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Welcome to the Gaming Haunting hour
Game : A Girls Fabric Face

“You can't kill the boogeyman!” –

Then we slowly:

FADE IN TO:

Darkness, with a small shape in the center of the screen.
As MAIN TITLES CONTINUE OVER, CAMERA SLOWLY MOVES IN on
the shape.

We get closer and closer until we see that the shape is a
Halloween mask. It is a large, full-head platex rubber
mask, not a monster or ghoul, but the pale, neutral features
of a man weirdly distorted by the rubber. .

Finally CAMERA MOVES IN CLOSE on the eye of the mask. It
is blank, empty, a dark, staring socket.. SUPERIMPOSE FINAL

It is night. We move toward the rear of a house through
Someone's POV. CAMERA MOVES UP to a Jack-o'-lantern glowing
brightly on a windowsill. It is a windy night and the
curtains around the Jack-o'-lantern ruffle back and forth.

Suddenly we hear voices from inside the house.

SISTER (V.O.)
My parents won't be back till ten.

BOYFRIEND (V.O.)
Are you sure?

Then LAUGHTER.

The POV moves from the Jack-o'-lantern down to another
window and peers inside. We see the sister's bedroom through
the blowing curtains.

Into the bedroom comes the SISTER, 18, very pretty. She
GIGGLES as the BOYFRIEND jumps into the room. Also 18, he
wears a Halloween mask and costume.

BOYFRIEND
(continuing)
We're all alone, aren't we?

SISTER
Michael's around someplace....

The boyfriend grabs the sister and kisses her.

SISTER
(continuing)
Take off that thing.

The boyfriend rips off his mask. He is a handsome young
man underneath. They kiss again, this time with more
passion. The boyfriend begins to unbutton the sister's
blouse. She responds to him.

The POV swings away from the window and begins to restlessly
pace back and forth, agitated, disturbed. We HEAR THE SOUNDS
of the sister and boyfriend inside the bedroom growing
more and more passionate.

Finally the POV moves back up to the window. Inside through
the moving curtains, we see the sister and the boyfriend
on the bed, naked, making love.
The POV springs back from the window and stalks quickly
down the side of the house, past the Jack-o'-lantern, around
to a door. Quietly the door is opened and the POV moves
inside.

The POV glides silently through the house into the kitchen,
up to a drawer. The drawer is opened. A large butcher knife
is withdrawn.

Then the POV swings around and moves to the kitchen door.
We look down a hallway to the front door. The boyfriend
steps out of the bedroom door, buttoning his shirt. The
sister stands in the doorway, a sheet wrapped around her.

back up at the POV with an astonished disbelief.

Then in a wild paroxysm the butcher knife blurs continuously
in and out of frame, slashing the sister mercilessly. She
begins to SCREAM, trying to fend off the blows with her
hands, then suddenly falls out of frame to the floor.

The POV moves back away from the sister's lifeless body,
spins around and careens out of the bedroom.

At top speed the POV races through the darkened house, to
the front door, out the door, down the steps and rapidly
up the street. The CAMERA careens along in frenzied flight,
up the sidewalk, up a small side alley, down someone's
backyard, then to a sudden, abrupt halt in front of MOTHER
and FATHER just coming out of a neighbor's house.

Mother and Father stare at the POV, at first in puzzlement,
then slow, growing horror.