201. | ποΈ The shapes in your textures should always correspond to the style and intention of the effect. | 17 | |
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202. | π‘ How does a VFX artist transition from 2D FX to 3D VFX? #2DFX #vfxschool #visualeffects #VFXcareer | 59 | |
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203. | π§βπ It doesn't hurt to apply for a job you may be underqualified for on paper. #vfxshorts #gamedev | 54 | |
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204. | π€ Generalist, or VFX artist? Your portfolio should have the answer inside. | 73 | |
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205. | π€ What is the shape frequency threshold in VFX, and why should you implement it in your work? #vfx | 148 | |
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206. | π¨ Your career goals should be the basis of your portfolio! #vfxeffect #blender #vfxgraph | 40 | |
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207. | ποΈ How to make sure the shapes in my textures are corresponding to the style of the effect? #vfx | 24 | |
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208. | πΆβπ«οΈ Opacity can accentuate the timing of your VFX, or obscure something good in your effect. | 104 | |
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209. | π Nature is the most diverse and trusty place to gather reference for your VFX! | 40 | |
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210. | π¨ Color Theory, part 2: what's the main difference between pigments and monitor pixels? #shorts | 115 | |
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211. | βοΈ What is competitive integrity, and why is it crucial for VFX in multiplayer games? | 32 | |
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212. | π₯Let's draw fire! pt.1. Featuring the short animated film "Alight" (2011) | 101 | |
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213. | Houdini & EmberGen Bootcamp | VFX Guided Training | 28 | |
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214. | π‘The intensity of the gameplay defines the intensity of your VFX. | 25 | |
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215. | π¦ Learn with VFX Apprentice: What is UV space, or UV mapping? | 23 | |
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216. | π‘ How does a VFX artist transition from 2D FX to 3D VFX? #vfxcareer | 71 | |
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217. | π’ How do you hire a VFX artist in the wild? #vfxeffect #gamedev #gameart #visualeffects #vfxcareer | 76 | |
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218. | π‘How intense should your VFX be? #vfx #realtimevfx #rtfx #rtvfx #gamedevelopment #vfxapprentice | 625 | |
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219. | π₯ Every VFX would greatly benefit from snappy timing, realistic or stylized. | 95 | |
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220. | π Letβs celebrate the work our students have made during the last Bootcamp launch #vfx #vfxshorts | 35 | |
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221. | 2024 Student VFX Reel | VFX Apprentice - Training FX Artists for Games and Animation | 96 | |
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222. | β‘ Use this simple technique to make your lightning VFX shine! #2Danimation | 47 | |
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223. | π¨ A bridging color is the solution to unite two complementary colors in your VFX. | 458 | |
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224. | πYour portfolio should clearly display your career goals. | 63 | |
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225. | π€ How can you learn good timing in VFX? #vfx #realtimevfx #vfxschool #gamedevelopment #vfxapprentice | 32 | |
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226. | β³ Plan out the timing of your VFX first, make them pretty after! | 45 | |
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227. | Here is some of our favorite student work we collected over the last 5 years of VFX Apprentice! #vfx | 44 | |
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228. | π‘ How can you use opacity to spice up your VFX? #ue5 #gameart | 61 | |
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229. | π‘ Wider soulercoaster meshes give you more room for detail, and make your VFX more sophisticated! | 125 | |
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230. | β‘ Use this technique next time you're animating lightning for a more coherent result! | 223 | |
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231. | π₯ Study the overall shape and its motion rather than details, to understand how the fire behaves. | 77 | |
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232. | π₯ Fanart VFX is super beneficial to improve your skills! #vfxschool #realtimevfx #vfxapprentice | 29 | |
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233. | Are you a VFX artist or a generalist? #vfx #realtimevfx #rtfx #rtvfx #gamedevelopment #vfxapprentice | 40 | |
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234. | π Wave principle has countless implications in VFX! #2Dartist #2Dart #2Danimation #fireVFX | 37 | |
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235. | π₯How to draw fire: Part 2, featuring the short animated film "Alight" (2011) | 51 | |
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236. | π‘ Round and soft vs spikey and sharp - you don't need to speak shape language to feel its impact! | 51 | |
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237. | π Painting ground cracks is a prime example of the relation between positive and negative shapes. | 198 | |
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238. | π« We know that everyone might find themselves in a pickle. That's what the community is for! | 105 | |
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239. | π Adding anticipation VFX to your ability will make the timing more snappy and the effect - richer. | 113 | |
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240. | π Waves are all around us in nature, and make for really interesting motion in our FX. | 50 | |
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241. | π’οΈ The shape language in your VFX is always tied to the physics of the element you're emulating. | 62 | |
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242. | Ever wonder why some VFX feel more organic than others? #unrealengine #vfxapprentice #explosion | 176 | |
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243. | πͺ Wider meshes give you more room for detail, and more detail makes your VFX more sophisticated! | 106 | |
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244. | β¨Studying the best of the existing VFX in a style of your choice is a great way to learn effects! | 54 | |
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245. | β¨ No matter the level of your portfolio, we love to see your work! #vfxschool #realtimevfx #shorts | 57 | |
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246. | π₯ Use this simple technique to accentuate your explosion VFX! | 56 | |
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247. | π What are negative and positive shapes? #vfx | 123 | |
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248. | π§βπ Making fanart VFX is super beneficial to improve your skills! | 39 | |
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249. | βοΈ First, sketch out your idea, then keep referring to it while polishing your effect. | 66 | |
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250. | π€ 5 Tips for the best VFX portfolio reel #gamedev #vfx #gameart | 45 | |
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251. | β‘ Use this practical approach to animate lightning in your VFX. | 84 | |
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252. | Bootcamp seats are available at 20% off, and we canβt wait to dive into the world of VFX with you πͺ | 16 | |
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253. | π₯How to draw fire: Part 1, featuring the short animated film "Alight" (2011) | 114 | |
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254. | π©΅ VFX Apprentice origin story time! 5 years of teaching and learning VFX with this amazing community | 36 | |
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255. | π₯ Study the overall shape and its motion rather than details, to understand how the fire behaves. | 30 | |
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256. | βοΈ First, sketch out your idea, then keep referring to it while polishing your effect! #vfx #gameart | 67 | |
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257. | π Dive into Advanced Shader techniques: create an amazing shader effect in just 4 weeks #UE5 #shader | 20 | |
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258. | πͺοΈ Allow your VFX to be even more sophisticated with wider meshes and more details. | 93 | |
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259. | π« Here's why learning at school will always be valuable... #vfxgraph #unity #vfxeffect #3Dartist | 42 | |
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260. | π’ How do you hire a VFX artist in the wild? #gamedev #gameart #visualeffects #vfxcareer | 38 | |
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261. | Jason Keyser & Jonathan Williamson Livestream | Running an Online Education Ecosystem | 40 | |
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262. | VFX Community Campfire | Jason Keyser & Keith Guerrette | GDC 2025 & All About VFX | 78 | |
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263. | π¨ Transition colors can bring some spice to any color combinations! #art #2Dart #vfxapprentice | 732 | |
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264. | π¨ The engine's color blending can't learn color theory, but you can! | 33 | |
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265. | When "touch grass" becomes professional advice for VFX enthusiasts... #visualeffects #vfxartist | 25 | |
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