Thriller Sci-fi - 2:22 Movie (2017) Recap Explained in Hindi | Hollywood Explain in Hindi
Movie - Thriller Sci-fi - 2:22 Movie (2017) | Hollywood Explain in Hindi
Dylan Branson, an air traffic controller, experiences a series of perpetual strange events after he nearly causes a mid-air collision. Later, he decides to uncover the truth.
2:22 is a 2017 science fiction thriller film.
Directed by Paul Currie
Written by Nathan Parker, Todd Stein
Produced by Bill Mechanic, Steve Hutensky, Paul Currie, Bruce Davey, Jodi Matterson
Cast:
Michiel Huisman as Dylan Branson
Teresa Palmer as Sarah
Sam Reid as Jonas
Duncan Ragg as Jake
Jessica Clarke as Evelyn
Jack Ellis as Noah
Maeve Dermody as Sandy, Dylan's ex-girlfriend
Kerry Armstrong as Catherine
Cinematography David Eggby
Edited by William Hoy, Sean Lahiff, Gary Woodyard
Music by Lisa Gerrard, James Orr
Production companies:
Lightstream Pictures
Pandemonium Films
Walk The Walk Entertainment
Distributed by Magnet Releasing , Icon Film Distribution (Australia)[1]
Box office $3,945,729
Music Courtesy
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Plot of Movie 2: 22
Dylan Branson works as an air traffic controller at John F. Kennedy International Airport; he possesses the ability to visualize constellations and patterns, and though he has a pilot's license, he has a fear of flying. He has a recurring dream of a shooting occurring at Grand Central Terminal at 2:22 p.m. At work, Dylan begins hallucinating at 2:22 p.m, only able to break out from his fugue state just in time to prevent a collision between two planes. Following this, he is suspended from work, pending a full board review.
Dylan begins to realize that the same things happen to him at the same time every day, and by 2:21 he somehow arrives at Grand Central Terminal, where—although not the same individuals—he always sees the same type of people: a businessman reading a newspaper, an older couple embracing, a party of school children, and a pregnant woman standing alone under the clock. At exactly 2:22 p.m, an electrical malfunction causes the station glass to shatter. . . .