Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimis VIDEO
Representation & Abstraction: Looking at Millais and Newman John Everett Millais, Ophelia, 1851-2 (Tate Britain) and Barnett Newman, Vir Heroicus Sublimus, 1950-51 (MoMA) A conversation with Sal Khan, Beth Harris & Steven Zucker. Created by Beth Harris, Steven Zucker and Sal Khan.
Other Videos By Smarthistory 2012-09-29 Attic Black-Figure: Exekias, amphora with Ajax and Achilles playing a game 2012-09-28 Ancient Greek temples at Paestum, Italy 2012-09-23 Hans Haacke, Seurat's 'Les Poseuses' (small version) 2012-09-23 Giorgione, the Adoration of the Shepherds 2012-09-20 Quarrying and carving marble 2012-09-19 This video has been replaced, link below 2012-09-15 Pair of Centaurs Fighting Cats of Prey from Hadrian's Villa, Tivoli 2012-09-09 Art and context: Monet's Cliff Walk at Pourville and Malevich's White on White 2012-09-04 Jackson Pollock, One: Number 31, 1950 2012-09-02 Art as concept: Duchamp, In Advance of the Broken Arm 2012-09-02 Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus Sublimis 2012-09-02 Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living 2012-08-30 Andy Warhol's Soup Cans: Why Is This Art? 2012-08-21 Watch the updated video, link below - Bernini, Ecstasy of Saint Teresa 2012-08-19 Letter to the Duke of Milan 2012-08-19 Pontormo, The Entombment of Christ 2012-08-18 Apollonius, Seated Boxer 2012-08-16 Raphael, Galatea 2012-08-15 Van Eyck, The Arnolfini Portrait 2012-08-13 Mantegna, Camera degli Sposi 2012-08-11 Polykleitos, Doryphoros (Spear Bearer)
Tags: art history
smarthistory
abstract art
abstraction
illusion
modern art
art