柴官窯綠釉雙龍紋鏤空管心瓶 Chai imperial kiln green glaze double dragon patterns hollow tube heart Bottle Vase
五代後周時期柴官窯綠釉皇室工藝底部篆印 “柴” 一字款雙龍紋薄胎鏤空管心瓶
Chai imperial kiln green glaze royal craftsmanship with bottom seal-marked-and-printed one-character "Chai", double dragon patterns, thin shell, hollow-carved, tube heart, Bottle Vase, Imperial Palace Workshop, Hou Zhou Period (921 - 959 A.D.) Five Dynasties.
https://youtu.be/Gg3jGtXcrws
https://youtu.be/i8_djB1QRtU
https://youtu.be/MoWEMflziSk
https://youtu.be/QMrDY32ME7I
https://youtu.be/mVoaOHldYI0
https://youtu.be/DXtnJMGgFpg
https://www.facebook.com/groups/fine.art.to.sell/permalink/3212471119075269/
https://www.facebook.com/groups/fine.art.to.sell/permalink/3212448279077553/
https://www.facebook.com/groups/fine.art.to.sell/permalink/3208004632855251/
https://www.facebook.com/groups/fine.art.to.sell/permalink/3208449772810737/
https://www.facebook.com/groups/fine.art.to.sell/permalink/3208450689477312/
尺寸:
全高 23.8 cm 公分 厘米 x 最大腹徑 9.4 cm 公分 厘米 x 圈足直徑 7.9 ~ 8.0 cm 公分 厘米
本瓷瓶為除了未塗釉的底足露胎部外,全器內外均施以綠釉、薄胎、鏤空、八蓮花瓣棱窄口、各飾十六蓮花瓣紋之雙圓錐體以一圈凸弦紋對接式鼓頸、下接一圈束帶紋束頸、再接十六蓮花瓣乳突紋與一圈凸弦紋、十七個半雙蓮花瓣紋與一圈凸弦紋、內有管心之鏤空雕雙龍紋圓筒形鼓腹、三十一個穀紋飾、兩凹弦紋下接飾八蓮瓣紋外撇圈足、細微冰裂紋片,潤之如玉,未塗釉的底足露胎部呈現瓷胚本來的粗黃色。
瓷瓶上有數處「白點之古瓷瑕疵」,底部八蓮瓣紋上方兩凹弦紋處有「深藍色青金寶石微粒及瑪瑙入釉與聚釉痕跡」,瓶身上亦有數個明顯的「棕眼之古瓷瑕疵」,綠釉有古代柴燒氣泡及細微冰裂開片紋,底部圈足略為外撇,圈足露胎上有「一個刀痕」、「滴釉」及「黏窯砂、粘渣底」。器底圈足露胎的胎釉連接處有「火石紅」痕跡。
從瓶左右兩邊上方口、唇、頸、肩、至下方腹、足、底處有明顯的兩個模印胎體互為黏接線痕。
另外,器底於光線下呈現略為凹凸不平,是由於泥坯中間的部位水份未乾,成型泥胎在掙脫粘連的泥范(模)時,由五代後周時期窯工左右輕微轉動脫模操作所形成。現代仿製品完全無法製作器底略為凹凸不平現象。
來源:
屬擊敗蒙古元朝歐亞大帝國的明朝皇帝朱元璋所分封為軍事大元帥的「陳秀甫」(陳秀甫亦為明代開國功臣光祿大夫《光祿大夫為皇帝開國及軍事作戰的出糧出資金錢財主》) 家族傳世的祖傳傳世品。
Chai imperial kiln green glaze royal craftsmanship with bottom seal-marked-and-printed one-character "Chai", double dragon patterns, thin shell, hollow-carved, tube heart, Bottle Vase, Imperial Palace Workshop, Hou Zhou Period (921 - 959 A.D.) Five Dynasties.
Dimensions
Total height 23.8 cm x Maximum abdominal diameter 9.4 cm x Round foot ring 7.9 ~ 8.0 cm in diameter
The bottle vase is covered with green glaze inside and outside, except the unglazed bottom foot exposed with ceramic part, in thin shell, hollow-carved, eight lotus petal edges and narrow mouth, each decorated with sixteen lotus petal pattern of double cones connected each other with a circle of convex string pattern at bulge neck, subsequent to the neckband with a belt pattern, followed by sixteen lotus petal papillae patterns and a circle of convex string patterns, seventeen and a half double lotus petal patterns and a circle of convex string patterns, the hollow-carved double-dragon-patterned cylindrical bulge belly with a tube heart inside, the thirty-one cereals-pattern decoration, the eight lotus petals' patterns under two concave string patterns, then the slightly outer-skimmed ring foot, the fine broken-ice-cracking-like cracking-patterns, jade-like smoothness, the unglazed bottom ring foot shows the original dark yellow color of the porcelain body.
There are several "white spots of ancient porcelain flaws" on the bottle vase. There are "dark blue lapis lazuli gemstone particles and marks of agate mixed in the glaze and polyglaze" at the two concave string patterns above the eight lotus petal pattern on the bottom. There are also several obvious marks of "brown-eyed-small-holes" which are ancient porcelain flaws on the bottle vase. The green glaze has ancient wood-fired air bubbles and tiny broken-ice-cracking-like cracking-patterns, the bottom ring foot is slightly skimmed outward, and there are "a mark of knife-cut", "a drop glaze" and "pasted kiln sands, sticky slag bottom" at the exposed ceramic body of the ring foot. There are traces of "flint red" at the junction of the glaze and the exposed ceramic body on the bottom ring foot.
From the upper mouth, lips, neck, shoulders, to the lower abdomen, foot and bottom, at the left and right sides of the bottle vase, there are obvious two sticky junction lines of molded ceramic carcasses that are bonded to each other.
In addition, the bottom of the utensil is slightly uneven under the light, because when the water in the middle of the porcelain mud body was not dry yet, and then meanwhile the molded mud body was slightly turned left and right to be broken away from, and out of its sticking mud's mold. So long as the porcelain kiln workers in the Hou Zhou Dynasty of the Five Dynasties took the above procedure, then the uneven bottom would have been formed. Modern imitations are completely unable to produce slightly uneven bottoms.
Provenance:
The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").
http://myfatebook.com
https://orionsmuseum.blogspot.com/2022/06/chai-imperial-kiln-green-glaze-royal.html
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