RetroMagix Virtual Harpsichord VST VST3 Audio Unit EXS24 KONTAKT: Flemish, French, German & Italian
59http://retromagix.syntheway.net - RetroMagix is a virtual harpsichord based on the Flemish (Belgian Dutch), French, German and Italian models and designed for creating a wide range of sounds. Suitable for Renaissance, Baroque and Classical music as well as for contemporary harpsichord, neoclassical and fusion style. Available as a plug-in in VST and VST3 formats for Windows 64 bit, and as Audio Unit, VST and VST3 plug-ins for macOS, in native Apple silicon mode (Universal 2 binary), with support for both 64-bit Intel and Apple (M1, M2) processors. Alternatively, the EXS24 and KONTAKT sample libraries are available in .exs and .nki format, respectively.
Features
• Quick selector to switch between different preset sounds:
1 • Flemish Harpsichord 0:00
2 • French Harpsichord 0:57
3 • German Harpsichord 1:56
4 • Italian Harpsichord 3:03
5 • Coupled Harpsichord 4:22
6 • Upper Harpsichord 4:44
7 • Electric Harpsichord 5:12
8 • Hybrid Harpsichord 6:22
9 • ClaviHarpsichord Synth 7:12
• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.
• Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
• Pitch Bend center position: is normal pitch.
• Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
• Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
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