| 401. | Fra Filippo Lippi, Madonna and Child | 146 | |
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| 402. | Veronese, the Dream of Saint Helena | 146 | |
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| 403. | Monet, The Argenteuil Bridge | 146 | |
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| 404. | Keeping your loved ones close: a Kota reliquary figure | 147 | |
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| 405. | Picturing Spanish conquest in an era of U.S. expansion | 147 | |
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| 406. | Cars, highways, and isolation in Postwar America | 147 | |
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| 407. | Please watch our new video (see below) | 147 | |
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| 408. | A new Jerusalem in the Americas—the convento of Acolman | 148 | |
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| 409. | Christus, Portrait of a Carthusian | 148 | |
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| 410. | Crowned Nun Portrait of Sor María de Guadalupe | 148 | |
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| 411. | Homage to JFK: Rauschenberg's Retroactive I | 148 | |
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| 412. | Ivory panel with Archangel (Byzantine) | 149 | |
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| 413. | Mixing Vessel with Odysseus Escaping from the Cyclops's Cave, 550-500 B.C.E. | 149 | |
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| 414. | What the bulldozers left behind: reclaiming Sicán’s past | 150 | |
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| 415. | Mending America, women and the Civil War | 150 | | The Civil War
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| 416. | Mapping nature's stunning beauty | 150 | |
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| 417. | Coronation mantle | 151 | |
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| 418. | Portraying Cherokee power: Sir Joshua Reynolds PRA, Portrait of Syacust Ukah | 151 | |
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| 419. | Gee's bend, quilting over generations | 151 | |
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| 420. | White Porcelain, Ding ware in the Northern Song dynasty | 151 | |
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| 421. | Resisting slavery with poetry and clay, a doubled-handled jug by David Drake | 151 | |
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| 422. | Handheld Prayer Wheel | 187 | |
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| 423. | Benny Andrews, Flag Day | 151 | |
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| 424. | Saintly violence? Santiago in the Americas | 151 | |
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| 425. | Before Pennsylvania Station, George Bellows and old New York | 152 | |
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| 426. | Pietro Cavallini, The Last Judgment | 152 | |
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| 427. | Tiny Timelines: Archaic Greece | 153 | |
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| 428. | Seeking an authentic American art, Walter Ufer's Hunger | 154 | |
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| 429. | Empire: Medea Sarcophagus | 154 | |
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| 430. | Diarna: documenting the places of a vanishing Jewish history | 154 | |
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| 431. | Andrea Pisano's reliefs on the Campanile in Florence | 154 | |
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| 432. | San Pedro Apóstol de Andahuaylillas | 154 | |
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| 433. | A token of thanks to the Cristo de Sacromonte | 155 | |
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| 434. | Giotto, The Entombment of Mary | 156 | |
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| 435. | D'mba mask (Baga peoples) | 156 | |
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| 436. | Homer, The Fog Warning (Halibut Fishing) | 156 | |
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| 437. | Trickster Coyotes, the art of Harry Fonseca | 157 | |
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| 438. | Altdorfer, the Battle of Issus | 159 | |
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| 439. | Hals, Malle Babbe | 159 | |
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| 440. | Olowe of Ise, Veranda Post (Yoruba people) | 159 | |
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| 441. | Two royal figures (Saljuq Period) | 161 | |
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| 442. | Fang Reliquary Figure | 162 | |
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| 443. | The National Memorial for Peace and Justice (Equal Justice Initiative), Montgomery, Alabama | 162 | |
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| 444. | Work, war, and racism: Bearden's Factory Workers | 163 | |
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| 445. | Renoir, The Grands Boulevards | 163 | |
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| 446. | Peale, Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale) | 163 | |
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| 447. | Cuban cigars, Cuban independence | 163 | |
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| 448. | Moholy-Nagy, Composition A.XX | 163 | |
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| 449. | Childe Hassam, Allies Day, May 1917 | 180 | |
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| 450. | Visiting the Lower East Side in 1905 | 164 | |
