| 201. | Charlemagne: an introduction | 32 | |
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| 202. | Linear Perspective: Brunelleschi's Experiment | 32 | |
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| 203. | Monument Avenue and the Lost Cause | 32 | |
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| 204. | Workshop of Campin, Annunciation Triptych (Merode Altarpiece) | 32 | |
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| 205. | Jan van Eyck, The Ghent Altarpiece (2 of 2) | 31 | |
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| 206. | The Looting of Cambodian Antiquities | 31 | |
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| 207. | A brief history of representing of the body in Western sculpture | 31 | Let's Play |
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| 208. | Renoir, Luncheon of the Boating Party | 30 | |
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| 209. | A celebration of beauty and love: Botticelli's Birth of Venus | 30 | |
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| 210. | Gentileschi, Judith and Holofernes | 30 | |
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| 211. | Rembrandt, Self-Portrait | 30 | |
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| 212. | Aztec Monolith of Tlaltecuhtli (Earth Lord) | 30 | |
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| 213. | Hagia Sophia as a mosque | 30 | |
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| 214. | Aztec warriors and gods in the House of the Eagles | 30 | |
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| 215. | Jackson Pollock, One: Number 31, 1950 | 30 | |
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| 216. | How to Recognize the Four Evangelists | 29 | |
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| 217. | Pieter Bruegel the Elder, Peasant Wedding | 29 | |
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| 218. | Johannes Vermeer, Girl with a Pearl Earring | 29 | |
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| 219. | Bronzino, An Allegory with Venus and Cupid | 29 | |
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| 220. | Picturing salvation — Chora’s brilliant Byzantine mosaics and frescoes | 29 | |
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| 221. | Ryoanji | 29 | |
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| 222. | Cézanne, Mont Sainte-Victoire | 29 | |
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| 223. | “The god of wood," Juan Martínez Montañés and a Baroque sculpture at The Met | 29 | Let's Play |
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| 224. | At the edge of the world, Skellig Michael | 29 | |
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| 225. | Unearthing the Aztec past, the destruction of the Templo Mayor | 29 | |
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| 226. | Berthe Morisot, Young Woman Watering a Shrub | 29 | |
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| 227. | The Forum of Trajan | 29 | |
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| 228. | Tempera paint | 29 | |
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| 229. | When there is no archaeological record: Portrait Bust of a Flavian Woman (Fonseca bust), part 2 of 2 | 28 | Vlog |
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| 230. | Red so rare it was lost to time, a ritual Ming dish | 28 | |
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| 231. | Using the Greco-Roman past to forge a Mexican identity: Vilar's Tlahuicole | 28 | |
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| 232. | Joseph, Mary, and the representation of marriage in New Spain | 28 | |
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| 233. | This video has been replaced See below... | 28 | |
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| 234. | Holding on to pagan traditions in the early Christian era: The Symmachi Panel | 28 | |
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| 235. | Augustus of Primaporta, power and propaganda | 28 | |
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| 236. | A new world after the Russian Revolution: Malevich, Suprematist Composition: White on White | 28 | |
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| 237. | Turner, Slave Ship | 28 | |
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| 238. | Gustave Caillebotte, Paris Street; Rainy Day | 28 | |
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| 239. | Emeralds and gold to crown the Queen of Heaven | 28 | |
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| 240. | Rembrandt Peale, Rubens Peale with a Geranium | 28 | |
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| 241. | Boucher, Madame de Pompadour | 28 | |
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| 242. | The Treasury of Atreus, c. 1300-1250 B.C.E., Mycenae, Greece | 28 | |
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| 243. | A show-stopping cut-glass punch bowl | 28 | |
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| 244. | Fra Angelico, The Annunciation | 28 | |
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| 245. | Siphnian Treasury, Delphi | 28 | Let's Play |
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| 246. | Teotihuacan’s pyramids and sacred landscape | 27 | |
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| 247. | Cimabue, Santa Trinita Madonna & Giotto's Ognissanti Madonna | 27 | |
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| 248. | The Lindisfarne Gospels | 27 | |
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| 249. | Memorial for a Prince, Sinan's Şehzade Mosque | 27 | |
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| 250. | Dürer's woodcuts and engravings | 27 | |
