| 401. | Tlaloc vessel | 18 | |
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| 402. | Masami Teraoka, American Kabuki | 18 | |
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| 403. | Victory (Nike) Adjusting Her Sandal, Temple of Athena Nike (Acropolis) | 18 | |
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| 404. | Quiet violence, Artemisia Gentileschi's Judith | 18 | |
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| 405. | An artifact of racism: a Connecticut Klan robe | 18 | |
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| 406. | Last Judgment Tympanum, Cathedral of St. Lazare, Autun | 18 | |
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| 407. | Divine elegance, Simone Martini's The Annunciation | 18 | |
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| 408. | Giotto, Virgin and Child enthroned (Ognissanti Madonna) | 18 | |
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| 409. | Introduction to the Protestant Reformation: Varieties of Protestantism | 18 | |
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| 410. | Dürer, Self-portrait (1500) | 18 | |
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| 411. | The Athenian Agora and the experiment in democracy | 18 | |
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| 412. | Rogier van der Weyden, The Seven Sacraments | 18 | |
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| 413. | Nicolas Poussin, Et in Arcadia Ego | 18 | |
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| 414. | Bruegel, the Dutch Proverbs | 18 | |
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| 415. | Matisse, The Red Studio | 18 | |
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| 416. | Saenredam, Interior of Saint Bavo, Haarlem | 18 | |
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| 417. | Inspiring prayer, Fra Angelico's Annunciation | 18 | |
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| 418. | What is genre painting? | 18 | |
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| 419. | Rodin, The Gates of Hell | 18 | |
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| 420. | Bundu / Sowei Helmet Mask (Mende peoples) | 18 | |
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| 421. | How to recognize Renoir: The Swing | 18 | |
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| 422. | Blood and tears, visualizing Christ's suffering in New Spain | 18 | |
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| 423. | Dürer, Four Apostles | 18 | |
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| 424. | Thomas Cole: America's first environmentalist artist | 18 | |
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| 425. | George Washington and the Civil War | 17 | |
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| 426. | The Roman Forum, part II | 17 | |
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| 427. | Chakalte’, Relief with Enthroned Ruler (Maya) | 17 | |
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| 428. | Pontormo, Deposition, Pieta or Entombment? a Mannerist puzzle in paint | 17 | |
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| 429. | Bacon, Triptych - August 1972 | 17 | |
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| 430. | Napoleon's booty — Perugino's (gorgeous) Decemviri Altarpiece | 17 | |
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| 431. | Ever wonder why people become art historians? We asked colleagues, what do you study and why? | 17 | |
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| 432. | Donatello, Feast of Herod | 17 | |
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| 433. | Jizō Bosatsu — a connection to the divine | 17 | |
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| 434. | A wedding and a miracle for the queen of Spain | 17 | |
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| 435. | A soldier saint in Renaissance Florence: Donatello's St George | 17 | |
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| 436. | Van Eyck, Ghent Altarpiece (1 of 2) | 17 | |
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| 437. | Klimt, Death and Life | 17 | |
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| 438. | Paa Joe's Coffin in the Form of a Nike Sneaker | 17 | |
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| 439. | Necklace (Lei Niho Palaoa), Hawai'i | 17 | |
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| 440. | Alberti, Palazzo Rucellai | 17 | |
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| 441. | Unfinished business—Michelangelo and the Pope | 17 | |
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| 442. | A Byzantine vision of Paradise — The Harbaville Triptych | 17 | |
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| 443. | What is foreshortening? | 17 | |
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| 444. | Titian, Madonna of the Pesaro Family | 17 | |
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| 445. | Peter Paul Rubens, Descent from the Cross | 17 | |
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| 446. | A new art for a new nation: Félix Parra’s Bartolomé de las Casas | 17 | |
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| 447. | Markets of Trajan | 17 | |
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| 448. | Depicting Judaism in a medieval Christian ivory | 17 | |
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| 449. | Pair of Earflares, Winged Messengers (Moche Culture, Peru) | 17 | |
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| 450. | Woven cultures, the complex history of an Ottoman carpet | 17 | |
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| 451. | Wang Lü among the peaks, Ming paintings of Mt. Hua | 17 | |
