Carlo Galeffi Ballo in maschera Eri tu Columbia 8027 M enregistré ca 1925
7Carlo Galeffi - Ballo in maschera - Eri tu - Columbia 8027 M enregistré ca 1925
Carlo Galeffi (June 4, 1882, Malamocco (Venice) - September 22, 1961, Rome) was a leading Italian baritone, particularly associated with the operatic works of Giuseppe Verdi and the various verismo composers.
The young Galeffi studied with Di Como and Sbriscia. According to The Concise Oxford Dictionary of Opera, he made his professional debut in 1903, aged 21, at Rome's Teatro Adriano, as Enrico in Lucia di Lammermoor. Galeffi sang throughout Italy before reaching Italy's premier opera house, La Scala, Milan, in 1912. He would remain at La Scala until 1938, becoming a favorite of the conductor Arturo Toscanini.
Galeffi made his American debut in Boston in 1910. He sang at the New York Metropolitan Opera only once, on November 29 of that same year, as Verdi's Rigoletto (which was often considered to be his greatest role). Galeffi sang, too, at the Lyric Opera of Chicago from 1919 to 1921, and also appeared in South America on a number of occasions.
The bulk of Galeffi's career, however, took place in Italy, especially at La Scala, where he was much acclaimed for his performances of Verdi roles that ranged from Nabucco, through Renato, Di Luna, Amonasro and Simon Boccanegra, to Iago. Other parts that he sang included Tell in Rossini's Guglielmo Tell, Douglas in Mascagni's Guglielmo Ratcliff, Scarpia in Puccini's Tosca, Tonio in Leoncavallo's Pagliacci, Gerard in Giordano's Andrea Chénier, Amfortas in Wagner's Parsifal and Telramund in Wagner's Lohengrin.
At the Costanzi theatre in Rome in 1919, Galeffi gave Europe's first performances of the roles of Gianni Schicchi in Gianni Schicchi and Michele in Il tabarro, both composed by Puccini. He also created Manfredo in Montemezzi's L'amore dei tre re and Fanuel in Boito 's Nerone (at La Scala in 1913 and 1924 respectively), and Raimondo in Mascagni's Isabeau (at Buenos Aires in 1911).
Galeffi possessed a beautiful voice supported by an excellent technique. He is considered to have been one of the finest operatic baritones active during the period between the outbreak of World War I and the onset of World War II, despite the fact that his singing could become over-emotional on occasion.
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