| 2024-06-15 | Ron Jones Returns ASA Live Stream | 2:58:42 | 413 | |
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| 2024-06-15 | Ron Jones Returns ASA Live Stream | 0:00 | 0 | |
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| 2024-05-14 | Event teaser! Blake Neely discusses his upcoming Masters of the Air event | 1:42 | 180 | |
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| 2024-03-27 | Scavenger's Reign - A nod to Vangelis? | 1:30 | 179 | |
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| 2024-03-25 | Event Teaser! The Music of Scavenger's Reign with Nicolas Snyder | 1:28 | 229 | |
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| 2024-03-14 | War of the Worlds Leith Stevens Score Study - Key Concepts with Josh Lucan | 5:33 | 138 | |
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| 2024-02-22 | Score Study Teaser! Leith Stevens' War of the Worlds with Josh Lucan | 10:00 | 332 | |
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| 2023-11-05 | Scoring Arts is live with the 14th Annual Fans of Film Music! | 1:03:47 | 214 | |
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| 2023-10-25 | Angel Velez on why we need a conductor | 2:21 | 121 | |
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| 2023-10-25 | A tip on using streamers when conducting to picture | 1:05 | 136 | |
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| 2023-10-25 | William Ross on the synergy between conductor and orchestra | 2:14 | 63 | |
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| 2023-10-25 | William Ross on whether composers should conduct their own music | 0:57 | 118 | |
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| 2023-10-25 | William Ross's vital tip on preparing to conduct from the podium | 1:00 | 67 | |
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| 2023-10-25 | Jorge Mester on the physical energy of the orchestra conductor | 1:28 | 136 | |
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| 2023-10-09 | Breaking up the octatonic scale | 2:05 | 619 | |
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| 2023-10-09 | A harmonic dissection of John Williams's action music | 2:09 | 441 | |
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| 2023-10-09 | How John Williams uses the hexatonic scale | 1:28 | 718 | |
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| 2023-10-09 | Understanding John Williams's harmonic sense | 3:02 | 661 | |
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| 2023-10-09 | An overview of today's seminar on John Williams's action music | 3:13 | 268 | |
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| 2023-10-07 | Mark Isham on following your musical instincts | 1:46 | 44 | |
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| 2023-10-07 | Mark Isham on orchestrating The Black Dahlia with Brad Dechter | 2:51 | 54 | |
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| 2023-10-07 | Using meter changes to heighten drama | 1:33 | 41 | |
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| 2023-10-07 | Subtle dramatic shading using chromatics | 1:29 | 45 | |
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| 2023-10-07 | The use of vibraphone in film noir | 1:14 | 38 | |
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| 2023-10-07 | The composer's vantage point vs. the director's | 0:50 | 32 | |
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| 2023-07-02 | Emil Richards and his percussion collection at L.A. Percussion Rentals | 10:36 | 114 | |
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| 2023-07-02 | Garry Schyman and the music of Torn (intro) | 4:18 | 125 | |
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| 2023-02-14 | 2023 President's Message | 2:58 | 203 | |
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| 2023-02-08 | Workflow Workshop 1: Discord, Cubase, and Dorico | 2:33:15 | 345 | |
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| 2023-02-07 | A hidden countermelody in John Williams's Superman | 2:50 | 191 | |
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| 2023-02-07 | Clarity of writing in John Williams's Superman | 1:45 | 103 | |
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| 2023-02-07 | Superman vs. the NBC Nightly News theme (John Williams) | 0:58 | 109 | |
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| 2023-02-07 | A slowed-down excerpt from John Williams's Superman score | 2:17 | 104 | |
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| 2023-02-07 | Writing fast runs for players | 1:52 | 119 | |
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| 2023-02-07 | A typewriter accompaniment in John Williams's Superman? | 2:21 | 87 | |
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| 2023-02-07 | Workflow Workshop 2: Mocking Up a Score | 1:55:26 | 203 | |
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| 2022-11-24 | Superman Suite Score for study | 12:14 | 621 | |
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| 2022-11-24 | Two dueling octatonic keys superimposed | 2:43 | 219 | |
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| 2022-11-24 | Contrasting scores with Superman with Star Wars | 2:07 | 179 | |
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| 2022-11-24 | Tuba as a melodic instrument | 1:20 | 165 | |
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| 2022-11-24 | The major-ness of the Superman theme | 4:08 | 114 | |
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| 2022-11-24 | Lydian harmonic analysis in the Superman score | 0:53 | 131 | |
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| 2022-11-20 | How Guild Wars 2 incorporated Korean culture | 2:10 | 122 | | Guild Wars 2
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| 2022-11-20 | Heavy vibrato in traditional Korean music | 1:46 | 47 | | Guild Wars 2
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| 2022-11-20 | Marrying western music traditions with Korean music | 0:57 | 40 | | Guild Wars 2
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| 2022-11-20 | The distinctive rhythms of Korean music | 1:23 | 50 | | Guild Wars 2
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| 2022-11-20 | Traditional Korean pentatonic modes in Guild Wars 2 | 1:24 | 51 | | Guild Wars 2
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| 2022-11-08 | Borrowed and superimposed themes | 2:21 | 188 | |
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| 2022-11-08 | Recording in stripes | 4:18 | 135 | |
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| 2022-11-08 | Using faster tempos when film scoring | 2:18 | 146 | |