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| 251. | How to recognize a bodhisattva | 27 | |
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| 252. | Ghiberti, "Gates of Paradise," east doors of the Florence Baptistery | 27 | |
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| 253. | Michelle Browder, Mothers of Gynecology | 27 | Vlog |
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| 254. | Hans Memling, Triptych of John the Baptist and John the Evangelist | 27 | |
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| 255. | Theotokos mosaic, apse, Hagia Sophia, Istanbul | 27 | |
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| 256. | Nicola and Giovanni Pisano, 1260-1301 | 27 | |
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| 257. | Thomas Cole, The Voyage of Life | 27 | |
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| 258. | Polykleitos, Doryphoros (Spear Bearer) | 27 | |
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| 259. | A moment in time that's lasted 2000 years— the Spinario (boy pulling a thorn from his foot) | 27 | |
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| 260. | The triangle trade and the colonial table, sugar, tea, and slavery | 26 | |
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| 261. | What is worth dying for? Jacques-Louis David's The Death of Socrates | 26 | |
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| 262. | Couple (Dogon peoples) | 26 | |
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| 263. | Sant'Apollinare in Classe, Ravenna | 26 | |
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| 264. | Kilwa Kisiwani, Tanzania | 26 | |
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| 265. | Queen or goddess? | 26 | |
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| 266. | Robert Smithson, Spiral Jetty | 26 | |
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| 267. | John Singleton Copley, Watson and the Shark | 26 | |
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| 268. | Alexander Mosaic from the House of the Faun, Pompeii | 26 | |
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| 269. | Duchamp, Fountain | 26 | |
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| 270. | The Skill of Describing | 26 | |
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| 271. | Wood, American Gothic | 26 | |
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| 272. | Please watch the updated video, link below, Il Gesù, | 26 | |
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| 273. | Paradise and power, San Vitale | 25 | |
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| 274. | Vermeer, The Glass of Wine | 25 | |
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| 275. | A knotted puzzle buried for a millennium | 25 | |
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| 276. | A tiny teapot from Qing China | 25 | |
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| 277. | Death and salvation in renaissance Florence: Masaccio, The Holy Trinity | 25 | |
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| 278. | Pushing the limits, The Monadnock Building | 25 | |
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| 279. | What a camel in New York reveals about Medieval Spain | 25 | |
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| 280. | The Colosseum | 25 | |
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| 281. | Ingres, La Grande Odalisque | 25 | |
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| 282. | An angel in ivory: classicism and Christianity | 25 | |
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| 283. | Seeing the head of Saint John the Baptist, Donatello's Feast of Herod | 25 | |
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| 284. | Nazi looting: Egon Schiele's Portrait of Wally | 25 | |
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| 285. | Geometry and motion in Borromini's San Carlo | 25 | |
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| 286. | The Renaissance Synagogues of Venice | 25 | |
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| 287. | Rachel Ruysch, Fruit and Insects | 24 | |
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| 288. | Delacroix's The Women of Algiers | 24 | |
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| 289. | The Cathedral of Notre-Dame, Paris (before the fire) | 24 | |
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| 290. | Sacred geometry in a Renaissance ceiling from Spain | 24 | |
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| 291. | Jean Fouquet, Madonna Surrounded by Seraphim and Cherubim | 24 | |
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| 292. | Renaissance curiosity in microcosm | 24 | |
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| 293. | Van Gogh, The Bedroom | 24 | |
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| 294. | Manet, Le Déjeuner sur l'herbe | 24 | |
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| 295. | Please watch our new video (see below) | 24 | |
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| 296. | Soaring upward, Louis Sullivan and the invention of the skyscraper | 24 | |
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| 297. | Ceramics from early Japan, the Jōmon | 24 | |
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| 298. | Exploding tradition, Whistler's Nocturne in Black and Gold, the Falling Rocket | 24 | |
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| 299. | Saintly violence? Santiago in the Americas | 23 | |
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| 300. | Eye to eye, looking at a Renaissance Jesus | 23 | |
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