Crawford art gallery Cork walkthrough, sculpture room

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Among the earliest acquisitions in the gallery's collection are casts of classical Greek and Roman statues by Antonio Canova. These were brought to Cork from the Vatican in 1818.The Royal Cork Institution acquired these works from the Society of Fine Arts in Cork, who had been given the casts by the Prince Regent (later George IV of the United Kingdom).[12] He in turn had received them from Pope Pius VII, who had commissioned Antonio Canova to make a set of plasters from statues in the Vatican

The Crawford Art Gallery (Irish: Áiléar Crawford)[3] is a public art gallery and museum in the city of Cork, Ireland. Known informally as the Crawford,[4] it was designated a 'National Cultural Institution' in 2006.[5] It is "dedicated to the visual arts, both historic and contemporary", and welcomed 265,438 visitors in 2019.

Crawford Art Gallery
Áiléar Crawford
Crawford logo.jpeg
Crawford Art Gallery, Cork City.jpg
Main entrance on Emmet Place
Crawford Art Gallery is located in IrelandCrawford Art Gallery
Location within Ireland
Established
1850 (as Cork School of Design)
1880 (as Crawford Art School)
1979 (as Crawford Art Gallery)
Location
Emmet Place, Cork, Ireland
Coordinates
51.8998°N 8.4733°W
Type
Municipal art gallery
Key holdings
Greek and Roman sculpture casts (1818)
Collection size
c.4,000 works
Visitors
265,438 (2019)

The Crawford is based in the centre of Cork in what used to be the Cork Customs House, built in 1724.The Customs House became home to the Royal Cork Institution (RCI) in the 1830s, and the RCI was involved in opening the Cork School of Design on the site in 1850.In the early 1880s, the Cork School of Design was extended with funds and patronage from members of the Crawford family, who were local landowners and brewers. For this reason the school was renamed as the Crawford School of Art in 1885.In 1979, the art school transferred to another site, and the Crawford building used primarily as a gallery and museum. The museum buildings were substantially extended in 2000.

Among the earliest acquisitions in the gallery's collection are casts of classical Greek and Roman statues by Antonio Canova. These were brought to Cork from the Vatican in 1818. The Royal Cork Institution acquired these works from the Society of Fine Arts in Cork, who had been given the casts by the Prince Regent (later George IV of the United Kingdom).He in turn had received them from Pope Pius VII, who had commissioned Antonio Canova to make a set of plasters from statues in the Vatican.

Due to the gallery's association with the Cork School of Art (later known as the Crawford College of Art and Design), some items in the museum collection are by staff and students of the school. These include works by James Brenan (who was headmaster of the school from 1860 to 1889) and students such as Henry Jones Thaddeus and William Gerard Barry.

Other items in the collection include works by sculptors such as John Hogan and Eilis O'Connell, stained-glass artists like Harry Clarke and Evie Hone,] painters including William Orpen (a student of James Brenan), Jack B. Yeats, and Nano Reid,as well as photographer Bob Carlos Clarke.

The gallery hosts education and outreach programmes,and manages temporary and travelling exhibitions.
"Marble statue" redirects here. For the song by Gigolo Aunts, see Everybody Happy.
Marble sculpture is the art of creating three-dimensional forms from marble. Sculpture is among the oldest of the arts. Even before painting cave walls, early humans fashioned shapes from stone. From these beginnings, artifacts have evolved to their current complexity.



An ancient Greek marble Trojan archer sculpture from the Temple of Aphaia missing original paint (left), and a re-creation of the same polychromy sculpture based on archaeological remnants of paint found on the marble surface (right)Most ancient European marble sculptures were painted.
Marble is a metamorphic rock derived from limestone, composed mostly of calcite (a crystalline form of calcium carbonate, CaCO3). The original source of the parent limestone is the seabed deposition of calcium carbonate in the form of microscopic animal skeletons or similar materials. Marble is formed when the limestone is transformed by heat and pressure after being overlain by other materials. The finest marbles for sculpture have no or few stains, though natural stains can be incorporated into the work itself.

Among the commonly available stones, only marble has a slight translucency i.e. subsurface scattering that is comparable to that of human skin. It is this translucency that gives a marble sculpture a visual depth beyond its surface and this

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