| 101. | Gloucester Cathedral | 51 | |
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| 102. | Rome's layered history: the Castel Sant'Angelo | 51 | |
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| 103. | Sinan, Süleymaniye Mosque | 50 | |
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| 104. | Diego Rivera, Man Controller of the Universe | 50 | |
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| 105. | Michelangelo, Medici Chapel (New Sacristy) | 50 | |
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| 106. | Botticelli, Primavera | 50 | |
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| 107. | Coatlicue | 49 | |
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| 108. | Apollonius, Seated Boxer | 49 | |
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| 109. | Johannes Vermeer, Woman Holding a Balance | 49 | |
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| 110. | Brunelleschi, Dome of the Cathedral of Florence. | 49 | |
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| 111. | Catacomb of Priscilla, Rome | 49 | |
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| 112. | Saint Mark's Basilica, Venice | 48 | |
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| 113. | The painting that rocked renaissance Florence: the Portinari Altarpiece | 48 | |
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| 114. | The Law Code Stele of King Hammurabi | 48 | |
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| 115. | The astonishing Book of Kells | 48 | |
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| 116. | Art historical analysis (painting), a basic introduction using Goya's Third of May, 1808 | 48 | |
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| 117. | Van Gogh's Irises: Getty Conversations | 48 | |
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| 118. | Charlemagne and the Carolingian revival | 47 | |
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| 119. | Public art, politics, and the banishing of Civic Virtue | 47 | |
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| 120. | Caryatid and column from the Erechtheion | 46 | |
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| 121. | Bruegel, Hunters in the Snow (Winter) | 46 | |
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| 122. | How a famous Greek bronze ended up in the Vatican | 45 | |
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| 123. | Barberini Faun | 45 | |
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| 124. | Michelangelo's David and the Florentine Republic | 45 | |
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| 125. | Dali, The Persistence of Memory | 45 | | The Persistence
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| 126. | Approaching the divine, Il Gesù, Rome | 44 | |
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| 127. | This video has been replaced, link below | 44 | |
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| 128. | Manet, A Bar at the Folies-Bergère | 43 | |
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| 129. | Palmyra: the modern destruction of an ancient city | 43 | |
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| 130. | Lion Gate, Mycenae, c. 1300-1250 B.C.E. | 43 | |
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| 131. | St Michael defeats the devil in Renaissance Spain | 42 | |
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| 132. | Picasso, Les Demoiselles d'Avignon | 42 | |
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| 133. | Jacques-Louis David, The Death of Marat | 42 | |
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| 134. | Donatello, David | 41 | |
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| 135. | Frank Lloyd Wright, Bachman-Wilson House | 41 | |
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| 136. | Saved by shipwreck, The Antikythera Youth | 41 | |
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| 137. | Decoding art: Dürer's Melencolia I | 41 | |
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| 138. | a renaissance gem, The Pazzi Chapel | 41 | |
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| 139. | Holbein the Younger, the Ambassadors (old version, please see new version) | 40 | |
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| 140. | Venice's San Marco, a mosaic of spiritual treasure | 40 | |
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| 141. | A Jewish house in Damascus, Bayt Farhi | 40 | |
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| 142. | Mortuary Temple of Hatshepsut and Large Kneeling Statue, New Kingdom, Egypt | 40 | |
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| 143. | Wells Cathedral | 39 | |
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| 144. | Delacroix, Liberty Leading the People | 39 | |
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| 145. | Portraits of the Four Tetrarchs | 39 | |
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| 146. | Victory Stele of Naram-Sin | 39 | |
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| 147. | Bruegel, Tower of Babel | 39 | |
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| 148. | Wren, Saint Paul's Cathedral | 39 | |
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| 149. | Rome before the Empire, the Temple of Portunus | 39 | |
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| 150. | Relief from the Arch of Titus, showing The Spoils of Jerusalem being brought into Rome | 39 | Show |
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| 151. | From tomb to museum: the story of the Sarpedon Krater | 39 | |
