| 401. | Blood and tears, visualizing Christ's suffering in New Spain | 18 | |
|
| 402. | James McNeill Whistler, Symphony in White, No. 1: The White Girl | 18 | |
|
| 403. | Tlaloc vessel | 18 | |
|
| 404. | Thomas Cole: America's first environmentalist artist | 18 | |
|
| 405. | Painting modern life: Monet's Gare Saint-Lazare | 18 | |
|
| 406. | Last Judgment Tympanum, Cathedral of St. Lazare, Autun | 18 | |
|
| 407. | An artifact of racism: a Connecticut Klan robe | 18 | |
|
| 408. | Virtue, pride, and magnificence: the Medici Palace in Florence | 18 | |
|
| 409. | Dürer, Self-portrait (1500) | 18 | |
|
| 410. | Rogier van der Weyden, The Seven Sacraments | 18 | |
|
| 411. | Introduction to the Protestant Reformation: Varieties of Protestantism | 18 | |
|
| 412. | Nicolas Poussin, Et in Arcadia Ego | 18 | |
|
| 413. | Matisse, The Red Studio | 18 | |
|
| 414. | Giotto, Virgin and Child enthroned (Ognissanti Madonna) | 18 | |
|
| 415. | A shimmering Icon in Venice | 18 | |
|
| 416. | What is genre painting? | 18 | |
|
| 417. | The Athenian Agora and the experiment in democracy | 18 | |
|
| 418. | Bundu / Sowei Helmet Mask (Mende peoples) | 18 | |
|
| 419. | How to recognize Renoir: The Swing | 18 | |
|
| 420. | Bruegel, the Dutch Proverbs | 18 | |
|
| 421. | Victory (Nike) Adjusting Her Sandal, Temple of Athena Nike (Acropolis) | 18 | |
|
| 422. | Dürer, Four Apostles | 18 | |
|
| 423. | Saenredam, Interior of Saint Bavo, Haarlem | 18 | |
|
| 424. | Rodin, The Gates of Hell | 18 | |
|
| 425. | A soldier saint in Renaissance Florence: Donatello's St George | 17 | |
|
| 426. | Donatello, Feast of Herod | 17 | |
|
| 427. | The Roman Forum, part II | 17 | |
|
| 428. | Pontormo, Deposition, Pieta or Entombment? a Mannerist puzzle in paint | 17 | |
|
| 429. | Unfinished business—Michelangelo and the Pope | 17 | |
|
| 430. | Statue of a Victorious Youth: Getty Conversations | 17 | |
|
| 431. | Icon with the Virgin Hodegetria Dexiokratousa | 17 | |
|
| 432. | Ever wonder why people become art historians? We asked colleagues, what do you study and why? | 17 | |
|
| 433. | Jizō Bosatsu — a connection to the divine | 17 | |
|
| 434. | Paa Joe's Coffin in the Form of a Nike Sneaker | 17 | |
|
| 435. | Alberti, Palazzo Rucellai | 17 | |
|
| 436. | A Byzantine vision of Paradise — The Harbaville Triptych | 17 | |
|
| 437. | Pair of Earflares, Winged Messengers (Moche Culture, Peru) | 17 | |
|
| 438. | Necklace (Lei Niho Palaoa), Hawai'i | 17 | |
|
| 439. | Depicting Judaism in a medieval Christian ivory | 17 | |
|
| 440. | A new art for a new nation: Félix Parra’s Bartolomé de las Casas | 17 | |
|
| 441. | Klimt, Death and Life | 17 | |
|
| 442. | George Washington and the Civil War | 17 | |
|
| 443. | Wang Lü among the peaks, Ming paintings of Mt. Hua | 17 | |
|
| 444. | Van Eyck, Ghent Altarpiece (1 of 2) | 17 | |
|
| 445. | Mary, queen of heaven: Duccio's Maestà (renewed) | 17 | |
|
| 446. | A wedding and a miracle for the queen of Spain | 17 | |
|
| 447. | Napoleon's booty — Perugino's (gorgeous) Decemviri Altarpiece | 17 | |
|
| 448. | Chakalte’, Relief with Enthroned Ruler (Maya) | 17 | |
|
| 449. | Titian, Madonna of the Pesaro Family | 17 | |
