Ultima IV (Sega Master System) Part 39 — So many shisps
1Mallow and I continue our adventures through Ultima on weird platforms, but this time, the Sega Master System! As it turns out, this was very much the *right* console to play Ultima IV on.
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ULTIMA IV
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(From https://en.wikipedia.org/wiki/Ultima_IV:_Quest_of_the_Avatar )
Ultima IV: Quest of the Avatar, first released in 1985 for the Apple II, is the fourth in the series of Ultima role-playing video games. It is the first in the "Age of Enlightenment" trilogy, shifting the series from the hack and slash, dungeon crawl gameplay of its "Age of Darkness" predecessors towards an ethically-nuanced, story-driven approach. Ultima IV has a much larger game world than its predecessors, with an overworld map sixteen times the size of Ultima III and puzzle-filled dungeon rooms to explore. Ultima IV further advances the franchise with dialog improvements, new means of travel and exploration, and world interactivity.
Ultima IV: Quest of the Avatar for the Master System is the only Ultima to be ported to a Sega platform. It was released in 1990 and was both ported and published by Sega. The port features completely re-drawn graphics (although unlike the NES port, the style was retained from Origin's version), a simpler conversation system and, unlike the NES version, uses the regular Ultima IV background music. Although the Master System is easily capable of displaying more complex first-person scenes than those found in Ultima IV (see Phantasy Star), this version's dungeons are viewed from a top-down perspective, much like those of Ultima VI, which was released the same year. It seems that most of these cartridges were produced for the European market, as they contain a multi-lingual (English, French and German) manual, both books from the original version as well as a folded paper map. The books were of different colour for each of the three editions (blue for the UK version), fully translated and did not fit inside the game's box. There is a graphical error in this version where the gypsy's picture is of a man with a mustache even though the gypsy is referred to as "she" throughout the text.
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