宋元吉州窯黑釉玳瑁天目釉鷓鴣曜變茶盞 Song Yuan Jizhou Kiln Black-glazed tortoiseshell Yohen tenmoku partridge tea bowl

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宋元吉州窯黑釉玳瑁天目釉鷓鴣斑曜變茶盞

https://youtu.be/ufvsc_QSXCM

https://youtu.be/na76Mgyv9EU

https://youtu.be/82vk23qFLf8

https://m.facebook.com/groups/fine.art.to.sell/permalink/3221766381479076/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3221332748189106/

高 5.2 - 5.3 x 口徑 15.1 - 15.2 x 圈足底徑 3.8 - 3.9 公分

盞口向外敞,盞腹是傾斜的直線或有非常小的弧度,基本都是接近直線的。整個盞的造型很像農家勞動戴的斗笠,所以人們給它取了「斗笠盞」這樣一個很形象的名字。

本品敞口,斜壁,內底突乳心。外底足心淺挖。內外施黑釉,盞外施黑釉至近圈足部,圈足露胎,胎色米黃;內外壁黑釉之上潑灑褐色釉裝飾,隨意天成,為玳瑁斑,斑駁瑰麗。裝飾皆與黑色底釉形成強烈的視覺衝擊,實乃精品。

淺而小圈足、淺腹、斜壁。釉色黑亮烏金僅施及壁足交接處;圈足無釉處露米黃色灰胎,胎骨粗鬆堅硬。器內外滿佈自裡心放射向外的醬柿色點,係由黑釉曜變 (窯變) 而成。

胎質較粗鬆,但很堅硬,器物胎壁較厚,界於瓷與陶之間。胎色米黃。古時吉州窯窯工的修胎是很有特點的,為了追求時效,熟練窯工往往就在快速的幾刀之中完成了修坯的工作,因此,在器物壁上可見到修坯時所留下的明顯輪製痕、和器底圈足上的元代旋刀紋。

鷓鴣斑為黑釉器釉彩裝飾中的重要特色,並為宋代帝王、士大夫為文頌讚。「鷓鴣斑」之名即追取北宋蘇軾、黃庭堅所讚譽的茶碗「建安瓷碗鷓鴣斑」、「鷓鴣斑中吸春露」、「金縷鷓鴣斑」的詩意。

此件茶盞之鷓鴣斑清晰,為同型器中精彩之作,益顯珍貴。具備古瓷應有之滴釉、千年開片紋、千年蛤蜊光、釉與底圈足裸露的胎體交界處有「千年火石紅」痕跡、器壁上亦有數個明顯的「棕眼之古瓷瑕疵」、與古代的柴燒氣泡。

來源

屬擊敗蒙古元朝歐亞大帝國的明朝皇帝朱元璋所分封為軍事大元帥的「陳秀甫」(陳秀甫亦為明代開國功臣光祿大夫《光祿大夫為皇帝開國及軍事作戰的出糧出資金錢財主》) 家族傳世的祖傳傳世品

Song and Yuan Dynasty Jizhou Kiln Black-glazed, tortoiseshell Yohen tenmoku (kiln change) painted "partridge's speckling" splashes tea bowl

H 5.2 - 5.3 x Mouth Diameter 15.1 - 15.2 x Ring Foot Diameter 3.8 - 3.9 cm

The mouth of the bowl is open to the outside, and the belly of the bowl is an inclined straight line or a very small arc, which is basically close to a straight line. The shape of the whole bowl is very similar to the bamboo hat worn by farmers, so people gave it a very vivid name like "bamboo hat bowl".

This product's mouth is open to the outside, inclined wall, inner bottom protruding mammary heart. The outsole is shallowly dug. Black glaze is applied on the inside and outside, and black glaze is applied on the outside of the bowl to near the ring foot, with exposed ceramic body around the ring foot, and the color of the ceramic body is beige; the black glaze on the inside and outside walls is sprinkled with brown glaze decoration, which is random and natural, with tortoiseshell spots, mottled and magnificent. The decorations all form a strong visual impact with the black ground glaze, which is truly a masterpiece.

It has shallow and small ring foot, shallow abdomen, sloping wall. The glaze is black, bright, golden-black, and is only applied to the junction of the wall and foot; the unglazed part of the ring foot shows a beige gray porcelain body. The porcelain fetal bone is loose and firm. The inside and outside of the vessel are covered with sauce-persimmon-colored spots radiating from the inside to the outside, which were made of black glaze Yohen tenmoku (kiln change).

The quality of the porcelain body is rough and loose, but very hard, and the wall of the utensil is thicker, between the porcelain and the pottery. Porcelain fetal color is beige. In ancient times, kiln workers in Jizhou kilns were very characteristic in repairing ceramic bodies. In order to pursue time-saving, skilled kiln workers often completed the work of repairing ceramic bodies in a few quick cuts. There are obvious wheel marks left on the walls of the utensil, and the Yuan Dynasty rotary knife pattern on the bottom foot.

Partridge spots were an important feature in the glaze decoration of black glaze ware, and were praised in writings by emperors and scholars in Song Dynasty. The name "Partridge Spots" was after the poetic meaning of the tea bowls "Jian'an Porcelain Bowl Partridge Spots", "Sucking Spring Dew among the Partridge Spots" and "Golden Partridge Spots" praised by Su Shi and Huang Tingjian in the Northern Song Dynasty.

The partridge spots on this tea bowl are very clear, it is a wonderful work in the same type, and it is more precious. It has the drop glaze, the millennium cracking pattern, the millennium clam light, the traces of "millennium flint red" at the junction of the glaze and the exposed ceramic body on the bottom ring foot, several obvious marks of "brown-eyed-small-holes" which are ancient porcelain flaws on the walls of the utensil, and the ancient wood-fired air bubbles, all that ancient porcelain should have.

Provenance

The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").

Orion Museum

五代後周時期柴官窯綠釉皇室工藝底部篆印 “柴” 一字款雙龍紋薄胎鏤空管心瓶
Chai imperial kiln green glaze royal craftsmanship with bottom seal-marked-and-printed one-character "Chai", double dragon patterns, thin shell, hollow-carved, tube heart, Bottle Vase, Imperial Palace Workshop, Hou Zhou Period Five Dynasties.

https://orionsmuseum.blogspot.com/2022/06/chai-imperial-kiln-green-glaze-royal.html

https://photos.app.goo.gl/SjsYjQvcWXH1UoAT8 

https://youtube.com/c/OrionHsuMuseum 

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