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🔴 ‘Flow’ Review: A Cute Kitty Centers One of the Most Groundbreaking Animated Films About Nature Since ‘Bambi’ P B P✔
Building on the extraordinary naturalism that Disney pioneered for its animal characters in the early 1940s, particularly with Figaro the cat in “Pinocchio,” as well as “Bambi” — built out of the closest study, rather than outright rotoscoping — Zilbalodis lets his animals be animals. The cat, who’s the lead character in “Flow,” conveys the world through the way he arches his back, crouches to the ground, perks up or flattens his ears, and widens his eyes in this completely dialogue-free movie about the wonder of perception and the underappreciated latent intelligence of animals.
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When the film opens, the cat is living in a house where there are no humans present, though there are signs that human life was very recently there. There’s an artist’s desk in the loft where the kitty likes to curl up, and a sketch of him that someone’s made. And around the house, located in a beautiful forest, are statues of the cat — one that’s incredibly gianted-size among them. This cat was clearly loved. But now he’s alone.
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