The Fixed Score Versus The Indeterminate Score

Subscribers:
3,370
Published on ● Video Link: https://www.youtube.com/watch?v=0Vq1Ue8SrJY



Duration: 32:04
303 views
11


In this demonstration, we explore how to score for both fixed and indeterminate music in SuperCollider. Utilizing the class Pattern and its subclass Pbindef, I set a fixed sequence of MIDI note numbers and an indeterminate sequence of all degrees in the C natural minor scale.

In my experience, it is more intuitive to use SuperCollider for indeterminate music. Composing even a simple melody, harmony, and bass line may take up to several hours, due to transposing MIDI note numbers in semitone relationships (e.g. 60, for middle C, 63, for E-flat, 67, for G, etc.).

On the whole, SC is excellent for outputting neat, random things!


If you're a musician or composer who wants to be heard on all the major streaming services, sign up for a plan on DistroKid. By clicking on the link below, you'll get 7% off your first annual subscription!
http://distrokid.com/vip/soundengraver

You can find my music on my website: https://soundengraver.com/


About This Channel:

Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.

New videos are posted every week.







Tags:
sound engraver
sound engraver music
how to compose electronic music in supercollider
how to compose electronic music in logic pro x
fixed score
interdeterminate score
interdeterminacy
chance music
indeterminacy in supercollider
melody
harmony
bass
interdeterminate melody
indeterminate harmony
indeterminate bass
midi
midinote
midinote number
semitones
velocity
attack
sustain
release
natural minor scale
supercollider demo: the fixed score versus the indeterminate score