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| 152. | Equestrian Sculpture of Marcus Aurelius | 38 | Let's Play |
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| 153. | Gian Lorenzo Bernini, Baldacchino | 38 | |
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| 154. | What work of art inspired you? | 38 | |
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| 155. | Pozzo, Glorification of Saint Ignatius, Sant'Ignazio | 38 | |
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| 156. | Velázquez, Las Meninas | 37 | |
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| 157. | Mosaics and power in Sant’Apollinare Nuovo | 37 | |
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| 158. | The Competition Panels and the Florentine Renaissance | 37 | |
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| 159. | Norman Rockwell, Rosie the Riveter | 37 | |
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| 160. | Ever wondered who's who? How to recognize saints... | 36 | |
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| 161. | Sir John Everett Millais, Ophelia | 36 | |
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| 162. | The Unicorn in Captivity | 36 | |
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| 163. | A moment of spiritual awakening: Caravaggio's Calling of Saint Matthew | 36 | |
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| 164. | David, Oath of the Horatii | 36 | |
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| 165. | The Roman Forum: part I | 36 | |
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| 166. | Mask of Agamemnon, Mycenae, c. 1550-1500 B.C.E. | 36 | |
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| 167. | Introduction to the Protestant Reformation: Martin Luther | 36 | |
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| 168. | Why look at art? | 36 | |
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| 169. | Haniwa warrior in keiko armor | 36 | |
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| 170. | Frescoes from Akrotiri, Thera | 35 | |
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| 171. | Art and context: Monet's Cliff Walk at Pourville and Malevich's White on White | 35 | |
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| 172. | Contemporary politics and classical architecture | 35 | |
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| 173. | Attic Black-Figure: Exekias, amphora with Ajax and Achilles playing a game | 35 | |
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| 174. | Contrapposto explained | 35 | |
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| 175. | Teotihuacan | 35 | |
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| 176. | Dionysiac frieze, Villa of Mysteries, Pompeii | 35 | |
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| 177. | Think you know van Gogh? The Potato Eaters | 35 | |
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| 178. | Seurat, A Sunday on La Grande Jatte | 35 | |
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| 179. | An introduction to New Spain | 35 | |
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| 180. | Vincent van Gogh, The Starry Night | 34 | |
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| 181. | Describing what you see: Sculpture (Henry Moore, Reclining Figure) | 34 | Let's Play |
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| 182. | Johannes Vermeer, The Art of Painting | 34 | |
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| 183. | Rothko, No. 210/No. 211 (Orange) | 34 | |
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| 184. | Coyolxauhqui Stone | 34 | |
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| 185. | In the garden with Venus, Botticelli's Primavera | 34 | |
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| 186. | Verrocchio's David: more real, less ideal | 34 | |
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| 187. | Damnatio Memoriae in ancient Rome | 33 | |
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| 188. | Alberti, Façade of Santa Maria Novella, Florence | 33 | |
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| 189. | Ambrogio Lorenzetti, Palazzo Pubblico frescos: Allegory and effect of good and bad government | 33 | |
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| 190. | A Renaissance masterpiece nearly lost in war: Piero della Francesca, The Resurrection | 33 | |
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| 191. | Introduction to the Protestant Reformation: The Counter-Reformation | 33 | |
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| 192. | Workshop of Campin, Annunciation Triptych (Merode Altarpiece) | 32 | |
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| 193. | Bosch, the Last Judgment | 32 | |
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| 194. | Linear Perspective: Brunelleschi's Experiment | 32 | |
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| 195. | Sanctuary of Apollo at Delphi | 32 | Let's Play |
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| 196. | Colosseum (Flavian Amphitheater) | 32 | |
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| 197. | Giacometti, Walking Man II | 32 | |
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| 198. | The cost of war: Delacroix, Greece on the Ruins of Missolonghi | 32 | |
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| 199. | Olmec mask (Olmec-style mask) | 32 | |
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| 200. | A throne for Saint Peter — Bernini's Cathedra Petri | 32 | |
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