Moog’s new synth promises big bass in a pint-sized machine

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Reported today on The Verge

For the full article visit: https://www.theverge.com/2020/1/17/21069792/moog-subsequent-25-sub-phatty-synth-namm-2020

Reported today in The Verge.

Moog's new synth promises big bass in a pint-sized machine

Moog has officially announced a new synth called Subsequent 25 at this year's NAMM in Anaheim, California. Replacing the adored Sub Phatty synth, Moog's made several tweaks with the Subsequent 25 that make it capable of delivering even more powerful bass and thicker leads than its predecessor.

The Subsequent 25 is Moog's most compact keyboard synthesizer, which the company says makes it a fit for both stage and studio. Some will balk at the synth's teeny size (the entire thing is just over 20 inches long!), but there's appeal if you're looking for that classic, beefy Moog sound in a pint-sized footprint.

Building upon the success of the Subsequent 37 and Sub Phatty, the Subsequent 25 is a two-note paraphonic analog synth that comes with a 25-note keyboard. Formally, it's replacing the Sub Phatty - Moog says it's "transitioning production" of that synth, and the Subsequent 25 will be the new standard production model moving forward.

The Subsequent 25 has two oscillators along with a sub-oscillator and a noise generator. Oscillators one and two can be split to play two different notes at the same time in Duo Mode, or all three can be stacked up in the synth's Unison mode.

There are a few modernized sonic items in the Subsequent 25. For one, the classic Moog ladder filter - which provides rich resonance and self-oscillation - has reshaped gain staging. Basically the filter's levels have been readjusted at each point of amplification, boosting saturation and doling out a richer low end.

Moog is revered for the fat sounds its oscillators and filters produce, and the Sub Phatty took things one step further. It was Moog's first synth to feature its Multidrive circuit, which sits just be




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