The beauty of Primal is in its relative simplicity. Devoid of dialogue, the series relies on facial expressions, body language, and kinetic action sequences to tell its story. That story, too, is relatively simple: the survival of the aforementioned caveman and his thunder lizard companion. Tartakovsky imagines a world where man and dinosaurs lived side-by-side, a fact that’s all too tragic for the unnamed caveman who witnesses his wife and children being eaten alive by a pack of dangerous, flesh-eating dinos. That opening firmly establishes Primal as a revenge story, one that puts the surprisingly emotive neanderthal on the hunt for the creatures responsible for his family’s death.
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