‘It’s Not Me’ Review🔴: Leos Carax Continues Futile Quest to Rationalize Obsession with Images via Go
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‘It’s Not Me’ Review🔴 : Leos Carax Continues Futile Quest to Rationalize Obsession with Images via Godardian Video Essay✔ P B P The 40-minute video essay sees Carax stringing together shots from his previous films alongside black-and-white clips from Old Hollywood, historical footage like the 1939 Nazi rally at Madison Square Garden, and a few new shots that see him catching up with old characters like the sewer leprechaun from “Holy Motors.” The montage skips between topics ranging from the rise of hateful authoritarians around the world and Carax’s shortcomings as a father to the Hitchcock films that sparked his lifelong fascination with POV shots. Carax uses his own narration and textual overlays to regale his viewers with every thought that pops into his head, from existential fears to playful quips like “of all the colics, spare me the melancholic.” It all feels like something a nonagenarian Godard would have cut together long before Carax makes the reference explicit by playing a voicemail that the “Breathless” director once left him.