Scoring Arts (Academy of Scoring Arts)

Scoring Arts (Academy of Scoring Arts)

Views:
226,003
Subscribers:
3,390
Videos:
639
Duration:
1:23:54:50
United States
United States

Scoring Arts (Academy of Scoring Arts) is an American YouTube content creator with roughly 3.39 thousand subscribers, with his content totaling more than 226 thousand views views across 639 videos.

Created on ● Channel Link: https://www.youtube.com/channel/UC0uyyx3zo66MW18PRcsn21w



All Videos by Scoring Arts (Academy of Scoring Arts)



PublishedVideo TitleDurationViewsCategoryGame
2022-01-26What's in store for 2022 at the ASA2:26170
2022-01-18Bernard Herrmann's background in classical music1:05123
2022-01-18How Bernard Herrmann conceives sound3:03166
2022-01-18How Bernard Herrmann keeps accompaniment interesting1:0295
2022-01-18Herrmann, Philip Glass, the piano, and minimalism1:53112
2022-01-18Instrumentation for The Day The Earth Stood Still1:2095
2021-10-02Sample library recommendations6:23297
2021-10-02What is mickey-mousing in animation composing?1:07433
2021-10-02The use of modes in How to Train Your Dragon1:30232Guide
2021-10-02Writing a through-composed piece of music for animation1:33489
2021-08-01The many varied music styles in Ginny & Georgia5:2268
2021-08-01Developing the theme music for Ginny & Georgia2:13119
2021-08-01What is the funniest instrument?3:2123
2021-08-01How to pace a scene with dialogue1:3487
2021-06-15Kevin Kiner's advice to aspiring composers2:49250
2021-06-15Kevin Kiner on using expression to enhance realism3:55163
2021-06-15About Ahsoka's Theme from Star Wars: The Clone Wars2:21206Star Wars: The Clone Wars
2021-04-20Introducing Bernard Herrmann's score to Taxi Driver5:26418
2021-04-204 basic motifs in Bernard Herrmann's Taxi Driver3:51394
2021-04-20The minor-major 7 chord in Bernard Herrmann's Taxi Driver2:43690
2021-04-20The jarring harps of Bernard Herrmann's Taxi Driver2:02266
2021-04-20"So Close To Me Blues" from Taxi Driver3:06656
2021-03-28Conceptualizing the sound of Coming 2 America, with composer Jermaine Stegall2:45136
2021-03-28Coloring orchestration with woodwinds in Coming 2 America4:1370
2021-03-28Jermaine Stegall on how he began working on the first scene in Coming 2 America8:06125
2021-03-15Do you write slashes or do you write specific notes?1:20115
2021-03-15An excerpt from Jeremy Levy's Jupiter1:5490
2021-03-15Incorporating jazz improv into The Planets1:3261
2021-03-15The Count Basie style, and voicing Venus2:20166
2021-03-15Why Jeremy Levy arranged The Planets for jazz orchestra2:17113
2021-03-15Introducing Count Basie's "Straight Ahead"1:02167
2021-03-15Nestico, Basie, and the Kansas City Sound2:5075
2021-03-15Scott Healy discusses the Ellington suites2:4161
2021-02-25How Alan Silvestri reused thematic material in Back to the Future2:39266
2021-02-25Octatonic modulations in Back to the Future2:45333
2021-02-25String textures inspired by the piano in Back to the Future1:58159
2021-02-25Octatonic harmonies in Back to the Future3:55261
2021-02-02Reed Flutes as characters in a drama1:56119
2021-02-02Tchaikovsky's use of accents1:1288
2021-02-02The use of extreme dynamic markings2:55121
2020-12-25Back to the Future: slowing down a section3:08284
2020-12-25Back to the Future: score breakdown excerpt1:20208
2020-12-25How Back to the Future is summarized in three notes1:37338
2020-12-25How to study a film score, with Tim Rodier1:27461
2020-11-10Westworld Scoring Competition: Winners Roundtable2:14:35800
2020-11-07Is there unreleased Bernard Herrmann music?1:45234
2020-11-07The Madhouse theme from Psycho1:17366
