Xiuhtecuhtli Codex Fejérváry-Mayer

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Aztec god Xiuhtecuhtli. The Codex Fejérváry-Mayer, 15th century. Found in the collection of World Museum Liverpool. Artist : Pre-Columbian art.
The Codex Fejérváry-Mayer is an Aztec Codex of central Mexico. It is one of the rare pre-Hispanic manuscripts that have survived the Spanish conquest of Mexico. As a typical calendar codex tonalamatl dealing with the sacred Aztec calendar – the tonalpohualli – it is placed in the Borgia Group. Its elaboration is typically pre-Columbian: it is made on deerskin parchment folded accordion-style into 23 pages. It measures 16.2 centimetres by 17.2 centimetres and is 3.85 metres long.
In Aztec mythology, Xiuhtecuhtli ("Turquoise Lord" or "Lord of Fire"), was the god of fire, day and heat. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui, and is sometimes considered to be the same as Huehueteotl ("Old God"), although Xiuhtecuhtli is usually shown as a young deity. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be the father of the Gods, who dwelled in the turquoise enclosure in the center of earth. Xiuhtecuhtli-Huehueteotl was one of the oldest and most revered of the indigenous pantheon.
The Nahuatl word xihuitl means "year" as well as "turquoise" and "fire", and Xiuhtecuhtli was also the god of the year and of time. The Lord of the Year concept came from the Aztec belief that Xiuhtecuhtli was the North Star. In the 260-day ritual calendar, the deity was the patron of the day Atl ("Water") and with the trecena 1 Coatl ("1 Snake"). Xiuhtecuhtli was also one of the nine Lords of the Night and ruled the first hour of the night, named Cipactli ("Alligator"). Scholars have long emphasized that this fire deity also has aquatic qualities. Xiuhtecuhtli dwelt inside an enclosure of turquoise stones, fortifying himself with turquoise bird water.
Xiuhtecuhtli's face is painted with black and red pigment. Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, and he often wears a descending turquoise xiuhtototl bird (Cotinga amabilis) on his forehead and the Xiuhcoatl fire serpent on his back. He owns fire serpent earplugs. On his head he has a paper crown painted with different colors and motifs. On top of the crown there are sprays of green feathers, like flames from a fire. He has feather tufts to each side, like pendants, toward his ears. On his back he has plumage resembling a dragon's head, made of yellow feathers with marine conch shells. He has copper bells tied to the insteps of his feet. In his left hand he holds a shield with five greenstones, called chalchihuites, placed in the form of a cross on a thin gold plate that covered almost all the shield. In his right hand he has a kind of scepter that was a round gold plate with a hole in the middle, and topped by two globes, one larger than the other, the smaller one had a point. Xiuhtecuhtli is closely associated with youthful warriors and with rulership, and was considered a solar god. His principal symbols are the tecpatl (flint) and the mamalhuatzin, the two sticks that were rubbed together to light ceremonial fires. A staff with a deer's head was also an attribute of Xiuhtecuhtli, although not exclusively so as it could also be associated with Xochiquetzal and other deities.
Xiuhtecuhtli was embodied in the teotecuilli, the sacrificial brazier into which sacrificial victims were cast during the New Fire ceremony. This took place at the end of each cycle of the Aztec calendar round (every 52 years), when the gods were thought to be able to end their covenant with humanity. Feasts were held in honor of Xiuhtecuhtli to keep his favors, and human sacrifices were burned after removing their heart.
Xiuhtecuhtli was celebrated often but especially at the end of every 52-year period. This was the time the 365-day solar and the 260-day sacred calendars ended on the same day and the Aztec celebrated the Binding of the Years with the New Fire Ceremony. In order to perform the ritual, priests marched in solemn procession up the Hill of the Star on a peninsula near Culhuacán to wait for the star Yohualtecuhtli (either Aldebaran in the Taurus constellation or the Pleiades as a whole) to get past its zenith. Having ascertained this, they would tear out the heart of a sacrificial victim and kindle a flame in a small wooden hearth they placed inside the hole left in his chest. Priests used a drill method to generate this sacred flame. It was then carried on pine sticks to light the fires anew in every hearth, including the sacred braziers of perpetual fire, that numbered over 600 in the capital alone.







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