Game:

The Legend of Zelda: Ocarina of Time (1998)

Duration: 3:44

1,030 views

19

Music: End Credits / Staff Roll (Part 2)
Composers: Koji Kondo
Platform: Nintendo 64 / Nintendo 3DS

Music theory analysis and piano cover visualization project made with the actual audio tracks from the original Nintendo 64 game. Extracted with a specialized audio software, we can now dig inside the score for the first time; offering us a glimpse for how each instrument contributes to the whole.

♫ Support the Channel: https://www.buymeacoffee.com/musictracks
♫ Media files and support for future interactive tools:

https://bit.ly/officialmusictracksmedia

Musical Analysis:

Structure: Section 0 / Section 1 / Section 2 / Section 3 / Section 4 / Section 5 / Section 6 / Section 7 / Section 8 / Section 9 / Section 10 / Section 11 / Section 12 / Section 13 / Section 14
Time Signature: 2/4, 4/4, 3/4
Tempo: 140; 69 (dynamic from 51 to 121)
Melodic and Harmonic Profiles: Atonal (Section 0); F Lydian; C Ionian/Major; A Aeolian/Minor; C Whole Tone; C Phrygian Major

♫ Continue to Blog and Musical Analysis: https://officialmusictracks.wordpress.com

What? But if it doesn't sound anything like the original track!
- There are a couple of reasons that make it impossible to get a perfect conversion between the music from inside the game and the audio files. First, there is the fact that the audio inside the cartridge uses a music sequence format called Music Macro Language, a format that has additional information for the playing in-game; then there is the problem of reproducing the particular reverb effect that the N64 used–even the team behind the sound for the 3ds remake had trouble replicating the effect!– and third we have the audio compression that is absent here and helped to glue the instruments together, affecting the final mix.

#zeldamusic #VideoGameMusic #ocarinaoftimemusic

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