Using signal processing for weapon sound design
A short video demonstrating how signal processing can enhance specific qualities of a sound effect (using a gun burst as an example).
Sound design: Sergey Eybog.
www.lesser-vibes.com
Other Videos By Sergey Eybog
2019-10-06 | Sergey Eybog — Maybe We Dreamt Of It (2006) |
2019-09-14 | Sergey Eybog — Posh Shop OST (2007) |
2019-09-08 | Silent Owl — Tea Station |
2019-08-03 | Silent Owl — Megastructure (Laboratory Of Dreams, 2016) |
2019-07-07 | Sergey Eybog — The Narlmarches (Pathfinder: Kingmaker, 2018) |
2019-06-14 | Sergey Eybog — Potion Bar OST (2010) |
2019-06-08 | Sergey Eybog — Ghosts Of The Forest (The Master of Living Things, 2013) |
2019-05-25 | Sergey Eybog — The Herbalist OST (2015) |
2019-05-15 | ELIAS Composer's Studio: interactive map music test |
2019-05-13 | Monster voice sound design example (signal processing and layering) |
2019-05-13 | Using signal processing for weapon sound design |
2019-05-04 | Sergey Eybog — Lost Memories (Rainbow Web 2, 2011) |
2019-04-27 | Sergey Eybog — Cosmic Stacker OST (2008) |
2019-04-21 | Sergey Eybog — Into The Mist (Lost Souls: Timeless Fables, 2014) |
2019-04-04 | Sergey Eybog — Groovy Chords (Leeloo's Talent Agency, 2008) |
2019-03-23 | Divi-Dead - こもれび (Caribbean cover by Sergey Eybog) |
2019-03-10 | Sergey Eybog — Nightlife (Leeloo's Talent Agency, 2008) |
2019-02-21 | Sergey Eybog — InSpheration OST (2006) |
2019-01-18 | Sergey Eybog — Reflection On Water ("Everlasting Summer", 2013) |
2019-01-18 | Sergey Eybog — Let's Be Friends ("Everlasting Summer", 2013) |
2019-01-18 | Sergey Eybog — Waltz Of Doubts ("Everlasting Summer", 2013) |
Tags: sound design
gun
glock
vst
processing
creative