Nightbitch Review 🔴 P B P ✔
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(It’s worth noting that a grittier movie about a stay-at-home-mom who dreams of pursuing art and who, spurred by her husband’s absenteeism, adopts a canine persona, has already been made: Marianna Palka’s 2017 oddity Bitch.) Mother has created a prison of her own design – she must be home full-time, with no babysitter to lend a hand, for absolutely no discernible reason – and she’s not even allowed to really gnaw at the bars.
You don’t need to read Yoder’s novel to sense that some of its most gut-wrenching, challenging passages weren’t translated to the screen. Despite its punchy title, this Nightbitch is far too tidy, Mother’s home and hair as clean as the movie’s ridiculously pat ending; the most grotesque scene involves Mother lancing a pus-filled protuberance on her lower back. Charming though Adams always is, Nightbitch conjures her Disney princess past more than it does her Sharp Objects stint. The script fails to balance the two truths inherent to Mother as a character: She is a bumbling, basic mom and she is a ferocious, keenly intelligent creature. Nearly everything in Nightbitch feels twee, winking – a sin no more aptly signaled than when Mother eventually turns into an actual dog (some kind of silken-furred, husky-ish breed), rather than the unsettling were-creature depicted in the book.