| 2026-05-02 | 🎬 "Chainsaw Man" Sound re-design 📷 Denis Plakhetko | 0:00 | 598 | |
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| 2026-05-01 | 🥁 How to build a drum mix 📷 Maximilian Scarpa | 0:00 | 1,443 | |
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| 2026-04-30 | See what's new in Pro Tools 2026.4 | 0:00 | 2,388 | |
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| 2026-04-29 | 🏹 Arrow Foley for "God of War Ragnarök" 📷 Eashwar Venkatesh at River Records Studios Chennai | 0:00 | 2,217 | | God of War Ragnarök
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| 2026-04-27 | 👉 3 Pro Tools quick tips 📷 Juan Razuri | 0:00 | 1,213 | |
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| 2026-04-26 | 🎵 Loop mix 📷 Ndinda | 0:00 | 1,357 | |
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| 2026-04-25 | 🔊 "Stranger Things" sound re-design 📷 Denis Plakhetko | 0:00 | 4,766 | |
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| 2026-04-24 | 👉 UPGRADED! 📷 Jefter Costa | 0:00 | 3,216 | |
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| 2026-04-23 | Heavy Mellow reflects on his journey—producing a billion-stream hit, realizing how far he’s come | 0:00 | 890 | |
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| 2026-04-22 | 🔊 PRO TOOLS TECH PREVIEW — fPost Integration | 0:00 | 1,932 | |
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| 2026-04-22 | 🦖 Creating sounds for "The Dinosaurs" 📷 Silverback Films | 0:00 | 1,576 | |
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| 2026-04-21 | 🔊 PRO TOOLS TECH PREVIEW — MPEG-H Support and Immersive Panner | 0:00 | 1,584 | |
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| 2026-04-20 | 🎬 “Project Hail Mary” sound designer Erik Aadahl crafted Rocky’s unique sound | 0:00 | 1,558 | |
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| 2026-04-20 | 😍 Coming very soon to Pro Tools: Speech-to-Text enhancements | 0:00 | 1,930 | |
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| 2026-04-20 | 🔊 Coming very soon to Pro Tools: Track Pinning | 0:00 | 2,252 | |
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| 2026-04-20 | 🔊 Soundscape of "CHEWING" 📷 Vinayak Meda | 0:00 | 1,212 | |
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| 2026-04-19 | 🔊 Just a few tracks... 📷 Ruben Cardenas | 0:00 | 1,191 | |
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| 2026-04-18 | 😅 TAKE A BREAK! 📷 Freitas | 0:00 | 2,805 | |
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| 2026-04-17 | 👉 Link Track and Edit Selection 📷 Justin Sheriff | 0:00 | 1,724 | |
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| 2026-04-16 | Heavy Mellow routes everything—vocals, synths, computer audio—through custom pedalboards | 0:00 | 1,186 | |
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| 2026-04-15 | 😍 ASMR — Unboxing the Avid S1 control surface 📷 Melodika Sound Production | 0:00 | 2,225 | |
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| 2026-04-13 | 🔊 Sound re-design of "Dragons" 📷 Shreyas Bhat | 0:00 | 991 | |
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| 2026-04-12 | 🎨 Vanessa Silberman’s favorite Pro Tools feature is the Color Palette | 0:00 | 39,300 | |
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| 2026-04-11 | 🎙️ Foley sound re-design 📷 May | 0:00 | 1,000 | |
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| 2026-04-10 | 🎶 Here’s how Dina Rae produces Dre R’s latest song | 0:00 | 7,308 | |
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| 2026-04-08 | 🎚️ Step inside Al Cofre’s home studio | 0:00 | 7,312 | |
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| 2026-04-06 | 🔊 Let Gab do the cooking in Pro Tools | 0:00 | 4,837 | |
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| 2026-04-04 | 🦖 Mixing "The Dinosaurs" in Dolby Atmos 📷 Silverback Films | 0:00 | 1,183 | |
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| 2026-04-03 | 📱 André Ramos Mixes wirelessly with Avid Control in Pro Tools | 0:00 | 9,848 | |
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| 2026-04-03 | 🎵 The EQ III is one of Vanessa Silberman’s go-to stock plugins | 0:00 | 8,739 | |
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| 2026-04-01 | Dive into composer Simon Franglen’s Pro Tools demo for “Avatar: Fire and Ash” | 0:00 | 613 | |
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| 2026-03-31 | 🎵 Press Play to Start 📷 Bayonne at Club Sound Machine | 0:00 | 1,227 | |
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| 2026-03-30 | ☕ Coffee and mix time with Alejandro Marín | 0:00 | 18,062 | |
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| 2026-03-28 | 🎵 Welcome to Martin Cerquera’s studio | 0:00 | 38,545 | |
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| 2026-03-27 | 🎵 "Bannatyne" by Ariel Posen | 0:00 | 841 | |
