| 401. | The Music of James Bond - INFOrum Panel Highlights 5/13/16 | 2 | |
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| 402. | Superman vs. the NBC Nightly News theme (John Williams) | 1 | |
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| 403. | Some of Bernard Herrmann's standout scores | 1 | |
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| 404. | Overview of the second movement of Debussy's La Mer | 1 | |
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| 405. | Developing the theme music for Ginny & Georgia | 1 | |
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| 406. | How Kris Bowers began writing cues for Green Book | 1 | |
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| 407. | Composer Interview: Wolf Wein (Short Liszt Composer Challenge) | 1 | |
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| 408. | Designing games that empathize with players | 1 | |
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| 409. | Bernie Dresel talks about his new record Bern Bern Bern | 1 | |
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| 410. | Do you need a microphone reflection filter? | 1 | Discussion |
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| 411. | Jermaine Stegall on how he began working on the first scene in Coming 2 America | 1 | |
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| 412. | On recording with Stravinsky | 1 | |
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| 413. | About The Man Who Knew Too Much | 1 | |
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| 414. | The importance of not being timid | 1 | |
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| 415. | Voicings in Ellington's Diminuendo and Crescendo in Blue | 1 | |
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| 416. | Adrienne Albert on her relationship with Stravinsky | 1 | |
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| 417. | How Copland used the energy of the city to write | 1 | |
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| 418. | Cliff Eidelman on forming a good relationship with the director | 1 | |
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| 419. | Ellington Study Highlights, 9/23/16, featuring Scott Healy | 1 | |
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| 420. | The subtlety of scoring THIS IS US | 1 | |
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| 421. | Find balance between writing timeless music and following a trend | 1 | |
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| 422. | Leaving off the root | 1 | |
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| 423. | LA Ravel Score Study Highlights, 5/20/16 | 1 | |
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| 424. | Debussy's La Mer, 2nd movement, rehearsal mark 19 | 1 | |
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| 425. | Why Carlo Siliotto hates the term “ethnic music” | 1 | |
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| 426. | Applying composer's intent to your writing | 1 | |
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| 427. | Subtle dramatic shading using chromatics | 1 | |
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| 428. | Tips on writing string harmonics | 1 | |
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| 429. | An argument between Mahler and Schoenberg | 1 | |
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| 430. | Marrying western music traditions with Korean music | 1 | | Guild Wars 2
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| 431. | On Adams's Lollapalooza | 1 | |
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| 432. | Writing for the characters of The Simpsons | 1 | |
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| 433. | Emil Richards talks about being in a Frank Sinatra session | 1 | |
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| 434. | David Cripps on the Language of Music (LA Ravel 5/20/16) | 1 | |
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| 435. | A story about crafty contracts | 1 | |
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| 436. | A ghostwritten Twilight Zone episode? | 1 | Show |
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| 437. | Scavenger's Reign - A nod to Vangelis? | 4 | |
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| 438. | How strings play a secondary role in Short Ride | 1 | |
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| 439. | John Altman on writing music for comedy | 1 | |
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| 440. | Chick Corea changes a voicing | 1 | |
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| 441. | The hybrid mix approach on the score to Maya and the Three | 1 | |
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| 442. | Introduction to The Misfits score by Alex North | 1 | |
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| 443. | Mozart, the greatest record producer ever | 1 | |
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| 444. | Holst Planets: Four harmonizations in Mars, m167 | 1 | |
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| 445. | Clip from the score breakdown of Debussy's La Mer #1 | 1 | |
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| 446. | Kris Bowers on the power of silence in music | 1 | |
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| 447. | Twilight Zone: The Invaders episode | 1 | Show |
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| 448. | An example of creative sound design with Inon Zur | 1 | |
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| 449. | Carlo Siliotto on the unique sounds and instruments from Nomad | 1 | |
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| 450. | The importance of knowing instrument fingerings | 1 | |
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| 451. | How Adams uses tonality in Short Ride | 1 | |
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| 452. | Garry Schyman shares his influences | 1 | |
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| 453. | Composer Interview: Tim Corpus (Short Liszt Composer Challenge) | 1 | |
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| 454. | Siddhartha Khosla interview highlights, composer and songwriter of NBC's THIS IS US | 1 | |
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| 455. | Clip from the score breakdown of Debussy's La Mer #3 | 1 | |
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| 456. | Cip on playing in the original pit for West Side Story | 1 | |
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| 457. | Penka Kouneva on writing themes for games | 1 | |
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| 458. | How does Cliff Eidelman start a film project? | 1 | |
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| 459. | How Gustav Holst uses the hand-off technique in orchestration | 1 | |
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| 460. | Heavy vibrato in traditional Korean music | 1 | | Guild Wars 2
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| 461. | William Ross's vital tip on preparing to conduct from the podium | 1 | |
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| 462. | Jerry Goldsmith and Bernard Herrmann as radio composers | 1 | |
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| 463. | Intro to today's Ellington Study | 1 | |
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| 464. | A challenge to composers | 1 | |
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| 465. | The psychology of writing demos for directors | 1 | Vlog |
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| 466. | How to pace a scene with dialogue | 1 | |
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| 467. | Mark Isham on following your musical instincts | 1 | |
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| 468. | Library music is the short end of a s****y stick | 1 | |
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| 469. | The Score to Independence Day: Percussion Observations | 1 | |
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| 470. | Joshua Moshier on whether he records all instruments simultaneously | 1 | |
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| 471. | LA Ravel Highlights, 11/20/15, featuring Alex Rannie | 1 | |
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| 472. | Garry Schyman on the recording session for Dante's Inferno | 1 | | Dante's Inferno
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| 473. | How a great score serves the picture | 1 | |
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| 474. | An excerpt from Jeremy Levy's Jupiter | 1 | |
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| 475. | The conducting legacy of Leonard Bernstein | 1 | |
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| 476. | Inon Zur on the French Horn | 1 | |
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| 477. | Maurice Peress arranges Ellington | 1 | |
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| 478. | Why is the score to Independence Day so effective? | 1 | |
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| 479. | Dual harps playing 5 against 4 | 1 | |
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| 480. | The FOX theater organ as a living breathing instrument | 1 | |
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| 481. | Does Scott Healy orchestrate with MIDI? | 1 | |
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| 482. | How does one compose concert jazz music? | 1 | |
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| 483. | A look at Sweet Smell of Success | 1 | |
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| 484. | A big band arranging textbook recommendation | 1 | |
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| 485. | Traditional Korean pentatonic modes in Guild Wars 2 | 1 | | Guild Wars 2
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| 486. | The musical heritage of Halo | 1 | |
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| 487. | How episodes of Drunk History are crafted | 1 | Show |
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| 488. | The approach of not writing to specific picture | 1 | |
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| 489. | Scott Healy discusses the Ellington suites | 1 | |
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| 490. | The Habanera from Bernard Herrmann's Vertigo score | 1 | |
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| 491. | Clip from the score breakdown of Debussy's La Mer #4 | 1 | |
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| 492. | Ellington, gestures, and intent | 1 | |
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| 493. | How to Download a Score to Your iPad or iPhone | 1 | |
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| 494. | On working with Rupert Gregson Williams | 1 | |
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| 495. | Composers who write for piano first | 1 | |
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| 496. | How Alex North wrote in 4-line sketches | 0 | |
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| 497. | How Bernard Herrmann might have scored a comedy | 0 | |
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| 498. | Spotting sessions for The Misfits with Alex North and John Huston | 0 | |
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| 499. | The use of vibraphone in film noir | 0 | |
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| 500. | Tyler Bates on team chemistry | 0 | |
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