| 101. | Stealing from BACH??!! | 500 | |
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| 102. | Improvising over an IRREGULAR pulse | 500 | |
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| 103. | Squid Game's Music Is REFRESHINGLY CREEPY - 7 Striking Details to Prove This | 496 | |
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| 104. | Let’s write an OSTINATO (and play it in a bakery) | 494 | |
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| 105. | Acoustics at the MOST EXPENSIVE Concert Hall in the World | 491 | |
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| 106. | How I Combat Motivation Loss (As a Musician) | 483 | |
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| 107. | How to Improve Trills | 466 | Guide |
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| 108. | The Art of Arranging Music and Collaboration | 459 | |
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| 109. | 3 TINY Habits That CURED My Laziness | 456 | |
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| 110. | How to Sound Like Robert Schumann | 452 | Tutorial |
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| 111. | Warm-Up Exercises That Sound Dreamy But Work Your LH | 448 | |
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| 112. | The Advice Musicians Ignore Until It’s TOO LATE | 446 | |
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| 113. | This is a piece I wrote. Can you spot my influences? | 445 | |
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| 114. | How to Sound Like John Cage | 434 | Guide |
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| 115. | Formula for a Funky Feel | 426 | |
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| 116. | Guide To Filming Piano Keys From Overhead | 425 | Guide |
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| 117. | Classical Music Helps You Make Beats?!! | 414 | |
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| 118. | Computers Can Help Me Practice PIANO?! | 412 | Let's Play |
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| 119. | Sifting by Nahre Sol (from 5 Musicians 1 Scale - Locrian) | 401 | |
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| 120. | So This is How Conductors ACTUALLY Work?! | 400 | |
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| 121. | Why I Love Upright Pianos | 399 | |
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| 122. | Realistic Breakdown of a Practice Session | 399 | |
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| 123. | How to Listen to Classical Music (Emotion-Mapping) | 386 | |
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| 124. | A "Thank You" Piece | 386 | |
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| 125. | 10 Piano Phrases with a Touch of Horror | 382 | |
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| 126. | Retro Video Game Music, As Digested by a Classical Musician | 380 | Tutorial | Super Win the Game
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| 127. | Doing Nothing = Secret to Creative Breakthroughs? | 370 | |
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| 128. | Repeated Notes at the Piano | 361 | Guide |
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| 129. | Quickest Way to Master SPEED and ACCURACY?! | 361 | |
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| 130. | Let’s write a NOCTURNE (and play it in a city park) | 353 | |
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| 131. | Forget the Metronome, TRY THIS Instead ‼️ #shorts | 353 | |
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| 132. | 4 ways to play a note?? | 347 | |
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| 133. | 7 tips to help your DEXTERITY, SPEED, and CONTROL at the piano | 344 | |
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| 134. | Exercises That Improve Your Coordination Without Stressing You Out | 340 | |
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| 135. | Polyrhythms Made EXTREMELY Easy | 332 | |
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| 136. | Anonymous Footsteps (original composition by Nahre Sol) | 322 | |
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| 137. | Magical sounds!! Inspired by… | 320 | |
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| 138. | What If J.S. BACH Played Autumn Leaves? 🍂 #shorts | 312 | |
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| 139. | Pre-Concert Warm-up (QUICK + DESPERATE) | 310 | |
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| 140. | Would Chopin hate this? | 303 | |
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| 141. | Ragtime, As Digested by a Classical Musician | 299 | |
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| 142. | The SIMPLER the better sometimes | 294 | |
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| 143. | 2 Hidden Habits That Hurt All Musicians | 290 | |
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| 144. | A Brief Back Story and About This Channel | 290 | |
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| 145. | PREPARED PIANO 101 | 283 | |
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| 146. | UNBELIEVABLE Pianos You Never Knew Existed | 277 | |
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| 147. | Writing Classical Music for K-POP Vocals (Jung Kook)?!! | 272 | |
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| 148. | Let’s write a 12-TONE PIECE (and play it in a terminal) | 270 | |
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| 149. | Miley Cyrus “Flowers” As Classical Music?! | 265 | |
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| 150. | What Makes Tigran Hamasyan SO GOOD?!! | 263 | |
