NOPE | Haunting Night Ambience
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Nope (stylized in all caps) is a 2022 American neo-Western science fiction horror film written, directed, and produced by Jordan Peele under his and Ian Cooper's Monkeypaw Productions banner. It stars Daniel Kaluuya and Keke Palmer as horse-wrangling siblings attempting to capture evidence of an unidentified flying object in Agua Dulce, California. Appearing in supporting roles are Steven Yeun, Michael Wincott, Brandon Perea, and Keith David.
Peele officially announced his then-untitled third directorial film in November 2020. He cited King Kong (1933), Jurassic Park (1993), Close Encounters of the Third Kind (1977), Jaws (1975), Signs (2002), and The Wizard of Oz (1939) as his main inspirations. Palmer and Kaluuya joined in February 2021. Yeun was cast the next month, and Peele revealed the title in July 2021. Filming began in June 2021 in northern Los Angeles County and wrapped in November.
"Nope" premiered at the TCL Chinese Theatre in Los Angeles on July 18, 2022, and was theatrically released in the United States on July 22, 2022, by Universal Pictures. It grossed $172 million worldwide and received praise for its ambition, performances, cinematography, themes, visual style, musical score, and Peele's direction. It was also named one of the top ten films of 2022 by the American Film Institute. Since its release, the film has been cited as one of the best science fiction films of the 21st century and of all time.
The film has been characterized as containing themes related to spectacle and exploitation.[11] GQ's Gerrick D. Kennedy wrote that "Nope" "is a movie about spectacle. More specifically, our addiction to spectacle [...] 'Nope' is about holding a mirror up to all of us and our inability to look away from drama or peril."[12] Kennedy also states that "the erasure of black contributions" to the history of filmmaking plays a significant role in the film.[12] Writer-director Jordan Peele was partly inspired to write "Nope" by the COVID-19 lockdowns and the "endless cycle of grim, inescapable tragedy" in 2020.[12]
Richard Brody of The New Yorker considered "Nope" to be a film about exploitation and the cinematic history of exploitation in film; he wrote that he thought the premise of the film was "acknowledging and extending cinema's legacy while also redressing its omissions and misrepresentations of history."[13] Brody also noted that the film's action "pivots on the power and the nature of movie technology" and felt that the film critiqued computer-generated imagery (CGI) in its TV commercial production scene, writing, "Peele presents [CGI] as a dubious temptation and a form of dangerous power."[13] Brody interpreted the choice to have the space creatures target a black-owned horse farm as "a sardonic vision of the universality of racism."[13]
Los Angeles Times writer Jen Yamato noted that Steven Yeun's Ricky "Jupe" Park attempts to profit off Jean Jacket with his "Star Lasso Experience" show, falsely believing that, because he survived the Gordy incident, he shares a similar kinship with Jean Jacket.[11] Zosha Millman of Polygon argues that Jupe's belief that Gordy and Jean Jacket are well-intentioned, despite their capacity to be unpredictable and dangerous, contrasts with the life experience of Daniel Kaluuya's OJ, "who grew up around unruly animals that it was his job to tame. As a horse trainer, he knows that animals are worthy of our respect. But it's not part of a grand design or born from a special relationship with the horse. It's an animal, and it could kill you—but it can be tamed and worked with if you know what you're doing."[14]
Discussing Jupe's fate, Michael Wincott's character, Antlers Holst, makes mention of Siegfried & Roy[15]—a duo known for training white lions and white tigers—the latter of whom was attacked and severely injured by one of his tigers. GameRevolution's Jason Faulkner further noted "Peele quoting Neon Genesis Evangelion's Angels as the principal inspiration for the film and the monster within," and of the true meaning of Jean Jacket's true form's resemblance to the biblical description of angels; he notes the verse from Nahum prefacing the film as indicative of Peele's thoughts on the Bible and how if one "thinks about the way [Jean Jacket] feeds and the concept of people ascending to heaven, [one can] connect the dots [that] Jean Jacket['s species has] been with humanity for a long time, and an attack from one of the creatures could [be] misinterpreted as something from the divine."[16]
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