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| 2026-03-25 | Discover the creative possibilities of Sony’s 360 Reality Audio in Pro Tools | 0:00 | 736 | |
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| 2026-03-24 | ⏲️ Discovering the evolution of music production with Sepulsound | 0:00 | 3,108 | |
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| 2026-03-23 | 🔊 Matt Gair breaks down Goliath's footsteps for "David" 📷 Sunrise Animation Studios | 0:00 | 642 | |
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| 2026-03-21 | 🔊 Drums of Death (FKA twigs & Koreless) — Dolby Atmos mix 📷 Alex Gamble | 0:00 | 1,266 | |
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| 2026-03-20 | 🎸 Here’s how Michael Brauer controls everything about that bass! | 0:00 | 4,080 | |
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| 2026-03-19 | Step inside “Avatar: Fire and Ash” with composer Simon Franglen | 0:00 | 1,333 | |
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| 2026-03-18 | Immerse yourself in Jakke’s EP, “All Ways, Always,” brought to life in Sony’s 360 Reality Audio | 0:00 | 956 | |
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| 2026-03-17 | 💨 Mike Avenaim shows how to easily speed up or slow down audio in Pro Tools | 0:00 | 4,389 | |
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| 2026-03-16 | 👉 Check out this Pro Tools pro tip by Preston “Prizzie” Reid | 0:00 | 3,475 | |
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| 2026-03-15 | 🎵 "Pro Tools, what were you like in the '90s?" | 0:00 | 2,572 | |
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| 2026-03-14 | 🔊 Stone impact — sound design 📷 EASHWAR | 0:00 | 1,433 | |
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| 2026-03-13 | 🎵 Producing "All Night Long" by Sofia 📷 Steve Pageot | 0:00 | 780 | |
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| 2026-03-12 | F1: The Movie was a masterclass in collaboration, experimentation, and authentic sound | 0:00 | 740 | |
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| 2026-03-10 | Juan Peralta helped turn the car sequences into a cinematic, high-octane experience | 0:00 | 905 | |
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| 2026-03-09 | 🎶 Virtual Reality Mix 📷 Fırat Çavaş | 0:00 | 2,336 | |
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| 2026-03-08 | 🎵 Women be producing! 📷 LaNell Grant | 0:00 | 1,670 | |
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| 2026-03-06 | 🔊 How to recreate a Godzilla-style roar with ceramic plates 📷 EASHWAR | 0:00 | 1,830 | |
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| 2026-03-04 | ⚔️ "God of War" trailer | Sound re-design 📷 Minkzzz & Palika Prasansombat | 0:00 | 1,098 | |
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| 2026-03-03 | Gary Rizzo crafted each F1 race in the movie with authentic cars and radio chatter | 0:00 | 834 | | F1 Race
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| 2026-03-02 | 🎶 Which one is faster — A, B, C, or D? 📷 Sound Doctrine Engineering | 0:00 | 2,096 | |
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| 2026-03-01 | 🔊 Clip Gain In Pro Tools | 0:00 | 1,725 | |
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| 2026-02-28 | 💜 Dolby Atmos mix 📷 Mr Rafael Capone | 0:00 | 1,814 | |
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| 2026-02-26 | The start of Silverstone in F1: The Movie comes alive with crowd and effects | 0:00 | 855 | |
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| 2026-02-23 | 🔊 Bass vocals for the soundtrack of "Rock Bottom" 📷 Jose Sepúlveda | 0:00 | 1,147 | |
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| 2026-02-22 | 🎵 Going digital 📷 Jules Ramllano | 0:00 | 1,618 | |
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| 2026-02-21 | 💦 NO drinks on the console! 📷 Craig Bauer | 0:00 | 1,614 | |
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| 2026-02-20 | 🎶 Flashback to Pro Tools 1.01 | 0:00 | 2,423 | |
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| 2026-02-20 | 🎹 Make beats FAST in Pro Tools with powerful MIDI and loop record workflows | 0:00 | 20,940 | |
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| 2026-02-18 | 🎚️ Avid S1 — Fader reset | 0:00 | 7,813 | |
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| 2026-02-17 | Re-recording mixer Juan Peralta blends every car-by, dialogue, and music in F1: The Movie | 0:00 | 1,230 | |
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| 2026-02-17 | How to Use Clip Gain in Pro Tools | 0:00 | 2,616 | |
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| 2026-02-16 | 🔊 Godzilla's atomic breath — Sound re-design 📷 Andrez Machado | 0:00 | 2,033 | |
