| 301. | Gustav Klimt, The Kiss | 23 | |
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| 302. | Saintly violence? Santiago in the Americas | 23 | |
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| 303. | The Good Shepherd in Early Christianity — Hermes recast | 23 | |
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| 304. | Gustav Klimt, Beethoven Frieze | 23 | |
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| 305. | Courbet, The Painter's Studio | 23 | |
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| 306. | Eye to eye, looking at a Renaissance Jesus | 23 | |
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| 307. | Marcel Duchamp, The Large Glass | 23 | |
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| 308. | A Pink Qur'an for a king | 23 | |
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| 309. | Ethiopian Gospel Book—Getty Conversations | 23 | |
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| 310. | Louis H. Sullivan, Schlesinger & Mayer Building (later Carson Pirie Scott) | 23 | |
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| 311. | Mirror-Bearer (Maya) | 23 | |
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| 312. | The Hay Wain, Constable and the English countryside | 23 | |
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| 313. | The Seated Scribe | 23 | |
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| 314. | Spirit path to the tomb of the first Ming Emperor | 23 | |
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| 315. | Frank Lloyd Wright, Solomon R. Guggenheim Museum | 23 | |
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| 316. | Virgin of Guadalupe | 22 | |
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| 317. | Ancient Greek temples at Paestum, Italy | 22 | |
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| 318. | Looting, collecting, and exhibiting: the Bubon bronzes | 22 | |
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| 319. | Henry VII Chapel, Westminster Abbey | 22 | |
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| 320. | Saint Patrick's Bell and Shrine | 22 | |
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| 321. | The Mesoamerican Ballgame and a Classic Veracruz yoke | 22 | |
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| 322. | Ever wondered — why study art of the past? | 22 | |
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| 323. | Vigée Le Brun, Self-Portrait with her Daughter, Julie | 22 | |
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| 324. | Van Gogh, Irises: the search for violet | 22 | |
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| 325. | Imperial War Museum North | 22 | |
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| 326. | Giotto, Arena (Scrovegni) Chapel (part 2) | 22 | |
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| 327. | Dreaming big, Thomas Cole paints 4,500 years of architectural history in The Architect's Dream | 22 | |
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| 328. | An introduction to Smarthistory | 22 | |
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| 329. | Capital of a column from the audience hall of the palace of Darius I, Susa | 22 | |
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| 330. | Watch Updated video here: https://youtu.be/ZPJ9g-GPa2s Giotto, ArenaChapel (part 1) | 22 | Vlog |
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| 331. | Bernini, St. Peter’s Square (Piazza San Pietro), Vatican City | 22 | |
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| 332. | Pablo Picasso and the new language of Cubism | 22 | |
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| 333. | The Roman Forum, part III | 22 | |
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| 334. | Gender and power, the Moche tomb of Señora de Cao | 22 | |
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| 335. | Salisbury Cathedral | 22 | |
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| 336. | Kandinsky, Improvisation 28 (second version), 1912 | 22 | |
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| 337. | The Renaissance in Spain, The Morata Master | 22 | |
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| 338. | Sarcophagus of Junius Bassus | 22 | |
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| 339. | Sargent, Carnation, Lily, Lily, Rose | 21 | |
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| 340. | African Burial Ground, New York City | 21 | |
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| 341. | Basilica of Maxentius and Constantine | 21 | |
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| 342. | The problem of labor, Ford Madox Brown's Work | 21 | |
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| 343. | How to recognize the Buddha | 21 | |
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| 344. | Willem de Kooning, Woman, I | 21 | |
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| 345. | Golden objects of early Ireland | 21 | |
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| 346. | Celebrating Victory, Ethiopia and the Battle of Adwa | 21 | |
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| 347. | Codex Amiatinus, the oldest complete Latin Bible | 21 | |
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| 348. | Moai, sacred ancestor figures of Rapa Nui | 21 | |
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| 349. | Gerhard Richter, Betty | 21 | |
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| 350. | Charioteer of Delphi | 21 | Let's Play |
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| 351. | Turning oil paint into gold: Petrus Christus, A Goldsmith in his Shop | 21 | |
