Broker #TIFF22 [MOVIE REVIEW] (Spoiler Free!)
11Broker (2022) | REVIEW
#Broker #SongKangHo #SHirokazuKoreeda #DongWonGang #BaeDonna
Hirokazu Kore-eda
It’s a rainy night, water pours endlessly down the sky, and a woman, So-young (Lee Ji-eun), climbs the stairs leading to a small church surmounted by an imposing red neon cross. It’s the Busan Family Church, home to one of the many “baby boxes” disseminated across the nation. She is going to leave her little Woo-sung there, abandoning him in complete anonymity, with the faint promise of coming back for him someday.
But she is not alone. Shrouded in rainy darkness, detective Ji-Sun (Bae Doona) and her colleague (Lee Joo-young) are monitoring the baby box hoping to find some leads to crack down on illegal child trafficking.
Making an effortless transition from Japan to Korea, Kore-eda revisits themes dear to him — forsaken childhood, adoption, and broken families are at the narrative core of undisputed masterpieces such as Nobody Knows (TIFF ‘04), Like Father Like Son (TIFF ’13), and Shoplifters (TIFF ’18). Without forcefulness or rhetoric, Kore-eda looks directly at life and creates a small, unconventional family universe. Broker is a film filled with moments of wonder and powerful emotion.
Releases: TBD
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