. | Masaccio, The Virgin and Child | 369 | |
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| 461. | Master of the (Fishing) Nets Garden | 368 | |
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| 462. | Please watch our new video (see below) | 368 | |
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| 463. | Simone Martini, Annunciation | 367 | |
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| 464. | Exploding tradition, Whistler's Nocturne in Black and Gold, the Falling Rocket | 366 | |
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| 465. | Seeing the head of Saint John the Baptist, Donatello's Feast of Herod | 366 | |
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| 466. | Cimabue, Santa Trinita Madonna | 365 | |
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| 467. | Masami Teraoka, American Kabuki | 364 | |
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| 468. | Pontormo, Deposition, Pieta or Entombment? a Mannerist puzzle in paint | 363 | |
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| 469. | This video has been replaced See below... | 362 | |
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| 470. | Apulu (Apollo of Veii) | 361 | |
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| 471. | Saving Venice | 360 | |
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| 472. | What does the Virgin Mary look like? | 359 | |
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| 473. | Woven cultures, the complex history of an Ottoman carpet | 359 | |
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| 474. | Preserving Nam June Paik's Electronic Superhighway | 359 | |
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| 475. | The Utrecht Psalter and its influence | 357 | |
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| 476. | Giotto, Arena Chapel, part 2 (of 4) | 357 | |
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| 477. | Power Figure: Male (Nkisi) | 356 | |
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| 478. | Public art, politics, and the banishing of Civic Virtue | 355 | |
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| 479. | Bushel with ibex motifs | 353 | |
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| 480. | Vermeer, Young Woman with a Water Pitcher | 353 | |
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| 481. | Asia in Holland, 17th century Delftware | 352 | |
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| 482. | A knotted puzzle buried for a millennium | 351 | |
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| 483. | Jewish silversmiths: Amazigh (Berber) jewelry from North Africa | 351 | |
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| 484. | Rachel Ruysch, Fruit and Insects | 351 | |
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| 485. | A Pink Qur'an for a king | 350 | |
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| 486. | Masaccio, Expulsion of Adam and Eve from Eden | 350 | |
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| 487. | A show-stopping cut-glass punch bowl | 349 | |
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| 488. | Turner, Rain, steam, and speed – the great western railway | 347 | |
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| 489. | Fra Filippo Lippi, Madonna and Child with two Angels | 347 | |
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| 490. | Heaven on earth, Duccio's Rucellai Madonna | 345 | |
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| 491. | How real is too real? Pedro de Mena's sculptures (corrected) | 344 | |
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| 492. | Ever wonder why people become art historians? We asked colleagues, what do you study and why? | 343 | |
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| 493. | When the department store was new: Elizabeth Sparhawk-Jones, The Shoe Shop, c. 1911 | 342 | |
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| 494. | Divine elegance, Simone Martini's The Annunciation | 342 | |
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| 495. | Nicola and Giovanni Pisano, 1260-1301 | 341 | |
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| 496. | Renaissance curiosity in microcosm | 341 | |
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| 497. | Sargent, Carnation, Lily, Lily, Rose | 341 | |
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| 498. | A modern gem, the Reliance Building, Chicago | 341 | |
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| 499. | Seurat, Bathers at Asnières | 341 | |
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| 500. | Piero della Francesca, Portraits of the Duke and Duchess of Urbino | 341 | |
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