Oppenheimer Interview: Composer Ludwig Göransson
718With Christopher Nolan’s latest, Oppenheimer, now in theaters and IMAX, Collider’s Steve Weintraub spoke to the film’s composer, Ludwig Göransson (Black Panther), about reuniting with the auteur director for one of this year’s biggest features. Having also previously worked together on Tenet, Göransson tells Weintraub it was “extremely exciting” to get the call for Oppenheimer, not only for the opportunity but because “...the way that he works with music in his movies is incredibly unique. It's almost like it's its own characters in his films.”
Oppenheimer is the white-knuckle biopic about physicist Robert. J. Oppenheimer, played by Cillian Murphy in his first-ever leading role with longtime collaborator Nolan. To tell the harrowing account of the man behind the world’s first nuclear weapon, the movie also boasts the talent of Robert Downey Jr., Matt Damon, Emily Blunt, and Florence Pugh.
During their interview, Göransson talks about the process of working with Nolan, from receiving that first call to reading the script and visualizing the music. He tells Weintraub what about the score he learned from the very first read, why violins play such a vital part in the music of Oppenheimer, how the “spellbinding” visuals of the movie played into the music, and why this job was so daunting at first. Göransson also discusses recording the music in under 10 days, what piece proved to be most challenging, and how AI may affect his work in the industry. You can find out all about this and more in the video or transcript below.
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