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| 452. | Icon with the Virgin Hodegetria Dexiokratousa | 17 | |
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| 453. | Statue of a Victorious Youth: Getty Conversations | 17 | |
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| 454. | Mary, queen of heaven: Duccio's Maestà (renewed) | 17 | |
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| 455. | Jan van Eyck, The Virgin and Child with Canon Joris van der Paele | 16 | |
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| 456. | Alexander, the Mongols, and the great epic of Iran | 16 | |
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| 457. | Jacob Lawrence, The Migration Series (long version) | 16 | |
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| 458. | Feline-Head Bottle, Cupisnique | 16 | |
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| 459. | Mummy of Herakleides: Getty Conversations | 16 | |
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| 460. | What is archaeology: understanding the archaeological record | 16 | Vlog |
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| 461. | Dress to impress, Fashion in New Spain | 16 | |
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| 462. | Treasure from early medieval Ireland, the Ardagh Chalice | 16 | |
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| 463. | How real is too real? Pedro de Mena's sculptures (corrected) | 16 | |
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| 464. | Donatello, Equestrian Monument of Gattamelata | 16 | |
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| 465. | Sarcophagus of the Spouses (Rome) | 16 | |
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| 466. | Lysippos, Apoxyomenos (Scraper) | 16 | |
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| 467. | Science, religion, and politics, Church's Cotopaxi | 16 | |
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| 468. | Watch our update instead, link below - Santa Maria Maggiore | 16 | Vlog |
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| 469. | Beauty is not the point: Donatello's Mary Magdalene | 16 | |
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| 470. | Ad Reinhardt, Abstract Painting | 16 | |
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| 471. | Saving Venice | 16 | |
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| 472. | Rogier van der Weyden, Last Judgment | 16 | |
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| 473. | Manet, Olympia | 16 | |
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| 474. | Seated Gudea holding temple plan | 16 | |
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| 475. | Jade Cong | 16 | |
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| 476. | Bronze Casting | 16 | |
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| 477. | Photographing the Battle of Gettysburg, O'Sullivan's Harvest of Death | 16 | |
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| 478. | Bringing the figure to life, Berruguete at The Met | 16 | |
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| 479. | Thomas Cole, The Oxbow | 16 | |
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| 480. | A brief history of representing the body in Western painting | 16 | |
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| 481. | Rembrandt, The Anatomy Lesson of Dr. Tulp | 16 | Let's Play |
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| 482. | Tintoretto, Last Supper | 16 | |
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| 483. | George Inness, The Lackawanna Valley | 15 | |
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| 484. | Pablo Picasso, Gertrude Stein | 15 | |
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| 485. | Paying tribute, Masaccio at the Brancacci Chapel (The Tribute Money and The Expulsion) | 15 | |
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| 486. | Taíno Kuisa | 15 | |
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| 487. | Olowe of Ise, Veranda Post (Yoruba people) | 15 | |
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| 488. | Attic Black-Figure: Exekias, Dionysos Kylix | 15 | |
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| 489. | Painting the Mexican landscape, Velasco’s candelabrum of Oaxaca | 15 | |
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| 490. | A Renaissance St. James as pilgrim | 15 | |
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| 491. | Cast from life, Guido Mazzoni's renaissance portrait | 15 | |
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| 492. | Terracotta Krater, Ancient Greece | 15 | |
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| 493. | Frankenthaler, Mountains and Sea | 15 | |
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| 494. | Before the Civil War, the Mexican-American War as prelude | 15 | |
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| 495. | Ingres, Princesse de Broglie | 15 | |
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| 496. | Rogier van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning | 15 | |
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| 497. | Beyond the Madonna, an early image of enslaved people in Renaissance Florence | 15 | |
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| 498. | Giotto, The Lamentation, Arena Chapel, part 3 (of 4) | 15 | |
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| 499. | Friedrich, Monk by the Sea | 15 | |
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| 500. | Jess, If All the World Were Paper and All the Water Sink | 15 | |
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