|
| 450. | Woven cultures, the complex history of an Ottoman carpet | 17 | |
|
| 451. | Peter Paul Rubens, Descent from the Cross | 17 | |
|
| 452. | Bacon, Triptych - August 1972 | 17 | |
|
| 453. | What is foreshortening? | 17 | |
|
| 454. | Markets of Trajan | 17 | |
|
| 455. | How real is too real? Pedro de Mena's sculptures (corrected) | 16 | |
|
| 456. | Watch our update instead, link below - Santa Maria Maggiore | 16 | Vlog |
|
| 457. | Feline-Head Bottle, Cupisnique | 16 | |
|
| 458. | Jan van Eyck, The Virgin and Child with Canon Joris van der Paele | 16 | |
|
| 459. | Jacob Lawrence, The Migration Series (long version) | 16 | |
|
| 460. | Treasure from early medieval Ireland, the Ardagh Chalice | 16 | |
|
| 461. | Science, religion, and politics, Church's Cotopaxi | 16 | |
|
| 462. | Saving Venice | 16 | |
|
| 463. | Dress to impress, Fashion in New Spain | 16 | |
|
| 464. | Lysippos, Apoxyomenos (Scraper) | 16 | |
|
| 465. | Ad Reinhardt, Abstract Painting | 16 | |
|
| 466. | Beauty is not the point: Donatello's Mary Magdalene | 16 | |
|
| 467. | Alexander, the Mongols, and the great epic of Iran | 16 | |
|
| 468. | What is archaeology: understanding the archaeological record | 16 | Vlog |
|
| 469. | Donatello, Equestrian Monument of Gattamelata | 16 | |
|
| 470. | Manet, Olympia | 16 | |
|
| 471. | Mummy of Herakleides: Getty Conversations | 16 | |
|
| 472. | Rogier van der Weyden, Last Judgment | 16 | |
|
| 473. | Bronze Casting | 16 | |
|
| 474. | Sarcophagus of the Spouses (Rome) | 16 | |
|
| 475. | Jade Cong | 16 | |
|
| 476. | Photographing the Battle of Gettysburg, O'Sullivan's Harvest of Death | 16 | |
|
| 477. | Rembrandt, The Anatomy Lesson of Dr. Tulp | 16 | Let's Play |
|
| 478. | Thomas Cole, The Oxbow | 16 | |
|
| 479. | A brief history of representing the body in Western painting | 16 | |
|
| 480. | Bringing the figure to life, Berruguete at The Met | 16 | |
|
| 481. | Tintoretto, Last Supper | 16 | |
|
| 482. | Seated Gudea holding temple plan | 16 | |
|
| 483. | Monet's Wheatstacks (Snow Effect, Morning) | 15 | |
|
| 484. | Turning Uncle Tom's Cabin upside down, Alison Saar's Topsy and the Golden Fleece | 15 | |
|
| 485. | Baltasar de Echave Ibía, The Hermits | 15 | |
|
| 486. | Olowe of Ise, Veranda Post (Yoruba people) | 15 | |
|
| 487. | Beyond the Madonna, an early image of enslaved people in Renaissance Florence | 15 | |
|
| 488. | Warhol, Coca-Cola [3] | 15 | |
|
| 489. | Tlatilco figurines | 15 | |
|
| 490. | Painting the Mexican landscape, Velasco’s candelabrum of Oaxaca | 15 | |
|
| 491. | Rogier van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning | 15 | |
|
| 492. | Between Amsterdam and Asia, a Dutch East India Company ship | 15 | |
|
| 493. | Bear Claw Necklace (Pawnee) | 15 | |
|
| 494. | Please see our updated contrapposto video, link below | 15 | Vlog |
|
| 495. | Frankenthaler, Mountains and Sea | 15 | |
|
| 496. | Taíno Kuisa | 15 | |
|
| 497. | Jess, If All the World Were Paper and All the Water Sink | 15 | |
|
| 498. | Giotto, Arena Chapel, part 1 (of 4) | 15 | |
|
| 499. | Giotto, Arena (Scrovegni) Chapel (part 3) | 15 | |
|
| 500. | Ingres, Princesse de Broglie | 15 | |
|
