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Eragon (2006)

Duration: 13:49

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Composer Patrick Doyle brought himself back to the forefront of film music - a place he has earned the right to occupy - through, what was one of 2005's best scores, HARRY POTTER AND THE GOBLET OF FIRE, and likewise one the best of his distinguished career. Yet even before delving into yet another new, big-budget, fantasy-franchise, Patrick Doyle delivered a surprisingly entertaining score for NANNY MCPHEE in early 2006. The quality of these two major projects gave little cause for intrepidation when it was announced that Patrick Doyle would be providing the musical magic for the highly anticipated film adaptation of author Christopher Paolini's first book, ERAGON. In fact, there was quite a bit of jubilation over it.

The fourth feature film of the Harry Potter franchise was aided immeasurably by Doyle's fresh and fantastic score. His music helped give the film franchise a much needed breath of fresh air. Far beyond endless variations of John Williams' quaint Harry Potter theme, Doyle added several new layers of depth and interest - something that Mr. Williams used to revel in. One has to guess that the Potter franchise accidentally cast some dark spell upon themselves as early reports tie one "Nicholas Hooper" to the next Potter film - THE ORDER OF THE PHOENIX. With Patrick Doyle's work for The Goblet of Fire, one is forced to ask two questions: "What are you thinking?" and "Nick who?" Perhaps the answer will reveal itself in time...for now, we have ERAGON.

How strange the fates of the film music composer. From one of 2005's most highly rated films, Harry Potter, to one of 2006's most highly hated, ERAGON - composer Patrick Doyle manages to provide one of the few saving graces for a film that clearly should have stayed in the oven of originality a while longer. That yeast clearly didn't finish making its way through the script. Still, even the lead weight of ERAGON, the film, could not keep it's score from mounting up on lofty dragon's wings and blaring the praises of composer Patrick Doyle.

With a movie, as painfully derivative as Eragon, it is all the more amazing that Doyle was able to produce a score that is refreshingly invigorating note after romantic note. In the end, ERAGON, the film, falls way short of those films it tries too hard to emulate; however, Patrick Doyle continues his top-notch scoring. Patrick Doyle's score for ERAGON shares many commonalities with some of the best film music of the decade: memorable theme, thoroughly evocative, and thrilling action cues. The book's sequel, ELDEST, coming to fruition as a feature film remains to be seen, yet fans of good film music can at least rejoice at the opportunity of getting more Doyle-fantasy-music, if it does happen. Hopefully, if the producers gamble on the sequel, they'll not gamble with the score's composer. If ELDEST does find its way to theaters then score fans will hopefully be able to anticipate another winner from Doyle.
(http://www.tracksounds.com/reviews/eragon_patrick_doyle.htm)

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