"TV & Cell Phone Dorm Convo" is by far the longest composition in the entire movie, almost double the running time of "End Credits". The main theme motif makes its return among some other activity in the piece.
I don't recall too many specifics about the recording session, but I'd be surprised if I wasn't holding my breath by the end of the track. If not, I was swept up in it. Either way, it was one of the numerous tracks that only needed one take to get right.
The track's title is further testament to the naming - nothing whimsical, just the filename note as we saved the take and moved on to the next one.
Red Letter Day's score was composed and perfromed by Adam Pilbeam.
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