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| 2022-10-16 | James Horner's layered writing through handoffs | 2:39 | 216 | |
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| 2022-10-16 | How James Horner used symmetrical harmony | 4:10 | 167 | |
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| 2022-10-16 | Military percussion writing in James Horner's Aliens | 3:38 | 98 | |
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| 2022-10-16 | James Horner's use of different modes | 1:39 | 115 | |
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| 2022-10-16 | A low brass swell in James Horner's score to Aliens | 1:51 | 113 | |
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| 2022-10-16 | James Horner's Aliens: 2-part string counterpoint | 2:49 | 135 | |
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| 2022-09-14 | The importance of good music preparation | 1:30 | 135 | |
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| 2022-09-14 | Why conductors must look up | 2:33 | 98 | |
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| 2022-09-14 | A music prep pet peeve | 1:22 | 95 | |
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| 2022-09-14 | The conductor as an aural spotlight | 1:01 | 69 | |
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| 2022-08-13 | A glimpse into the scoring of Cobra Kai | 3:35 | 72 | |
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| 2022-08-10 | The influence of Arvo Pärt's Fratres on James Horner's Sneakers | 8:47 | 165 | |
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| 2022-08-09 | Crediting Branford Marsalis on Sneakers | 1:20 | 151 | |
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| 2022-08-09 | Harmonics on the double bass | 2:52 | 113 | |
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| 2022-08-09 | Branford Marsalis in James Horner's Sneakers: live or improvised? | 4:34 | 162 | |
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| 2022-06-11 | How big was the orchestra that recorded the Independence Day score? | 2:48 | 179 | |
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| 2022-06-11 | Isolating elements in the Independence Day score | 2:38 | 73 | |
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| 2022-06-11 | Notating aleatoric strings | 5:15 | 130 | |
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| 2022-05-23 | Recording and notating string harmonics | 1:55 | 75 | |
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| 2022-05-23 | Isolated score elements in Independence Day | 2:18 | 80 | |
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| 2022-05-23 | A Marvel chord sequence in Independence Day? | 2:32 | 77 | |
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| 2022-05-23 | Why is the score to Independence Day so effective? | 2:36 | 53 | |
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| 2022-05-23 | Taking apart a cue from Independence Day | 3:21 | 82 | |
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| 2022-04-08 | Conrad Pope on the importance of correcting interpretation early | 1:15 | 172 | |
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| 2022-04-08 | Angel Velez on conducting to a click | 1:48 | 151 | |
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| 2022-04-08 | Conrad Pope on the conductor gaining control of the orchestra | 2:25 | 132 | |
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| 2022-04-08 | Conrad Pope: "Have the score in your head, not your head in the score" | 1:57 | 142 | |
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| 2022-04-08 | Conrad Pope on the genius of the collective | 2:23 | 98 | |
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| 2022-04-08 | Angel Velez on conducting space | 3:03 | 83 | |
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| 2022-04-08 | Angel Velez on using a baton in studio recording sessions | 2:05 | 89 | |
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| 2022-04-08 | Emelie Bernstein on body awareness in conducting | 2:35 | 85 | |
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| 2022-03-12 | The Score to Independence Day: Echoes of the Holst Planets | 1:32 | 93 | |
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| 2022-03-12 | The Score to Independence Day: Alien Harmonies | 4:33 | 76 | |
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| 2022-03-12 | The Score to Independence Day: Symmetrical Harmony | 3:28 | 56 | |
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| 2022-03-12 | The Score to Independence Day: Percussion Observations | 2:10 | 55 | |
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| 2022-03-12 | The Score to Independence Day: Brass Writing | 3:37 | 102 | |
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| 2022-03-12 | The Score to Independence Day: Arrival Points | 3:19 | 93 | |
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| 2022-03-05 | How Goldsmith built the atonal score for The Invaders (episode of The Twilight Zone) | 1:33 | 160 | Show |
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| 2022-03-05 | Twilight Zone: The Invaders episode | 5:01 | 350 | Show |
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| 2022-03-05 | Did Twilight Zone influence Star Trek? | 2:11 | 56 | |
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| 2022-03-05 | The power of variation in Herrmann's Twilight Zone | 1:04 | 49 | |
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| 2022-03-05 | A ghostwritten Twilight Zone episode? | 1:43 | 42 | Show |
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| 2022-03-05 | The history of The Twilight Zone theme | 5:20 | 117 | |
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| 2022-03-05 | Jerry Goldsmith and Bernard Herrmann as radio composers | 2:16 | 75 | |
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| 2022-03-05 | Goldsmith, Herrmann, and The Twilight Zone | 4:51 | 113 | |
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| 2022-03-02 | The hybrid mix approach on the score to Maya and the Three | 2:49 | 59 | |
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| 2022-03-02 | A look at the Pro Tools session for Maya and the Three | 2:47 | 51 | |
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| 2022-03-02 | A mariachi trumpet in Maya and the Three | 1:41 | 63 | |
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| 2022-03-02 | Tim Davies shows the "Journey" theme from Maya and the Three | 1:27 | 68 | |
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| 2022-03-02 | Tim Davies on using guitar to create heavy textures in Maya and the Three | 1:25 | 56 | |
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