Indepth Advanced Keying Process for After Effects 2022 (Beginner Friendly)
The key to keying is using multiple keys. Chroma or green screen keying in After Effects 2022 is actually a rather easy and straight forward process and if the footage is somewhat decent, meaning it's evenly lit but MOST importantly was shot with a high shutter speed, getting a clean mask to composite your keyed footage into a new background or CGI environment in Blender is just a matter of following a few simple steps.
Start by masking out the unnecessary elements with a garbage mask to remove C-stands and whatnot. Then split the keying into several keys, minimum two, but preferably three or more keys using the Keylight effect. Then trim the mask using a simple choker and clean it using the Key Cleaner effect. This will result in a actually somewhat good key. You can then improve the mask even more by using the amazing Refine Soft Matte or Refine Hard Matte effects which removes the dark edges around the actor. Then remove the green spill using the Advanced Spill Suppressor.
This method works with both well lit footage and more tricky and complex keys and hair. And using the new and improved multi-frame rendering in After Effects 2022, playback and rendering works a lot better. Hope this help! ๐
See how I combined the footage with CG elements in Blender 3.0:
https://youtu.be/P6jlD3QdZTE
Timestamps:
๐ก 00:00 Intro to video
๐ก 00:15 tiedtke.
๐ก 00:21 Overview
๐ก 00:55 Garbage Matte
๐ก 01:31 Remove Green Tint
๐ก 03:27 Keylight - Light Green / Highlights
๐ก 05:19 Keylight - Dark Green / Shadows
๐ก 06:39 Simple Choker / Key Cleaner
๐ก 08:38 Refine Hard Matte
๐ก 10:00 Advanced Spill Suppressor
๐ก 11:00 Adding CG Shadows
๐ก 12:30 Extra Tips
๐ก 13:17 Rendering
๐ก 13:50 Outro
Thanks for watching, if you like the video feel free to like and subscribe for more tutorials on #aftereffects #editing and #3d
Follow my journey to become a Layout, Modeler and Lighting 3D artist working in the industry.
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๐๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐๐ผ ๐ฏ๐ฒ๐ฐ๐ผ๐บ๐ฒ ๐ฎ ๐ฝ๐ฟ๐ผ ๐๐ถ๐ฑ๐ฒ๐ผ๐ด๐ฟ๐ฎ๐ฝ๐ต๐ฒ๐ฟ? ๐ ๐๐ฒ๐ฟ๐ฒ'๐ ๐๐ต๐ฎ๐ ๐ ๐๐๐ฒ ๐ณ๐ผ๐ฟ ๐บ๐ ๐๐ผ๐ฟ๐ธ.
๐ป ๐ฆ๐ผ๐ณ๐๐๐ฎ๐ฟ๐ฒ:
๐ธ Adobe Premiere Pro
๐ธ Autodesk Maya 2022
๐ธ Blender 3.0
๐ธ Adobe After Effects
๐ธ Adobe Photoshop
๐ธ Foundry Nuke
๐ธ DaVinci Resolve
๐ฅ ๐๐ฎ๐บ๐ฒ๐ฟ๐ฎ๐:
๐ธ Sony Alpha A7S III
๐ธ Insta360 One R
๐ท ๐๐ฒ๐ป๐๐ฒ๐:
๐ธ XEEN 16mm T2,6 Cinema Prime
๐ธ Sigma 24-70mm 2.8 ART
๐ธ Takumar 135mm F3,5 M42 mount
๐ธ Helios 44-2 58mm F2 w/ M42 to EF adapter
๐ก ๐๐ถ๐ด๐ต๐๐:
๐ธ Aputure LS 300D
๐ธ Aputure LS 120D II
๐ป ๐๐ฑ๐ถ๐๐ถ๐ป๐ด:
๐ธ AMD Ryzen Threadripper 5800X
๐ธ NVidia Geforce GTX 3090
๐ธ NVidia Geforce GTX 1080 TI
๐ธ Logitech MX Master
๐ธ Microsoft Designer Keyboard
๐พ ๐ฆ๐๐ผ๐ฟ๐ฎ๐ด๐ฒ:
๐ธ LaCie 4TB Rugged Portable HDD
๐ธ Sandisk 128GB 170mb/s SD card
๐ธ Prograde 128GB V90 300mb/s SD card
I've worked 8+ years as a Director of Photography in Sweden, working on projects ranging from feature films to commercials and music videos. Currently studying at Visual Magic in Skellefteรฅ, Sweden. Years active in the 3D industry is about 1 year. Focusing on 3D modeling, layout and lighting which is my passion.
โ๏ธ For any business inquiries, email me at michael@tiedtke.se
๐ For any personal questions DM me at www.instagram.com/tiedtke