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| 151. | Classically-Trained Pianist Plays Zelda: Breath of the Wild | Main Theme 【Nahre Sol】 | 256 | | The Legend of Zelda: Breath of the Wild
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| 152. | The Brilliance of Andrew Huang (interview/video essay) | 250 | |
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| 153. | How I mix styles 🇦🇷🇮🇹🇷🇺🇫🇷 | 249 | |
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| 154. | Writing Classical Music from a Ringtone?? | 247 | |
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| 155. | Secret sauce to spicy sounds, great for improv! | 242 | |
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| 156. | In Between Genres (A Short ft. Rhett Shull) | 242 | |
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| 157. | Do Music Smarter, Not Harder | 238 | |
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| 158. | Chopin Etude Fantasy [PARODY] -- revised audio | 236 | |
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| 159. | Practicing vs Performing | 233 | |
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| 160. | Let’s write a RAVEL-ian piece (and play it through a car wash) | 233 | |
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| 161. | Recording Secrets That’ll SAVE Your Music | 233 | |
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| 162. | 3 Warm-up Exercises for ANY Keyboard | 230 | |
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| 163. | What’s that 🔥 LICK over Giant Steps??!! | 226 | |
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| 164. | Best piano pattern??? | 224 | |
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| 165. | My Mom Reacts to My Piano Playing | 222 | |
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| 166. | Gershwin rhythm - I’m confused?! | 222 | |
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| 167. | ii-V-I Bossa Nova…Finger Twister | 220 | |
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| 168. | How Studying Folk Music Changed How I Understand RHYTHM | 220 | |
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| 169. | Secret to TIGHT rhythm?? 🫰🏻 #shorts | 217 | |
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| 170. | Exercises That Sound Mysterious...but also GLORIOUS | 211 | |
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| 171. | I just love this sound!! #harmony | 210 | |
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| 172. | Circle of Fifths Exercises (written in 1min/10min/1hr) | 204 | |
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| 173. | Let’s write a RONDO (and play it in an airport) | 203 | |
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| 174. | Don’t miss out ‼️ Use the PEDAL effectively 👟🎹 #shorts | 199 | |
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| 175. | Solo Jam on an Airplane | 196 | |
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| 176. | Let’s write using only 100 NOTES (and you try it too!) | 195 | |
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| 177. | The Most Uplifting Piano/Harmony Exercise (I practice this DAILY) | 195 | |
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| 178. | Why does this sound so good? | 190 | |
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| 179. | Harmony Hacks w/ Kristian Fourier (Diatonic Planing) | 190 | |
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| 180. | Contrary Motion (Beginner to Advanced) | 189 | |
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| 181. | Reunited with my piano after my move. | 188 | |
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| 182. | DIY Five-Line Staff Pen | 186 | |
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| 183. | How to play FAST and CLEAR 💯 | 184 | |
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| 184. | Making New Music With Old Music (J.S. BACH) | 184 | Tutorial |
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| 185. | Tigran Hamasyan Arpeggios Explained! | 183 | |
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| 186. | Dorian, with a TWIST?! | 180 | |
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| 187. | Jingle Bells in Various Classical Composer Styles | 179 | |
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| 188. | Play Without Tension w/ “Micro Flaps” 👋🏻 #shorts | 177 | |
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| 189. | Classical Musician on a Digital Piano? | 175 | |
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| 190. | Let’s write a MINIMALIST PIECE (and play it on a sidewalk) | 175 | |
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| 191. | Cool trick for a beautiful line | 171 | |
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| 192. | Chopin’s influence on video games! #zelda | 169 | |
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| 193. | Classical meets jazz…? | 165 | |
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| 194. | One-Take Keyboard Looping (London Bridge Arrangement) | 162 | |
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| 195. | Improvising in the Style of Chopin | 162 | |
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| 196. | Piano Exercises that Release Physical Tension | 159 | |
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| 197. | Good Night I Love You Bye | Nahre Sol | 157 | |
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| 198. | 4 Ways To Not Sound Boring When Improvising | 155 | |
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| 199. | Warm-Up Exercises that are Beautiful but Challenging | 153 | |
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| 200. | Why 4 Voices in Traditional Part-Writing? | 153 | |
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