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A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, German, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural.

Fairy
SophieAndersonTakethefairfaceofWoman.jpg
A portrait of a fairy, by Sophie Gengembre Anderson (1869). The title of the painting is Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things (purportedly taken from a poem by Charles Ede).
Grouping
Legendary creature
Pixie
Sprite
Tuatha Dé Danann
Region
Europe
Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature.

The label of fairy has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. Fairy has at times been used as an adjective, with a meaning equivalent to "enchanted" or "magical". It is also used as a name for the place these beings come from, the land of Fairy.

A recurring motif of legends about fairies is the need to ward off fairies using protective charms. Common examples of such charms include church bells, wearing clothing inside out, four-leaf clover, and food. Fairies were also sometimes thought to haunt specific locations, and to lead travelers astray using will-o'-the-wisps. Before the advent of modern medicine, fairies were often blamed for sickness, particularly tuberculosis and birth deformities.

In addition to their folkloric origins, fairies were a common feature of Renaissance literature and Romantic art, and were especially popular in the United Kingdom during the Victorian and Edwardian eras. The Celtic Revival also saw fairies established as a canonical part of Celtic cultural heritage.

Etymology
Historical development
Descriptions
Origins
Characteristics
Much folklore of fairies involves methods of protecting oneself from their malice, by means such as cold iron, charms (see amulet, talisman) of rowan trees or various herbs, or simply shunning locations "known" to be theirs, ergo avoiding offending any fairies.[46] Less harmful pranks ascribed to fairies include: tangling the hair of sleepers into fairy-locks (aka elf-locks), stealing small items, and leading a traveler astray. More dangerous behaviors were also attributed to fairies; any form of sudden death might have stemmed from a fairy kidnapping, the evident corpse a magical replica of wood.[47] Consumption (tuberculosis) was sometimes blamed on fairies who forced young men and women to dance at revels every night, causing them to waste away from lack of rest.[48] Rowan trees were considered sacred to fairies,[49] and a charm tree to protect one's home.[50]

Classifications
Changelings
Protective charms
Legends
Sometimes fairies are described as assuming the guise of an animal.[70] In Scotland, it was peculiar to the fairy women to assume the shape of deer; while witches became mice, hares, cats, gulls, or black sheep. In "The Legend of Knockshigowna", in order to frighten a farmer who pastured his herd on fairy ground, a fairy queen took on the appearance of a great horse, with the wings of an eagle, and a tail like a dragon, hissing loud and spitting fire. Then she would change into a little man lame of a leg, with a bull's head, and a lambent flame playing round it.[71]

In the 19th-century child ballad "Lady Isabel and the Elf-Knight", the elf-knight is a Bluebeard figure, and Isabel must trick and kill him to preserve her life.[72] The child ballad "Tam Lin" reveals that the title character, though living among the fairies and having fairy powers, was, in fact, an "earthly knight" and though his life was pleasant now, he feared that the fairies would pay him as their teind (tithe) to hell.[72]

"Sir Orfeo" tells how Sir Orfeo's wife was kidnapped by the King of Faerie and only by trickery and an excellent harping ability was he able to win her back. "Sir Degare" narrates the tale of a woman overcome by her fairy lover, who in later versions of the story is unmasked as a mortal. "Thomas the Rhymer" shows Thomas escaping with less difficulty, but he spends seven years in Elfland.[73] Oisín is harmed not by his stay in Faerie but by his return; when he dismounts, the three centuries that have passed catch up with him, reducing him to an aged man.[74] King Herla (O.E. "Herla cyning"), originally a guise of Woden but later Christian