Piano Sonata No. 1 - Wolfgang Amadeus Mozart [Piano Synthesia] ピアノソナタ第1番 ハ長調 K. 279 モーツァルト
10Wolfgang Amadeus Mozart - Sonata No. 1 in C major, KV 279 music [MIDI Piano Tutorial Synthesia♫]
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Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K. 279 / 189d (1774), is a piano sonata in three movements. It was composed when Mozart was only 18 years old and is the first of a set of his 18 piano sonata. All but 2 of the sonatas, No. 8 in A minor and No. 14 in C minor are in a major key. Also, the first several sonatas seem to follow the cycle of fifths, to the flat side first (No. 1 in C major, No. 2 in F major, No. 3 in B-flat major, No. 4 in E-flat major) and then to the sharp side (No. 5 in G major, No. 6 in D major).
1. Allegro
The first movement, marked Allegro, is structured in sonata form; the exposition opens with a turning figure for the left hand, which forms the basis for much of this movement. After a repeat of the opening 2 bars, an Alberti bass is introduced for the left hand, whilst the right hand plays the melody based on the opening turning figure. The opening section uses chromatic appogiaturas for colour. An imperfect cadence leads towards the dominant (G major) in preparation for the 2nd subject, as expected. The second subject focuses on rapid scales and leads to a perfect cadence in G major, ready for the development section. The exposition is repeated, which is standard for sonata form. The development begins in G minor uses the opening theme to follow a series of ascending arpeggios in several keys before moving towards G major and then back to the tonic, C major, for the recapitulation. The recapitulation follows a similar structure to the exposition, although the imperfect cadence that led to the dominant previously now leads to the final 10 bars of the exposition, this time in the tonic key. The first movement ends with a perfect cadence and a three bar elaboration on the tonic.
2. Andante
The Andante is full of expressive shading, the result of Mozart's harmonic freedom. This movement is based in F major, the subdominant of the whole work's tonal home and is structured in sonata form. By the end of the exposition, Mozart has modulated to the dominant, C major and begins the development in this key. The work then quickly makes temporary transitions through G and D minor, in order to move back to the tonic for the recapitulation, which follows the exposition closely.
3. Allegro
The Allegro is in 2
4 time, and is based in C major. This features an unusually active part for the left hand, another extended development section, and a surprising close: Mozart rounds the sonata off with two firm chords, which he marks Coda.
A typical performance takes about 14 minutes.
The work was written down, except for the first part of the opening movement, during the visit Mozart paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March.
ピアノソナタ第1番 ハ長調 K. 279 (189d) は、ヴォルフガング・アマデウス・モーツァルトが作曲した最初期のピアノソナタの1つ。
概要
このピアノソナタは、かつて1774年にザルツブルクで作曲されたと考えられていたが、近年の研究によって、1775年の初め頃にミュンヘンで書かれた事が判明した。1776年に作曲されたが散逸した4曲のピアノソナタ（K.Anh. 199からAnh. 202）を除いて、最初のピアノ（クラヴィーア）のためのソナタとなる。このソナタを含めて、同じ時期に作曲されたピアノソナタは6曲ある。「デュルニッツ・ソナタ」と呼ばれるこれらのソナタは、モーツァルト自身によって一連の番号が付けられていて、一つのセットとしてまとめて書かれたと考えられているが、番号順に書いたのかは定かではない。
今日、演奏会などで演奏されることこそ少ないが、既にモーツァルトらしい旋律美と優雅な気品に満ち溢れており、無駄のない秀逸な作品に仕上がっている。
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