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| 352. | Leonardo and the Last Supper (renewed!) | 21 | |
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| 353. | Jan van Eyck, Portrait of a Man in a Red Turban (Self-Portrait?), 1433 | 21 | |
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| 354. | Sir John Everett Millais, Christ in the House of His Parents | 21 | |
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| 355. | Nightingales and nightmares, Max Ernst and Dada | 21 | |
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| 356. | Envisioning Manifest Destiny during the Civil War | 20 | |
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| 357. | Hiding the divine in a medieval Madonna | 20 | |
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| 358. | Emperor or athlete? rethinking a modern attribution | 20 | |
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| 359. | Newgrange, a prehistoric tomb in Ireland | 20 | |
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| 360. | The Statue of Liberty, constructing the light of democracy | 20 | |
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| 361. | Friedrich, Abbey among Oak Trees | 20 | |
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| 362. | Clonmacnoise, a medieval monastery | 20 | |
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| 363. | Power Figure: Male (Nkisi) | 20 | |
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| 364. | Gilbert Stuart, The Skater | 20 | |
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| 365. | Charles Barry and A.W.N. Pugin, Palace of Westminster (Houses of Parliament) | 20 | |
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| 366. | East and West Pediments, Temple of Aphaia, Aegina | 20 | |
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| 367. | Paradise in miniature, The Court of Kayumars | 20 | |
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| 368. | Giorgione, The Tempest | 20 | |
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| 369. | Magritte, The Treachery of Images (Ceci n’est pas une pipe) | 20 | |
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| 370. | Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series | 20 | |
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| 371. | Virgin of the Rocks | 20 | |
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| 372. | Vessel with a mythological scene (Maya) | 20 | Vlog |
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| 373. | Bushel with ibex motifs | 20 | |
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| 374. | Andrea Mantegna, Lamentation over the Dead Christ, c. 1483 | 20 | |
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| 375. | Saving Torcello, an ancient church in the Venetian Lagoon | 20 | |
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| 376. | Caravaggio, Crucifixion of Saint Peter | 20 | |
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| 377. | Hannah Höch, Cut with the Kitchen Knife, 1919-20 | 19 | |
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| 378. | Zaha Hadid, MAXXI National Museum of XXI Century Arts, Rome | 19 | |
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| 379. | Eleusis Amphora | 19 | |
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| 380. | Charles Willson Peale, Yarrow Mamout | 19 | |
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| 381. | Caravaggio, The Conversion of St. Paul (or The Conversion of Saul) | 19 | |
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| 382. | Reconstructing a masterpiece — Mantegna's St. James Led to his Execution | 19 | |
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| 383. | Rembrandt, Bathsheba at her Bath | 19 | |
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| 384. | Leaving home, Ford Madox Brown's The Last of England | 19 | |
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| 385. | Constantin Brancusi, The Kiss | 19 | |
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| 386. | An introduction to Medieval scripts | 19 | |
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| 387. | Classic, classical, and classicism explained | 19 | |
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| 388. | Da Ke Ding | 19 | |
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| 389. | Tlingit sovereignty and the Proud Raven ("Lincoln") Pole | 19 | |
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| 390. | Capitoline Brutus | 19 | |
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| 391. | Male Head, Nok culture | 19 | |
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| 392. | Mies van der Rohe, Seagram Building | 19 | |
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| 393. | Leonardo, The Mona Lisa — in the Renaissance and today | 19 | |
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| 394. | It's not only about the American Revolution, Leutze's Washington Crossing the Delaware | 19 | |
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| 395. | Bramante, Tempietto | 19 | |
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| 396. | Nicolas Poussin, Et in Arcadia Ego | 18 | |
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| 397. | What is genre painting? | 18 | |
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| 398. | Divine elegance, Simone Martini's The Annunciation | 18 | |
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| 399. | Last Judgment Tympanum, Cathedral of St. Lazare, Autun | 18 | |
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| 400. | A shimmering Icon in Venice | 18 | |
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