24 Dec 2020 - What Are The Colors ? Modes. How do "Modes" color the reports of The Schumann ?
49Stated Clear Intention.
Why, how are "The Modes" coloring the repors of Schumann Resonance spectrorams ? What are deci-Bels of "Modes". relative to the Schumann spectro ?
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One of the most common questions I get is: What are the colours of the Schumann Resonance graphs?
Before answer this question, let me narrow the field. There are multiple locations around the world which measure Schumann resonance. Each institution which measures and publishes results, does so in a manner unique to their methods of data collection. Some sites feature only a magnetic induction coil to measure the Quality portion. Some sites use a "Marconi-type" antenna to measure the Amplitude, or Electric portion. Some sites measure up to 120 Hz; some stop at 50 Hz. Based upon the hardware being used, in addition to the software suite analysing this signal; our resultant report will be plotted accordingly.
There is not one single remedy of the color solution, where one color, such as WHITE, equals "5D Gamma energies". The colors of the reports are based upon arbitary settings, introduced by the engineers of the graphs. Because of the arbitrary nature of the coloring, we need to look at each graph separately, based upon its own color code; which is generally provided somewhere close to the chart being published.
Therefore, due to the huge variety, and descrepancy in the variety of coloration, we are going to look at the case of two separate graphic recording systems: Tomsk, Siberia, Russia; and Cumiana, N. Italy. First, let us explain a common reality of our sample charts.
First it starts with a "canvas", or the background, on which the reporting activity commences. The background starts-out being a dark blue. This is similar across most spectrograms, that it starts with a dark blue background. This dark blue/Navy color is an excellent representation of our statistically normal average value of our fair weather "at rest" state. Consider this to be like an elastic, which wants to "gravitate" into the field of activity. "Field of activity", is the moving atmosphere, surrounding the antennae-detector units. In this case our model is Tomsk, Russia.
The field of action moves, our antennae-detector "wires" detect a signal from top-down, or bottom-up. Amplitude, electrics move top down. Magnetics move bottom-up. Our "at rest canvas", the "field of action" may be acted-upon by Amplitude strikes, Or, by magnetic waves which have travelled around the world. At rest refers to a state of balance, acting against the influences of the immediate environment. At Tomsk, Russia, the SOS uses both the Amplitude detector, and the Magnetic-side detectors. As such, we will receive both types of signals: top-down, and bottom-upwards.
Our at rest canvas may get colored from the top down (through Amplitude), or the bottom-up (through Magnetics). Now that we are ready to start detecting a signal, and our canvas is theoretically ready to be "painted upon", what are we using for our pallet of colours?
Our system of colors is another way of thinking of the modes.
In Tomsk, our four "primary colors" are" White, Yellow, Red, Green. Each color represents a "Mode". Mode colors are: White = 1; Yellow = 2; Red = 3; Green = 4. We see these numbers on the Graph strips, coming from Tomsk. A1; A2; A3; A4; etc. What does this code mean?
The best way to see these modes, relative to our canvas/painting analogy, is to see the Modes as different size, and shape instruments. If you are familiar with brushes, or caligraphy pen nibs, you have the basic working idea of what we are doing.
Our theoretical painting is photo-realism. We are representing actual events, in real time, as they occur, This is called "plotting". The Amplitude/(height), magnetic strength and direction/(quality) of the incoming signals (electromagnetic radio frequency wave signals), is plotted, using the tools of the modes, to draft a spectrogram of the signal.
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