Quentin Tarantino’s Reservoir Dogs 1992 Filming Locations Then and Now
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Reservoir Dogs is a 1992 American crime film written and directed by Quentin Tarantino in his feature-length debut. It stars Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen, Tarantino, and Edward Bunker as diamond thieves whose heist of a jewelry store goes terribly wrong. Kirk Baltz, Randy Brooks, and Steven Wright also play supporting roles. It incorporates many motifs that have become Tarantino's hallmarks: violent crime, pop culture references, profanity, and nonlinear storytelling.
The film is regarded as a classic of independent film and a cult film and was named "Greatest Independent Film of all Time" by Empire. Although controversial at first for its depictions of violence and heavy use of profanity, Reservoir Dogs was generally well received, with the cast being praised by many critics. Despite not being heavily promoted during its theatrical run, the film became a modest success in the United States after grossing $2.8 million against its scant budget. It achieved higher popularity after the success of Tarantino's next film, Pulp Fiction (1994). A soundtrack was released featuring songs used in the film, which are mostly from the 1970s.
Reservoir Dogs was filmed in Los Angeles, California, USA. Johnie's Coffee Shop, Pat & Lorraine's Coffee Shop, Belmont Tunnel, and Highland Park were among the filming locations.
The warehouse scenes were filmed in an unused mortuary filled with coffins, funeral equipment, embalming fluid, and a hearse. Mr. Orange's apartment was a room on the second floor of the mortuary, dressed to look like living quarters. The building has since been demolished.
Tarantino's decision not to film the diamond robbery was twofold: for budgetary reasons, and to keep the details of the heist ambiguous. By not showing the robbery and having the characters describe it, Tarantino explained, the film is allowed to be "about other things", similar to the way in which the robbery in Glengarry Glen Ross and its film adaptation is discussed, described, and debated, but never shown. Tarantino compared the technique to the work of a novelist, and said he wanted the film to be about something not seen and to "play with a real-time clock as opposed to a movie clock ticking".
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