GOD OF WAR Full Gameplay Walkthrough / No Commentary!
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About midway through God of War, Kratos and his son Atreus sit in a canoe in the middle of a lake, listening intently to a disembodied head recount the tawdry and tragic dramas of the Norse gods. The head dishes with the gusto of a gossip columnist and the smoothness of a public radio host. Kratos and son show the orator respect, only interrupting with the occasional question for clarification. That this serene moment doesn’t ring false, let alone veer into tedium, speaks to the tremendous heavy lifting done by the creators of God of War to shift the tone, the style and the expectations of one of the most beloved but also most violent and debaucherous franchises in modern games.
PC God of War Gameplay Walkthrough of the God of War (God of War 4) Campaign including a Review for PC and PS5 / PlayStation 5. My God of War (God of War 4 / GoW 4) Gameplay Walkthrough will feature the Full Game Story Campaign on Ultra Settings. This Full Game God of War PS5 (GoW PS5) Gameplay Walkthrough includes a Review, Weapons, Armor, Skills, Artifacts, Enemies, Bosses, Journey Missions, Story Missions, Campaign Chapters, Runic, Single Player, Cinematics, Cut Scenes and more until the Ending of the Single Player Story.
Last we saw Kratos, he still enjoyed getting hammered on a bottle of red, participating in a well-lit orgy and slaying Greek gods in ways that a teenager might storyboard onto the back of a ruled notebook. He and his franchise thrived on adrenaline, any inner turmoil serving as a springboard for ultraviolence, rather than an emotional well to be drawn from. Times change, and the new God of War, part sequel (the story continues from where it left off) and part reboot (the adventure is slower and the characterization more thoughtful), has more heroic ambitions for the notorious antihero.
Kratos is a parent now, older, calmer and from what I can tell, into the tiny home fad. He’s taken part in an ancient form of witness protection by moving north and living in a modest cabin in the forests of the Norse realm of Midgard. Kratos is, however, no less a magnet for domestic tragedy. His second wife, the mother to his son Atreus, has just died and been cremated. And so, this particular adventure, at the outset at least, has Kratos and his tween on a quest to fulfill her final wish: that her ashes be carried to the highest peak in the realm.
The gods and the past get in the way of good intentions, and rather quickly, Kratos and his son find themselves vivisecting undead soldiers, elves, trolls, ancients, and a number of other mythological creatures with silly names and even siller characteristics (e.g., the tatzelwurm, a poison-spitting, tunnel-burrowing walrus-tiger hybrid). Thank goodness. For all the changes to tone and ethos, this is still a God of War game, and you can feel that in the joy of the combat. Kratos doesn’t punch; he pulverizes. He moves like a boxer, shoulders set, legs grapevining back and forth. The way his ax zips into an enemy’s skull, then back to his hand, is so smooth and natural that it’s easy to overlook how challenging it must have been to animate such a thing. (
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