Pattern Series, Part 1 (Pseq, Pser, and Prand)
This demo is the start of exploring more deeply the Pattern class in SuperCollider. I use Pattern as an integral tool in my composition process, so it's worth experimenting more and discovering new things!
The first three subclasses of Pattern demonstrated in this video are Pseq (sequence of values run in order), Pser (sequence of values determined by the repeats variable number), and Prand (list of values selected and outputted at random).
With these, the composer can discover neat sequences, including those that behave, in some respect, like an arpeggiator. Enjoy experimenting!
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You can find my music on my website: https://soundengraver.com/
About This Channel:
Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.
New videos are posted every week.
Other Videos By Sound Engraver
2019-08-15 | Instrumentation In Logic Pro |
2019-08-08 | Recording Sound Synthesis |
2019-08-01 | Pattern and Sound Synthesis |
2019-07-25 | Only One Sound File! (Logic Pro Bonus Demo) |
2019-07-18 | Pattern Series, Experiment #2 |
2019-07-11 | Pattern Series, Part 5 (Pswitch and Pswitch1) |
2019-07-04 | Pattern Series, Part 4 (Pseries, Pslide, and Pwalk) |
2019-06-27 | Pattern Series, Part 3 (Pclump, Place, and Ppatlace) |
2019-06-20 | Pattern Series, Experiment #1 |
2019-06-13 | Pattern Series, Part 2 (Pwrand, Pshuf, and Pgeom) |
2019-06-06 | Pattern Series, Part 1 (Pseq, Pser, and Prand) |
2019-05-30 | Sun-Kissed (Album Preview) |
2019-05-23 | The Fixed Score Versus The Indeterminate Score |
2019-05-16 | The Ducking Effect In Logic Pro |
2019-05-09 | How To Use Noise Gate In Logic Pro |
2019-05-02 | Running Audio Files |
2019-04-25 | Formant, PM, and Pulse Oscillators |
2019-04-18 | How To Use Basic Synthesis In Audio Files |
2019-04-11 | Live Sound Processing: Comb and Delay Effects |
2019-04-04 | Comb Filter For Sound Files (CombL) |
2019-03-28 | How I Structure A New Work (Part 5) |