2020-11-07The "Herrmann chord" from the Psycho Prelude2:381,330
2020-10-12John Williams, the great melodist1:47375
2020-10-12Jurassic Park: studying the oboe1:08480
2020-10-11A look back at James Horner's Apollo 131:09306
2020-10-11Fans of Film Music with John Powell (full video)1:47:362,145
2020-10-11John Powell on when John Williams walks into the room...3:091,016
2020-10-11John Powell on establishing trust with a director2:39106
2020-10-11Did John Powell enter the Spitfire Westworld competition?2:11307
2020-10-11John Powell's advice for composer in a post-pandemic world3:115,071
2020-10-11John Powell on why there is a kazoo orchestra in Chicken Run2:301,139
2020-10-11John Powell reveals his most personal score1:03279
2020-10-11John Powell lists composers that every composer should listen to1:09880
2020-10-11John Powell on his use of choir in his film scores4:00355
2020-10-11What advice did John Powell get from Patrick Doyle?1:38350
2020-10-09Composer Interview: Wolf Wein (Short Liszt Composer Challenge)22:1947
2020-09-28Using cue notes for backup orchestration1:35309
2020-09-28Apollo 13: Scoring for trombone vs. bassoon1:04203
2020-09-28The use of choir in James Horner's Apollo 13 score1:38408
2020-09-28Isolated elements from James Horner's Apollo 131:2176
2020-09-27James Horner's countermelodies in Apollo 132:33209
2020-08-26Composer Interview: Jesse Carmichael (Short Liszt Composer Challenge)17:1457
2020-08-25Short Liszt Op. 2 Submissions21:47254
2020-08-23Composer Interview: Tim Corpus (Short Liszt Composer Challenge)11:5269
2020-08-23Composer Interview: John McCarthy (Short Liszt Composer Challenge)14:4355
2020-08-23Composer Interview: Vikrant Muthusamy (Short Liszt Composer Challenge)27:49186
2020-08-17Short Liszt Op. 1 Submissions19:06250
2020-08-14Why did James Horner use a C trumpet in Apollo 13?2:30411
2020-08-14Analyzing the harmony of "Lunar Dreams" from Apollo 132:13135
2020-08-14Observations on "Lunar Dreams" from James Horner's Apollo 133:23124
2020-08-13Short Liszt: the Two Hour Composing Challenge Promo0:55273
2020-08-10How to notate legato and detaché for strings3:24522Guide
2020-08-10Two ways for strings to play short notes2:21204
2020-08-10Why tremolo doesn't work in the middle of the bow1:15119
2020-08-10When to use "niente" when writing for strings2:10277
2020-08-10An overview of today's study on strings2:25143
2020-07-13How James Horner structured his cues1:47250
2020-07-13James Horner's use of themes in Apollo 131:09168
2020-07-13James Horner's use of the Lydian mode1:06527
2020-07-13Apollo 13's launch sequence2:36286
2020-07-02Apollo 13's signature low piano chords2:35481
2020-07-02Memories of the Apollo 13 sessions2:51292
2020-07-02The Apollo 13 bugle theme and the Copland influence3:46608
2020-07-02Bach chorales and the spotting of Apollo 132:11192
2020-07-02Counterpoint in Apollo 131:11249
2020-03-21The Goss-Gershwin Challenge LIVE!3:42:491,215
2020-03-10Mike Lang reminisces on working with Alex North4:28212
2020-03-10The instrumentation for Alex North's score to 2001: A Space Odyssey0:59229A Space Odyssey
2020-03-10What really happened to Alex North's score for 2001: A Space Odyssey2:471,152A Space Odyssey
2020-03-10Alex North writes a double fugue into The Misfits0:4378
2020-03-10Introduction to The Misfits score by Alex North1:33109
2020-03-10How Alex North wrote in 4-line sketches1:02101
2020-03-10So who wrote the music for 2001: A Space Odyssey?2:37628A Space Odyssey
2020-03-10Spotting sessions for The Misfits with Alex North and John Huston2:09100