![STNDRD - Age Regression [ASRDS005]](/images/yt/6d/stndrd-age-regression-asrds005-aif2l.jpg)
STNDRD - Age Regression [ASRDS005]
Support the label, buy it here:
https://analogsection.bandcamp.com/album/abductive-reasoning-asrds005
Artist: STNDRD
Title: ASRDS005
Label: Analog Section
Catalogue: ASRDS005
Format: Digital
Genre: Electronic
Style: Techno
Release date: February 12, 2019
Tracklist:
1. Age Regression
2. Allophilia
3. Boundless
4. Spellbinding
STNDRD is incorporated as a member of the artistic line of Analog Section with a conceptual launch of psychological dye in which the author relies on a conclusive hypothesis with several fronts linked to techniques and results. Abductive Reasoning is a reference that discharges all responsibility in a descriptive work that looks to anticipate or prepare the listener before being reproduced.
The label retakes the digital series with this fifth installment in which the artist experiments with his initial track a preconceived trial full of positivism. Allophilia acts as a preface immersed in an ambiguous atmosphere that can cause different interpretations, however, its purpose is completely predetermined. STNDRD pretends to suggest to the public the nature of this first issue wich is kind of deep and environmental, and invites to discover its most affable part before making any opinion.
With Spellbinding, the Portuguese producer discovers another more earthy, direct and attractive reality. The track itself is interpreted as a more decisive and effective medium thanks to the forceful line that presents, origin of the invigorating state of mind that manifests with an impressive and marked drum, a pair of tilting motives, and penetrating pads that as they emerge ,they absent.
Age Regression makes reference to another clinical system with amazing outcomes, with this third cut STNDRD adds you completely in a powerful and submissive mental condition at the same time in which the musical environment acts as a powerful activator of the subconscious.
Boundless closes the EP crossing any imaginary barrier. On this occasion, the rhythmic part suffers an effect of duplicity and its the only thing that remains firm, since the rest of the elements are subjected to constant panoramic and tonal changes.
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