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Via motion capture technology, Williams is mostly played by 32-year-old Jonno Davies, who gives what Iâm tempted to say is the best performance of this type since Andy Serkisâs Gollum in The Lord of the Rings. The physical integration is seamless; the emotional fine details rivetingly subtle and present.
Better Man is not otherwise an especially subtle work, and traces the usual rise-fall-redemption arc thatâs long been standard for the form. Itâs also occasionally corny, overripe and self-serving, and its final scene â a never-ending re-staging of Williamsâs 2001 Royal Albert Hall concert, built around what feels like a 15-minute version of My Way â feels like a peculiar choice for a number of reasons. (The main one being: why would you want your audience to leave humming Sinatra?)
But it is also committed at all times, with a boggle-eyed mad-scientist-like zeal, to using every last gadget in cinemaâs toolkit to bring about amazement. Not all of it clicks, but given how bizarre much of it is â Williamsâs 2003 Knebworth gig is interrupted by a platoon of heavily armed monkeys, for instance â the hit rate is impressive.