| 1. | when the director actually knows what romance looks like | 446,157 | |
|
| 2. | Edward Yang - Self-destroying Cinema | 9,151 | |
|
| 3. | Wes Anderson - The Backward Tracking Shot | 4,553 | |
|
| 4. | The obsessive cinema of Satoshi Kon and David Lynch | 3,320 | |
|
| 5. | when the director knows what breaking the rules means | 2,993 | |
|
| 6. | when the producer is more important than the director | 2,753 | |
|
| 7. | when no character steals the show | 2,520 | Show |
|
| 8. | Park Chan-wook - How to Do Visual Tragedy | 2,395 | |
|
| 9. | Dark Souls - A map to inner tranquillity | 2,361 | | Dark Souls
|
| 10. | Hidetaka Miyazaki - Game mechanics as criticism to religion | 2,307 | | Bloodborne
|
| 11. | Bloodborne - Between past and future | 2,102 | | Bloodborne
|
| 12. | Satoshi Kon/David Lynch - Horror in Daylight | 1,980 | |
|
| 13. | The clarifying symbol in Millennium Actress - Satoshi Kon | 1,783 | |
|
| 14. | Elden Ring - The necessity of evitability | 1,420 | |
|
| 15. | Wong Kar-wai - The sum of the parts | 1,384 | |
|
| 16. | when the directors can actually handle their inspirations | 1,377 | |
|
| 17. | when the director knows what erotism looks like | 1,365 | |
|
| 18. | Juzo Itami - The Master of Chase | 1,272 | |
|
| 19. | Neon Genesis Evangelion | Skin and Souls | 1,206 | | Neon Genesis Evangelion
|
| 20. | Neon Genesis Evangelion horrible storytelling | 1,043 | | Neon Genesis Evangelion
|
| 21. | How Scorsese introduces lonely characters | 1,042 | |
|
| 22. | Masaaki Yuasa - The Blind Spot | 927 | |
|
| 23. | The problems with videogames tutorials | 882 | Tutorial | Super Mario Bros.
|
| 24. | HIMYM - Writing a good ending | 800 | |
|
| 25. | Tolkien and Miyazaki - How to use narrative minimalism | 795 | | Dark Souls
|
| 26. | Postmodernism done right | 651 | |
|
| 27. | The Corpse Bride (2005) - A Horror Playground | 549 | |
|
| 28. | The Whale is a BLACKMAIL story sold as a redemption (and it's not fair) | 548 | |
|
| 29. | Why NPCs in Souls games laugh so much? | 531 | |
|
| 30. | The informational cinema of Park Chan-wook | 521 | Guide |
|
| 31. | What David Lynch movies teach us about Donald Trump | 483 | |
|
| 32. | Why cinema is obsessed with evil cities - Akira, Taxi Driver, Parasite and Blade Runner | 430 | |
|
| 33. | The problem with camera in videogames | 422 | |
|
| 34. | How animation shapes reality | 315 | |
|
| 35. | The burden of beauty in cinema (A kind of Babylon review) | 302 | Review |
|
| 36. | The ringing in Once upon a Time in America and the power of discomfort in movies | 288 | |
|
| 37. | when the directors job is stealing ideas from japanese animation | 222 | |
|
| 38. | Federico Fellini: the Clown of cinema | 220 | |
|
| 39. | When the Director Shows Love in the Right Way | 177 | |
|
| 40. | Beyond the frame. A brief history of gaze in cinema | 129 | |
|
| 41. | The problem with videogames graphics | 126 | |
|
| 42. | How Persona shows the limits of language - Ingmar Bergman | 97 | Show |
|
| 43. | Where are you from? | 74 | |
|