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| 451. | Velázquez, Los Borrachos or the Triumph of Bacchus | 165 | |
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| 452. | Donatello, Madonna of the Clouds | 165 | |
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| 453. | An American story: Jamie Wyeth, Kalounna in Frogtown | 166 | |
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| 454. | Ramesses II, Egypt, c. 1250 | 166 | |
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| 455. | Carving out a life after slavery | 167 | |
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| 456. | Manet, In the Conservatory | 167 | |
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| 457. | Burne-Jones, Hope | 168 | |
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| 458. | Marketing peonies, Zhao Zhiqian's flower album | 168 | |
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| 459. | Cezanne, The Large Bathers | 168 | |
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| 460. | Saint Matthew from the Ebbo Gospe | 168 | |
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| 461. | Ornament and status: collecting, court culture, and Jewish identity | 169 | |
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| 462. | Alma-Tadema, Listening to Homer | 169 | |
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| 463. | A body in clay, a work by Magdalene Anyango N. Odundo | 169 | |
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| 464. | The story of the Oyster Man, a Tlingit totem pole | 169 | |
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| 465. | Rembrandt, Bathsheba at her Bath | 169 | |
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| 466. | Dürer, Self-portrait (1498) | 170 | |
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| 467. | Hetch Hetchy, Yosemite and the battle for National Parks (Bierstadt) | 170 | |
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| 468. | Francis Guy, Winter Scene in Brooklyn | 170 | |
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| 469. | American resilience and the Great Depression | 170 | |
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| 470. | Burne-Jones, The Golden Stairs | 171 | |
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| 471. | Stuck, The Sin | 171 | |
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| 472. | Bacon, Triptych - August 1972 | 171 | |
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| 473. | Painting and Poetry Among Friends | 172 | |
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| 474. | Color and brushwork, Hua Yan's Golden Pheasant | 172 | |
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| 475. | Bernini, Bust of Medusa | 172 | |
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| 476. | Kehinde Wiley, Rumors of War | 172 | |
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| 477. | Horace Pippin's Mr. Prejudice | 173 | |
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| 478. | A race against time: manuscripts and digital preservation | 173 | |
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| 479. | Millais, The Vale of Rest | 174 | |
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| 480. | Male figure, Ikenga (Igbo Peoples) | 175 | |
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| 481. | Christus, Portrait of a Young Girl | 175 | |
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| 482. | The making of an American myth: Benjamin West, Penn's Treaty with the Indians | 175 | |
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| 483. | Taíno Kuisa | 198 | |
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| 484. | Summer or Autumn? Picturing the American Republic | 176 | |
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| 485. | Winslow Homer, Army Teamsters | 176 | |
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| 486. | Pacific patterns: understanding bark cloth | 176 | |
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| 487. | A dangerous escape to freedom: Eastman Johnson, A Ride for Liberty -- The Fugitive Slaves | 177 | |
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| 488. | Friendship and landscape, Asher B Durand's Kindred Spirits | 177 | |
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| 489. | Risk and Invention, the early abstraction of Norman Lewis | 177 | |
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| 490. | Imperial War Museum North | 177 | |
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| 491. | A magical landscape | 178 | |
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| 492. | The Experimenter | 178 | |
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| 493. | Santa Prassede (Praxedes) | 179 | |
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| 494. | Screen with the Siege of Belgrade and Hunting Scene (Brooklyn Biombo) | 179 | |
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| 495. | A modern icon: Beauford Delaney's Marian Anderson | 180 | |
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| 496. | Khnopff, I Lock My Door Upon Myself | 180 | |
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| 497. | Breaking the frame, Rhod Rothfuss, Yellow Quadrangle | 180 | |
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| 498. | Strange Worlds, immigration in the early 20th century | 181 | |
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| 499. | Titian, Bacchus and Ariadne | 181 | |
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| 500. | Reimagining the past, Wang Shimin's landscape paintings | 181 | |
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