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| 2026-02-15 | ⛷️ Olympic Winter Games — Sound design 📷 Thacio Palanca | 0:00 | 1,306 | | Winter Games
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| 2026-02-13 | 🔊 Vocal touch-ups 📷 Seb Laviolette | 0:00 | 3,901 | |
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| 2026-02-10 | Gary Rizzo explains how F1: The Movie uses layered Atmos objects to immerse viewers | 0:00 | 2,478 | |
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| 2026-02-09 | 🔊 TURN your phone to get a better look at our Avid S6 | 0:00 | 1,984 | |
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| 2026-02-07 | 🥁 Let's make a snare bomb 📷 Jesse Hardiek | 0:00 | 1,620 | |
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| 2026-02-06 | 👉 Light or Dark Theme — which one do you use? | 0:00 | 10,019 | |
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| 2026-02-05 | Re-recording mixer Juan Peralta breaks down F1: The Movie’s crowds, cars, and swooshes | 0:00 | 986 | |
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| 2026-02-05 | Get Avid Pro Tools | 0:00 | 130,632 | |
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| 2026-02-05 | Record, Mix, Edit Podcasts | 0:00 | 1,828 | |
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| 2026-02-05 | 🎬 Sound re-design for "Battleship" 📷 Preetham Parthiban | 0:00 | 826 | |
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| 2026-02-04 | 🎵 No one will ever notice... 📷 Damon Sharpe | 0:00 | 1,661 | |
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| 2026-02-04 | 🏆 GRAMMY winner Justin Gray reminds creators to focus on storytelling and craft | 0:00 | 1,092 | |
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| 2026-02-02 | GRAMMY nominee Hans-Martin Buff has been recognized for his immersive album “Tearjerkers” | 0:00 | 10,665 | |
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| 2026-02-01 | GRAMMY nominee Mark Parfitt celebrates his nominations for Justin Bieber’s “Swag” | 0:00 | 28,659 | |
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| 2026-01-31 | 🎧 Sound re-design of "Cadbury Gems" 📷 신요 Sinyo | 0:00 | 1,352 | |
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| 2026-01-30 | GRAMMY nominee Justin Gray built his album “Immersed” as a full 3D sonic adventure | 0:00 | 649 | |
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| 2026-01-30 | Get Avid Pro Tools | 0:00 | 65,288 | |
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| 2026-01-30 | Get Avid Pro Tools | 0:00 | 111,415 | |
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| 2026-01-30 | Get Avid Pro Tools | 0:00 | 928,013 | |
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| 2026-01-29 | F1: The Movie’s sound brings the track to life for a fully immersive experience | 0:00 | 684 | |
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| 2026-01-29 | How to use Wave Alchemy Triaz Player in Pro Tools | 0:00 | 398 | |
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| 2026-01-29 | Mixing Sound Effects for F1® The Movie | Behind the Scenes with Juan Peralta | 0:00 | 5,758 | |
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| 2026-01-29 | Mixing Dialogue & Music for F1® The Movie | Behind the Scenes with Gary Rizzo, CAS | 0:00 | 8,527 | |
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| 2026-01-28 | 📽️ "Carpe Noctem" — Sound design 📷 Karel Havlicek | 0:00 | 1,084 | |
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| 2026-01-26 | 🔊 Matt Boerum breaks down Lucius’s “How Loud Your Heart Gets” 📷 Genelec | 0:00 | 1,151 | |
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| 2026-01-24 | 👀 We're starting up Nu•Studio's immersive mix room for the last day of NAMM 2026 | 0:00 | 1,493 | |
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| 2026-01-24 | 🎵 Coming soon to Pro Tools — MPE (MIDI Polyphonic Expression) support | 0:00 | 2,867 | |
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| 2026-01-24 | 🎹 Coming soon to Pro Tools — New MIDI Editing Mode | 0:00 | 3,013 | |
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| 2026-01-24 | 🔥 Leandro “Dro” Hidalgo answers our quick-fire questions at NAMM 2026 | 0:00 | 803 | |
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| 2026-01-24 | 🎵 What's Harv's favorite Pro Tools feature? | 0:00 | 499 | |
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| 2026-01-24 | 🔊 Coming soon to Pro Tools — Pin one or more tracks in the Edit window | 0:00 | 995 | |
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| 2026-01-24 | 😋 Share your favorite secret studio snack 📷 Joe Carrell | 0:00 | 1,047 | |
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| 2026-01-23 | 👉 Justin Colletti shares his latest & greatest favorite Pro Tools shortcut! | 0:00 | 804 | |
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