Live Sound Processing: Comb and Delay Effects
In this demonstration, I run live sound in SuperCollider using the SoundIn object and my violin pickup microphone. Please note the Synthdef written for the mic, seen at the start of this video. Effects are the CombL and DelayL as previously demonstrated below:
https://www.youtube.com/watch?v=8hFJIm_o6O8&t=498s
https://www.youtube.com/watch?v=Zoqg7hMTKHM
Here is Eli Fieldsteel's video on live sound:
https://www.youtube.com/watch?v=3vu4UbS2NMw&list=LLRxJO2INa3EWX19IfoWqS5Q&index=26&t=1162s
The violin is recorded in mono and the effects are outputted as stereo. I recorded it with the volume low, as this was my first attempt doing live sound with my pickup. Safety first! :-)
A word of caution:
The comb and delay effects are delicate, highly sensitive to the values put in. Use headphones with the speaker volume low. If you do not know what the result is going to be, please take off your headphones and turn the volume all the way down. Refer to the level meter by evaluating the following syntax: s.meter;
Any hazardous sound will be reflected as red. Stay safe!
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You can find my music on my website: https://soundengraver.com/
About This Channel:
Creating experimental electronic music with SuperCollider and Logic Pro. Styles range from ambient to the experimental, from downtempo to the academic. Craftsmanship takes precedence.
New videos are posted every week.
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2019-05-02 | Running Audio Files |
2019-04-25 | Formant, PM, and Pulse Oscillators |
2019-04-18 | How To Use Basic Synthesis In Audio Files |
2019-04-11 | Live Sound Processing: Comb and Delay Effects |
2019-04-04 | Comb Filter For Sound Files (CombL) |
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2019-03-21 | How I Structure A New Work (Part 4) |
2019-03-14 | How I Structure A New Work (Part 3) |
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2019-02-28 | How I Structure A New Work (Part 2) |
2019-02-21 | How I Structure A New Work (Part 1) |
2019-02-14 | How I Begin A New Work |
2019-02-07 | An Approach To Composing Melody, Part 3 |
2019-01-31 | An Approach To Composing Melody, Part 2 |